A Creative Space To Work, Create and Collaborate: Practice Tuckshop Reopens To Go Full Time

  Nestled in the heart of Waterloo Street lies the home of The Theatre Practice (TTP), and along with it, the Practice Tuckshop. A creative space for all to work, create and collaborate, the Practice Tuckshop has flung open its doors once again to the public to act as a shared space for all to gather for a wholesome drink, chill out or even have … Continue reading A Creative Space To Work, Create and Collaborate: Practice Tuckshop Reopens To Go Full Time

Preview: NUS Arts Festival 2019 – A Game of Numbers

Far too often, the arts are seen as in direct conflict with the maths and sciences, unable to co-exist in harmony and worlds apart. Yet with the 2019 NUS Arts Festival, for its 14th edition, the team has decided to do the impossible, and show the world that arts and math do in fact, have a lot in common with each other, at “Singapore’s First … Continue reading Preview: NUS Arts Festival 2019 – A Game of Numbers

In Kuala Lumpur 2019: An Interview with the Creative Team of Gold Rain & Hailstones (The Instant Cafe Theatre Company)

KUALA LUMPUR – Jit Murad is one of Malaysia’s most prominent playwrights, having penned some of the country’s sharpest and most scintillating plays effectively highlighting and presenting the Malaysian identity onstage. Last staged in Malaysia in 2006, it seemed only right that as part of their comeback and 30th anniversary, the Instant Cafe Theatre Company’s 30th anniversary would then stage Jit’s very first professional play: Gold Rain … Continue reading In Kuala Lumpur 2019: An Interview with the Creative Team of Gold Rain & Hailstones (The Instant Cafe Theatre Company)

Textures 2019: The Page on Stage – Samping by Spare Room Productions (Review)

Moving monodrama that will move even the hardest of hearts. Adapted from Cyril Wong’s short story The Mistake by M. Raihan Halim, who also directs, Samping’s simple premise gives way to an emotionally riveting performance from TV actor Norman Ishak, in his theatrical debut. The title of Samping refers to a piece of cloth used to complete the traditional Malay baju kurung, left behind by protagonist Aiman’s late father. On the day … Continue reading Textures 2019: The Page on Stage – Samping by Spare Room Productions (Review)

Textures 2019: Performing Malay Sketches by The Second Breakfast Company (Review)

Metatheatrical examination of Malay representation onstage brims with potential. Theatrical adaptations from one medium to another are tricky businesses, with the fear that the essence of the original is lost in translation, rather than enhanced. It is to the credit of playwright/director Adeeb Fazah and the Second Breakfast Company team then that Performing Malay Sketches is in fact, not a direct adaptation of Alfian Sa’at’s eponymous short story … Continue reading Textures 2019: Performing Malay Sketches by The Second Breakfast Company (Review)

Review: Drum Tao 2019 – Rhythm of Tribe presented by Mediacorp VizPro

An exhilarating contemporary twist to traditional Japanese drumming. Watching the CNA Lifestyle documentary playing onscreen before the performance begins, one immediately realises how A day in the life of a Drum Tao member is no easy feat. Waking up at the crack of dawn, the group gathers to warm up before a 20km jog around the mountainous, high altitude area, regardless of rain or shine. … Continue reading Review: Drum Tao 2019 – Rhythm of Tribe presented by Mediacorp VizPro

Are You Game, Sau(dara)?: An Interview with Creators Fasyali Fadzly and Soultari Amin Farid, and Dramaturg Grace Lee-Khoo

KUALA LUMPUR – Last weekend, we travelled up to Five Arts Centre, Kuala Lumpur, Malaysia, to catch the cross-Causeway double bill presentation Are You Game, Sau(dara)? Comprising two brand new works created in response to Malaysian playwright Leow Puay Tin’s seminal play 3 Children, we sat down with creators Fasyali Fadzly and Soultari Amin Farid, as well as dramaturg Grace Lee-Khoo, before we caught the show to find out a … Continue reading Are You Game, Sau(dara)?: An Interview with Creators Fasyali Fadzly and Soultari Amin Farid, and Dramaturg Grace Lee-Khoo

Dealing with the Devil: An Interview with Performer Mia Chee and Director Cherilyn Woo of Nine Years Theatre’s FAUST/US (浮世/德)

This March, Nine Years Theatre (NYT) opens their 2019 season with what is now their signature style of adapting a Western text into Mandarin, this time around having selected Goethe’s Faustus, the quintessential ‘deal with a devil’ story of a scholar who sells his soul in exchange for his wildest dreams. But in Nine Years Theatre’s FAUST/US, not only will protagonist Faust be receiving a gender swap; for … Continue reading Dealing with the Devil: An Interview with Performer Mia Chee and Director Cherilyn Woo of Nine Years Theatre’s FAUST/US (浮世/德)

Hong Kong 2019: Pride by Hong Kong Repertory Theatre (Preview)

HONG KONG – The term “Gang Piao” literally means drifting back and forth in Hong Kong, yet its exact definition is not certain – are “Gang Piao” professionals who came to work in Hong Kong from the Mainland? Or are they students from the Mainland? Or tourists who came to Hong Kong to shop? The Hong Kong Repertory Theatre (HKRep) presents Pride this March, a new work … Continue reading Hong Kong 2019: Pride by Hong Kong Repertory Theatre (Preview)

Review: Matilda the Musical by Base Entertainment Asia

A celebration of the magic of childhood in musical form.  British author Roald Dahl remains one of the world’s most beloved authors, with countless children around the world having read his novels, each one etched into their childhood. It stands to reason then that one of the most successful adaptations of one of his works concerns a little girl who loves to read, with the … Continue reading Review: Matilda the Musical by Base Entertainment Asia