★★★★★ Theatre Review: Handle with Care by Ontroerend Goed (Esplanade’s The Studios 2026)

A tender, bewildering piece of participatory theatre where audiences learn to get things right (and wrong) together, revealing us at our most human selves. Performance attended 7 Aug 8pm60 minutes, no intermission In theatre, one would naturally assume that actors are required. There might be a director somewhere in the wings, technicians behind the scenes, a script determining what happens next, and an audience whose … Continue reading ★★★★★ Theatre Review: Handle with Care by Ontroerend Goed (Esplanade’s The Studios 2026)

Preview: 3 Queens by The Necessary Stage

How far can love stretch before it begins to fray? That question lies at the heart of 3 Queens, The Necessary Stage’s newest original production, which arrives this September with an intimate portrait of three women navigating family, friendship and the expectations that shape their lives. The play follows sisters Bedah and Zeina alongside their lifelong friend and neighbour Aida. Having grown up inseparable, the … Continue reading Preview: 3 Queens by The Necessary Stage

Esplanade’s The Studios 2026: An Interview with Samir Veen on participation and co-operation in Ontroerend Goed’s ‘Handle with Care’

When Belgian theatre company Ontroerend Goed first conceived Handle with Care, they knew almost nothing about the performance itself. There were no actors, no technicians, no script, and not even a clear idea of what would eventually be inside the box that sits at the centre of the stage. What they did know was that they wanted to make something they had never made before. … Continue reading Esplanade’s The Studios 2026: An Interview with Samir Veen on participation and co-operation in Ontroerend Goed’s ‘Handle with Care’

London Theatre: Death Note – The Musical star Telly Leung on becoming Ryuk – “I’m not here to be a copycat”

LONDON, UNITED KINGDOM – For more than two decades, Death Note has refused to stay confined to a single medium. Since writer Tsugumi Ohba and illustrator Takeshi Obata first introduced the supernatural thriller in the pages of Weekly Shōnen Jump in 2003, the series has become one of Japan’s most successful cultural exports. More than 30 million manga copies have been sold worldwide, while the … Continue reading London Theatre: Death Note – The Musical star Telly Leung on becoming Ryuk – “I’m not here to be a copycat”

★★★★★ Theatre Review: Fragments of Tuah by Mark Teh and Five Arts Centre

Mesmerising docutheatre production delves into the myth of Malayan national hero Hang Tuah while asking who gets to shape history, and why we continue to believe the stories we inherit. Duration: 90min Mythological figures have long served as vessels for morality, identity and national aspiration. Their stories are repeated until they begin to feel inseparable from the societies that tell them, their contradictions smoothed over … Continue reading ★★★★★ Theatre Review: Fragments of Tuah by Mark Teh and Five Arts Centre

★★★★★ Theatre Review: Charged (2026) by Teater Ekamatra

Haunting revival interrogates the fragile foundations of Singapore’s racial harmony with unsettling force. Duration: 105min Singapore likes to tell itself a comforting story: that we are a multiracial nation where harmony is one of our greatest achievements. And while that may be true to a large extent, beneath the familiar choreography of Racial Harmony Day celebrations, bilingual policies and shared national rituals lies the assumption … Continue reading ★★★★★ Theatre Review: Charged (2026) by Teater Ekamatra

Theatre Review: Just Maybe by Orangedot Productions

A production that seeks to challenge our assumptions about privilege, fairness and access to justice, with too many unresolved storylines. What does justice look like when life is not lived in black and white? Just Maybe follows Kayleigh, an ambitious law student who believes she has earned everything through hard work. When she is required to complete 20 hours at Pro Bono SG before graduating, … Continue reading Theatre Review: Just Maybe by Orangedot Productions

Design: Singapore Archifest 2026 is reimagining what an architecture festival can be

Twenty years after it first began, Singapore Archifest has grown into far more than an annual gathering for architects. It has become a reflection of how the profession itself has evolved, more collaborative, more outward-looking and increasingly aware that conversations about design cannot remain within the walls of studios and lecture halls. Walking through this year’s festival, which marks its 20th anniversary under the theme … Continue reading Design: Singapore Archifest 2026 is reimagining what an architecture festival can be

Art: Maria Taniguchi – Afterimage at Singapore Art Museum

There is a temptation to describe Maria Taniguchi’s work as meditative. For nearly two decades, the Filipino artist has devoted herself to painting what appears, at first glance, to be the same image: vast fields of carefully hand-painted rectangles, meticulously built one brushstroke at a time until they resemble endless brick walls. Their monumental scale, subdued palettes and rigorous repetition have often led viewers to … Continue reading Art: Maria Taniguchi – Afterimage at Singapore Art Museum

Dracula – Ballet at its Darkest: Joel Burke on reimagining Stoker’s classic and the rise of contemporary dance

Following its sold-out West End run, Dracula: Ballet at its Darkest arrived in Singapore with a bold reimagining of Bram Stoker’s gothic classic. Under the artistic direction and choreography of Joel Burke, the production traded traditional ballet conventions for cinematic storytelling, psychological tension and an evocative score featuring works by Bach, Mozart, Rachmaninov, Liszt and Debussy, inviting audiences into a haunting world where love, grief … Continue reading Dracula – Ballet at its Darkest: Joel Burke on reimagining Stoker’s classic and the rise of contemporary dance