Review: Caught by Singapore Repertory Theatre

It is not the truth, but the semblance of the truth that truly matters in SRT’s first immersive production. Presented by the Singapore Repertory Theatre (SRT), Caught plays as part of the Miaja Gallery’s Dissonance exhibition, inviting recently released Chinese fugitive and dissident artist Lin Bo to speak at the gallery itself. Caught is directed and conceptualised by Ed Sylvanus Iskandar, with text by Christopher Chen, performed by Lin … Continue reading Review: Caught by Singapore Repertory Theatre

Review: Sound of Dragon Ensemble (Ding Yi Chinese Chamber Music Festival 2019)

Western composition meets Eastern arrangement. Hailing all the way from Canada, the Sound of Dragon Ensemble comprises some of Vancouver’s very best musicians with a spectacular repertoire of works at their fingertips. As the opening act of Ding Yi Music Company’s 4th edition of the annual Chinese Chamber Music Festival, the ensemble was led by Taiwanese conductor Chen Chih-Sheng, and stand out from the crowd … Continue reading Review: Sound of Dragon Ensemble (Ding Yi Chinese Chamber Music Festival 2019)

In London’s (Off) West End 2019: Spy City by Colab Theatre (Review)

Espionage and apocalyptic plots keep us constantly on our toes in this immersive experience. LONDON –  If you ever fancied yourself a dashing MI6 agent, then Colab Theatre’s Spy City is the immersive theatre experience likely to let you live out those dreams. Imagining themselves as undercover agents, players spend the exhilarating Spy City chasing down and running away from enemy agents right in the heart of London as they … Continue reading In London’s (Off) West End 2019: Spy City by Colab Theatre (Review)

In London’s (Off) West End 2019: A Very Expensive Poison at The Old Vic (Review)

An investigation into the truth behind Alexander Litvinenko’s assassination as an epic vaudevillian drama. LONDON – Oftentimes, the truth is like a many-layered cake: the more you chip away at it, the more you discover. And sometimes, what you discover is a dark conspiracy far beyond anything you could ever imagine. Adapted from Luke Harding’s non-fiction book of the same name, Lucy Prebble’s A Very Expensive Poison zooms in … Continue reading In London’s (Off) West End 2019: A Very Expensive Poison at The Old Vic (Review)

Taking A Trip: Beyond the Road at the Saatchi Gallery (Review)

UNKLE and Punchdrunk unite to create an explosive, immersive exploration of belief, life and death. LONDON – A Punchdrunk experience, loosely described, feels something like a trippy fever dream, bringing audience members into a sprawling, labyrinthine world that toes the line between imagination and reality. Darkly imaginative, intricately detailed and with a flair for the theatricality at every turn, suffice to say, it’s an experience that … Continue reading Taking A Trip: Beyond the Road at the Saatchi Gallery (Review)

Review: a line could be crossed and you would cease to be by Intercultural Theatre Institute

Gorgeous, intimate play examining climate change. In the Intercultural Theatre Institute’s (ITI) new production, the latest batch of graduating students tackle the ever-looming issue of climate change with Australian playwright Andrew Sutherland’s a line could be crossed and you would slowly cease to be. Directed by Koh Wan Ching (known for arresting, colourful visuals), the oblique, wandering text is given gorgeous form as the play … Continue reading Review: a line could be crossed and you would cease to be by Intercultural Theatre Institute

Touring the UK 2019: Birmingham Repertory Theatre’s Nativity! The Musical (Preview)

LONDON – What’s a Christmas without a Christmas musical? Birmingham Repertory Theatre’s highly acclaimed Nativity! The Musical is back for a third year as it tours the UK this October to December, ready to shower all Brits with Christmas cheer, fun and joy. Every child in every school has one Christmas wish, to star in a Nativity, and at St Bernadette’s School they’ve decided to mount a musical … Continue reading Touring the UK 2019: Birmingham Repertory Theatre’s Nativity! The Musical (Preview)

In London’s West End 2020: Pretty Woman – The Musical at the Piccadilly Theatre (Preview)

LONDON – Ambassador Theatre Group Productions, Paula Wagner, Nice Productions and LPO have announced that the smash hit  Pretty Woman: The Musical will preview from Valentine’s Day 2020 at the Piccadilly Theatre where it will play for a strictly limited engagement of 46 weeks. Based off 1990 smash hit film of the same name starring Julia Roberts and Richard Gere, Pretty Woman: The Musical features original music and lyrics by Grammy Award winner Bryan Adams and Jim Vallance, … Continue reading In London’s West End 2020: Pretty Woman – The Musical at the Piccadilly Theatre (Preview)

Review: 1984 by The Young Company

The latest batch of Young Company graduates tackles Orwell’s magnum opus. George Orwell’s 1984 is a classic of modern literature, imagining a terrifying dystopian world of surveillance states and totalitarian governments. And come the chaotic state of the world today, more than ever, it feels as if that world is becoming a reality we cannot deny. With this new production by The Young Company’s latest graduating … Continue reading Review: 1984 by The Young Company

In London’s West End 2019: Fleabag at Wyndham’s Theatre (Review)

It’s clear why this no filter, no holds barred one woman show catapulted Phoebe Waller-Bridge to stardom. LONDON – Phoebe Waller-Bridge needs little to no introduction. The writer-actor shot to fame with the BBC adaptation of her Edinburgh Fringe hit Fleabag, and since then, has only been on the rise, voicing a droid in Rogue One: A Star Wars Story, writing for BBC America’s is, … Continue reading In London’s West End 2019: Fleabag at Wyndham’s Theatre (Review)