Bakchormeeboy Awards 2025: SG60 brings restagings and reimaginings as theatre grapples with a ‘milestone’ year

It’s been sixty years since Singapore’s independence, a milestone that reminds us how young this country still is, and how much artistic possibility should still lie ahead. Yet 2025 has felt like a strangely uncertain year for theatre, one where our artists have found themselves caught between commemoration and complacency. Not quite an anniversary year, but treated as one nonetheless, it became a season where … Continue reading Bakchormeeboy Awards 2025: SG60 brings restagings and reimaginings as theatre grapples with a ‘milestone’ year

Arts of Hong Kong: An Interview with Hong Kong film and theatre power couple Rosa Maria Velasco and German Cheung Ming Yiu

Rosa Maria Velasco has been to Singapore many times, but always in a hurry. The city, for her, has long been a place of arrival and departure; rehearsals folded into performance schedules, nights measured in curtain calls rather than conversations. But this visit feels different. She is here not to perform, but to meet audiences, to talk, to listen, and to understand what it means … Continue reading Arts of Hong Kong: An Interview with Hong Kong film and theatre power couple Rosa Maria Velasco and German Cheung Ming Yiu

Singapore Fringe Festival 2026: An Interview with Sofie Buligis on being and representing ‘Celup’

“You very celup sia.” The moment her partner said it, Sofie Buligis laughed, but she also felt something click into place. “I was like, yeah, I am,” she remembers. “My friends and family have called me that, and actually it’s quite a snappy name for a show.” That idea became Celup (literally, ‘to dip’, and loosely translates to a desire to be more ‘mixed’) her … Continue reading Singapore Fringe Festival 2026: An Interview with Sofie Buligis on being and representing ‘Celup’

Singapore Fringe Festival 2026: An Interview with Wang Ping-Hsiang on representing violence in performance and karaoke in ‘Retina Manoeuvre’

When audiences first encountered Retina Manoeuvre in its early work-in-progress, few could have guessed that the performance would later tour Europe, gathering deeply personal responses from audiences who recognised themselves, despite having no connection to Taiwan at all. The project began far from the solo, autobiographical form it eventually took. Taiwanese artist and creator Ping-Hsiang Wang recalls that the original proposal involved three performers and … Continue reading Singapore Fringe Festival 2026: An Interview with Wang Ping-Hsiang on representing violence in performance and karaoke in ‘Retina Manoeuvre’

Singapore Fringe Festival 2026: An Interview with Woody Avenue on normalising queerness and representing love in ‘A Lesbian Love Story: The Musical’

When theatre-makers Rosie McGowan and Kluane Saunders first started writing a musical about a woman trying to create the happiest lesbian love story ever put on stage, they didn’t realise they were also building a company. “The idea for the production came first and the company came after,” Rosie laughs. “A lot of people asked who was the company behind it, and we thought, oh, … Continue reading Singapore Fringe Festival 2026: An Interview with Woody Avenue on normalising queerness and representing love in ‘A Lesbian Love Story: The Musical’

Singapore Fringe Festival 2026: An Interview with Haresh Sharma, Grace Kalaiselvi, and Jaspreet Kaur Sekhon on representing disability onstage in ‘Invisible’

Set against the seemingly ordinary backdrop of a hotel workplace, Invisible begins with a simple premise: Malini, a young disabled woman, starts her new job as a cleaner determined to do well. When a guest’s prized possession goes missing, the incident sets off a chain of events that reveals the hidden struggles, quiet tensions, and unseen disabilities carried by those involved. Written by award-winning playwright … Continue reading Singapore Fringe Festival 2026: An Interview with Haresh Sharma, Grace Kalaiselvi, and Jaspreet Kaur Sekhon on representing disability onstage in ‘Invisible’

★★★★★ Theatre Review: Beauty and the Beast – The Musical by Disney Theatrical Group and Base Entertainment Asia

One of Disney’s most successful stage adaptations, this tale as old as time casts its spell with confidence, polish, and theatrical flair. Few animated films from Disney’s Renaissance era loom as large as Beauty and the Beast. With Alan Menken’s emotionally resonant score, richly drawn characters, and a story that balances fairytale fantasy with very human vulnerability, it’s no wonder the film has remained an … Continue reading ★★★★★ Theatre Review: Beauty and the Beast – The Musical by Disney Theatrical Group and Base Entertainment Asia

★★★☆☆ Theatre Review: The Fourth Trimester by Checkpoint Theatre

by D.Y. Faith Ng tears down the celebratory façade of childbirth, investigating the realities of post-partum parenthood. ‘The Fourth Trimester’ might not be a term every parent knows, but it’s an experience that they all eventually come to experience. Referring to the three months immediately after the birth of a child, it is a crucial time for parents to not only look after their newborn’s … Continue reading ★★★☆☆ Theatre Review: The Fourth Trimester by Checkpoint Theatre

Dream Academy extends run of ‘The Divorce Party!’ into January 2026

Dream Academy’s celebrated production The Divorce Party is excited to announce an extended run from 19 January in the new year. The collaboration with The Capitol Kempinski Hotel Singapore has received rave reviews from media and audiences alike. If you’ve missed out on the family drama, now’s your chance to grab tickets and tune into the piping-hot tea! “This is one special Divorce Party, because … Continue reading Dream Academy extends run of ‘The Divorce Party!’ into January 2026

Preview: Slava’s Snowshow (2026) by Base Entertainment Asia

Last in Singapore in 2022, Base Entertainment Asia is thrilled to present the internationally acclaimed Slava’s Snowshow in Singapore once again. Following its successful seasons in 2012 and 2022, the show is set to captivate audiences at Sands Theatre, Marina Bay Sands for a limited season from 15 July 2026. Since its premiere in Singapore, Slava’s Snowshow has entertained generations with its playful blend of humour, heart, and theatrical … Continue reading Preview: Slava’s Snowshow (2026) by Base Entertainment Asia