Few Singaporeans would be unfamiliar with the cry of the Asian koel bird, with its signature ‘oo-woo’ call heard across the island in the early morning light. But in The Necessary Stage’s new play, set to premiere during the 2024 M1 Singapore Fringe Festival, that bird holds far more emotional significance than most of us might realise, as it leads to a tale of family … Continue reading M1 Singapore Fringe Festival 2024: An Interview with playwright Raimi Safari and director Mohd Fared Jainal of ‘Oo-Woo’

In the 2020s, suicide rates in Singapore rose to an all-time high. Is it because we live in a fast-paced, high stress nation? Is it that it often feels like there is no way out? And even when a suicide is completed, can we summon up enough courage to go past the shame and guilt surrounding it to talk about the aftermath, and how we … Continue reading M1 Singapore Fringe Festival 2024: An Interview with the creators of Matter.Less’ forum theatre show ‘Here Where You Were’

Does work set us free, or does it chain us? For far too many people, between being bored to death or burnt out, it’s the latter, and the very concept of labour for survival brings to mind questions about absurd routines and the complex relationship colleagues have with each other, from resemblance and dissemblance, domination and submission, superficiality and depth. From Belgian dance company Dame … Continue reading M1 Singapore Fringe Festival 2024: An Interview with Karine Ponties, choreographer of absurdist dance ‘SAME SAME’

To span the length of the human experience in a single production sounds like an impossibility, but when THOM PAIN (based on nothing) premiered at the Edinburgh Festival Fringe in 2004, critics remarked that the deceptively simple one-man show about a man and his suffering in life. Now, that show will be performed in Singapore, by students of Nanyang Academy of Fine Arts’ BA (Hons) … Continue reading M1 Singapore Fringe Festival 2024: An Interview with director Edith Podesta and choreographer Yarra Illeto on ‘THOM PAIN (based on nothing)’

Starting its journey as a commission by the Art Institute of Chicago, in response to the work of visual artist Charles Wilbert White, Chicago-based dancemaker, poet, writer, curator, and all-around Renaissance artist J’Sun Howard, aMoratorium was born as a way to coalesce White’s exploration of African American history, culture, and lives. Through the dance-theatre piece, Howard explores Black male identity, visibility, temporality, and its absence, and … Continue reading M1 Singapore Fringe Festival 2024: An Interview with choreographer J’Sun Howard on ‘aMoratorium’