VAULT Festival 2018: Award-winning Joyous Gard Brings In Three New Shows (Preview)

LONDON – Joyous Gard made a stunning debut at the 2017 VAULT Festival with the award-winning Crocodile, and this year will be returning to the festival with a vengeance, with not one but three all new shows running between February and March. They’ve expanded their team to include some all new collaborators, and with VAULT, celebrate new writing and more promising new voices in theatre. Read about them … Continue reading VAULT Festival 2018: Award-winning Joyous Gard Brings In Three New Shows (Preview)

Review: Teater Normcore by Ridhwan Saidi (Kuala Lumpur)

Dark humour is rife in these riveting playlets that highlight social issues. KUALA LUMPUR – The term normcore stems from an anti-fashion movement that revolves around purposefully choosing to wear plain, unremarkable clothing. But in the two plays that make up writer Ridhwan Saidi’s Teater Normcore Double Bill, these initially normal looking settings quickly give way to settings far darker than they initially let on. … Continue reading Review: Teater Normcore by Ridhwan Saidi (Kuala Lumpur)

Preview: SUB II – THE ART OF EXPLOITATION by Underground Theatre

For the layperson, Singapore probably looks like one of the closest things to a utopian state, with clean streets, green spaces and of course, its famous tagline of going from ‘third world to first’. But underneath this veneer of perfection, there’s a revolution brewing, and what better place to stage it than the Substation? Written and directed by Dew M. Chaiyanara, Underground Theatre presents SUB II: THE … Continue reading Preview: SUB II – THE ART OF EXPLOITATION by Underground Theatre

Review: Diva to the Death by Bite Me Productions

An amazingly fun show with a hilarious, laugh-a-minute script and outrageous characters well-performed by the talented cast. Potential spoilers up ahead! Theatrical dining experiences are still a pretty new concept to Singapore, but with Bite Me Productions’ spectacular debut, they’ve already set the bar pretty high for other shows to follow. From the madcap imagination of Chestnuts creator Jonathan Lim comes Diva to the Death, as he pits jazz … Continue reading Review: Diva to the Death by Bite Me Productions

Diva To The Death: An Interview with Bite Me Productions’ Co-Founders Celeste Chong and Charles Pan

Immersive dining experiences have been around for a while, having made waves in huge metropolitan countries like London and New York when it was first introduced yet. So it makes perfect sense that companies would begin trying to introduce that same concept to Singapore, quite literally bringing food to the theatre. But in the case of new company Bite Me Productions, they’re taking it one … Continue reading Diva To The Death: An Interview with Bite Me Productions’ Co-Founders Celeste Chong and Charles Pan

M1 Singapore Fringe Festival 2018: Does This Work For You? by The Nervous System (Review)

The Nervous System gives theatrical form to the voice of the oppressed in this promising project about workplace discrimination. There’s a reason they call it ‘the daily grind’ – work can be a drag, and even more so if you’re at the bottom, pushed around by superiors and the system. It’s no wonder then that there’s plenty of room for complaints to be made, and … Continue reading M1 Singapore Fringe Festival 2018: Does This Work For You? by The Nervous System (Review)

M1 Singapore Fringe Festival 2018: One Thousand Millennials Crying by Kenneth Chia and Mitchell Fang (Review)

An absurdist storm of buzzwords and punchlines that feels birthed straight from the mouth of a millenial social media influenza.  In Kenneth Chia and Mitchell Fang’s new play One Thousand Millennials Crying, we’re given an opportunity to observe millennials in their natural habitat; too poor to go out drinking, a group of friends gather for a Halloween house party with homemade mixes and share their fears of … Continue reading M1 Singapore Fringe Festival 2018: One Thousand Millennials Crying by Kenneth Chia and Mitchell Fang (Review)

Review: Apichatpong Weerasethakul’s FEVER ROOM presented by Theatreworks

A change of perspective could widen your peripheries in this oneiric projection-performance from one of Thailand’s most acclaimed filmmakers.  Apichatpong Weerasethakul is one of Thailand’s most internationally acclaimed filmmakers, having been the first Southeast Asian artist to nab the Palme d’Or at the 2010 Cannes Festival. If anything though, Apichatpong is an artist first, filmmaker second, never shying away from innovations in the medium, and … Continue reading Review: Apichatpong Weerasethakul’s FEVER ROOM presented by Theatreworks

M1 Singapore Fringe Festival 2018: The Most Massive Woman Wins by Mitchell Productions Inc. & Chopt Logic Productions (Review)

Mudwrestling meets body image issues as this production weighs in on the way society has taught women to be perceived and to perform.  Since the dawn of time, humans have always been obsessed with their bodies, and perhaps, none more so than the female body. Brought up on a steady diet of women’s magazines with stick thin covergirls, constantly told that ladies shouldn’t be eating … Continue reading M1 Singapore Fringe Festival 2018: The Most Massive Woman Wins by Mitchell Productions Inc. & Chopt Logic Productions (Review)

M1 Singapore Fringe Festival 2018: Attempts: Singapore by Rei Poh (Review)

There’s no need for any hints as to how much we enjoyed this impeccably produced participatory theatre experience.  In a world of innovative theatrical experiences, you often come across too many that scrimp on either execution or narrative. That’s not the case for Rei Poh’s Attempts: Singapore, which provided a thoroughly well-planned out participatory ‘game’ as its audience worked together to unravel a mystery, one clue at … Continue reading M1 Singapore Fringe Festival 2018: Attempts: Singapore by Rei Poh (Review)