Textures 2019: A Night of Terrifying Tales by Moonshadow Stories (Review)

The Arts House plays host to Kamini Ramachandran’s troupe of storytellers in a supernatural-themed after dark special. Who doesn’t love a good ghost story? As a historic building, the Arts House naturally lends itself as a space rife with phantoms of the past roaming its walls. As the home of literary arts, one then imagines that a natural extension to this would be to tell … Continue reading Textures 2019: A Night of Terrifying Tales by Moonshadow Stories (Review)

Textures 2019: The Page on Stage – Samping by Spare Room Productions (Review)

Moving monodrama that will move even the hardest of hearts. Adapted from Cyril Wong’s short story The Mistake by M. Raihan Halim, who also directs, Samping’s simple premise gives way to an emotionally riveting performance from TV actor Norman Ishak, in his theatrical debut. The title of Samping refers to a piece of cloth used to complete the traditional Malay baju kurung, left behind by protagonist Aiman’s late father. On the day … Continue reading Textures 2019: The Page on Stage – Samping by Spare Room Productions (Review)

Textures 2019: Performing Malay Sketches by The Second Breakfast Company (Review)

Metatheatrical examination of Malay representation onstage brims with potential. Theatrical adaptations from one medium to another are tricky businesses, with the fear that the essence of the original is lost in translation, rather than enhanced. It is to the credit of playwright/director Adeeb Fazah and the Second Breakfast Company team then that Performing Malay Sketches is in fact, not a direct adaptation of Alfian Sa’at’s eponymous short story … Continue reading Textures 2019: Performing Malay Sketches by The Second Breakfast Company (Review)

Preview: Textures 2019 – Love and Loss (And Some Things In Between) by The Arts House

After a successful first edition held in 2018, The Arts House’s Textures returns to fill Singaporeans’ weekend with words with a lineup of literary activities from 7th to 10th March. This time, the annual festival, co-commissioned by both The Arts House and #BuySinglit, takes on the theme of Love and Loss (and some things in between), focusing on how words can capture and decipher a spectrum of … Continue reading Preview: Textures 2019 – Love and Loss (And Some Things In Between) by The Arts House

Book Review: Nimita’s Place by Akshita Nanda

Parallel narratives of an Indian grandmother during Partition and her granddaughter in modern day Singapore make for a satisfying debut.  Reading Nimita’s Place feels a little like moving in to a new house – to an ethnically Chinese person reading this, the parallel narratives seen through the eyes of both protagonists present worlds that are rapidly changing, initially unfamiliar, yet places that Akshita eases us into to … Continue reading Book Review: Nimita’s Place by Akshita Nanda

Singapore Writers Festival 2018: The Ghost In Your Head (Review)

A novel idea with flawed execution.  Immersive productions are all the rage these days, with audiences often demanding to experience art beyond the usual mediums. Naturally, one of these art forms would be literature, where one’s imagination is already subject to go wild as we visualise fantastic worlds and characters within their pages, and lends itself perfectly to theatrical adaptation, with our spectral thoughts manifesting … Continue reading Singapore Writers Festival 2018: The Ghost In Your Head (Review)

Singapore Writers Festival Director Yeow Kai Chai’s Final Edition Draws To A Close

After 10 days of exciting programmes, pop ups, local and international authors and new ways of engaging with literary arts, the 21st edition of the Singapore Writers Festival (SWF) finally drew to a close last Sunday, after opening audiences up to the many worlds authors created and brought to life through their writing and thoughts. On the final day of SWF 2018, we began first … Continue reading Singapore Writers Festival Director Yeow Kai Chai’s Final Edition Draws To A Close

Singapore Writers Festival 2018: The State of The World According To David Sedaris, Irvine Welsh, Mariko Tamaki and Margaret Stohl

With a theme like 界(Jie): The World(s) We Live In, it’s impossible for the Singapore Writers Festival not to fill itself with programmes and events that discuss the state of affairs surrounding the world today. At times horrifying with the increasingly dismal state of politics and disasters, at times completely absurd with the odd news we come across, and at times even hopeful, from finding inspiration … Continue reading Singapore Writers Festival 2018: The State of The World According To David Sedaris, Irvine Welsh, Mariko Tamaki and Margaret Stohl

Singapore Writers Festival 2018: Opening Night + Intercultural Theatre Institute’s Between Heaven and Earth

The 2018 Singapore Writers Festival kicked off to a roaring start this week, marking the final year with Yeow Kai Chai as Festival Director. Taking on the title of 界 (‘Jie’): The World(s) We Live In, this year’s programme, as always, brings together some of the foremost international writers from all mediums and genres, ranging from graphic novels to novels, YA literature to non-fiction essays. … Continue reading Singapore Writers Festival 2018: Opening Night + Intercultural Theatre Institute’s Between Heaven and Earth

Singapore Writers Festival 2018: An Interview with Producers Phan Ming Yen and Karine Tan (The Ghost In Your Head)

If you’re a book nerd like us, then you’ve probably had a few experiences where you’ve read something, and wanted desperately to meet the author. Problem is, what happens when those authors are dead? Not to worry though – Global Cultural Alliance will be performing a seance this week at the Singapore Writers Festival, summoning ghosts of authors past in the multi-sensorial experience The Ghost … Continue reading Singapore Writers Festival 2018: An Interview with Producers Phan Ming Yen and Karine Tan (The Ghost In Your Head)