★★★★☆ Theatre Review: 6 Microlectures on Genocides (May 2026) by theriverproduction

Anxious, tightly constructed theatre that confronts the limits of speech, empathy, and artistic response in the face of ongoing catastrophe. Singapore’s relationship with the Israel–Palestine conflict is shaped by a long-standing posture of official neutrality, coupled with tight constraints on public political expression. In practice, this has produced a civic environment where public commentary on the conflict is often carefully circumscribed, reflecting both domestic concerns … Continue reading ★★★★☆ Theatre Review: 6 Microlectures on Genocides (May 2026) by theriverproduction

Preview: 6 Microlectures on Genocides (May 2026)

Six voices. Six short, sharp shocks of theatre. One urgent question running underneath it all: what do we do when the world is on fire and language itself starts to feel inadequate? After an initial showing earlier this year, 6 Microlectures on Genocides is back for a limited return to Singapore (21–23 May), a work that refuses easy answers and instead leans into discomfort, contradiction, … Continue reading Preview: 6 Microlectures on Genocides (May 2026)

Singapore Night Festival 2024: An Interview with artist Rizman Putra, on his work ‘The Happiest Days of Our Lives’

Rizman Putra is probably best known for being one of the most high-energy performers in the local theatre scene. With credits that range from the physically-demanding, such as Al in A Clockwork Orange, or even behind the scenes as director on works such as Pandan, or even leading the band Tiramisu as an alternative, counterculture musician, Rizman has pretty much done it all – and … Continue reading Singapore Night Festival 2024: An Interview with artist Rizman Putra, on his work ‘The Happiest Days of Our Lives’