Review: When We Dead Awaken by Intercultural Theatre Institute

You’ve never seen Ibsen quite like this in ITI alumnus Sankar Venkateswaran’s stripped down, physical-focused interpretation. When We Dead Awaken is often considered one of Henrik Ibsen’s most unusual plays. Set in a spa town amidst snowy mountains and mysterious women, Ibsen’s final play was also his most oneiric, along with being his darkest, in dealing with themes of unhappy marriages, artistic death and actual mortality. … Continue reading Review: When We Dead Awaken by Intercultural Theatre Institute

Preview: Hong Kong Arts Festival 2018

The Hong Kong Arts Festival has returned this year with yet another fantastic lineup of the very best arts productions from all around the world. From mindboggling theatre to soul stirring music, you’ll find an eclectic mix of events that will appeal to any and every person visiting the festival. Having started on 23rd February, the festival is already well under way and is set … Continue reading Preview: Hong Kong Arts Festival 2018

Preview: Traditionally Speaking by Bhumi Collective

Bhumi Collective strides into 2018 with an all new series of works, utilising the performance-lecture medium to deliver a series of performances aimed at colliding research, process and performance. For the very first instalment of this series (titled Intersections), they begin this March with Traditionally Speaking. Directed by Muhammad Noramin Bin Mohamed Farid and in collaboration with Elizabeth Chan, these dancers will reflect back on the experiences that have shaped … Continue reading Preview: Traditionally Speaking by Bhumi Collective

Review: SUB II – The Art of Exploitation by Underground Theatre

A chance to hear from the misunderstood ranks of society and learn a little more about subcultures.  We’re going to start this review with a disclaimer: we have just about zero experience interacting with any of the subcultures mentioned in SUB II. A punk, metalhead or skinhead is about the furthest thing from our usual social circles, and it’s completely refreshing to see these subcultures take the … Continue reading Review: SUB II – The Art of Exploitation by Underground Theatre

Preview: Lanang by Hatch Theatrics

This April, in their 9th theatrical production and the final work in their Artist Residency at the Malay Heritage Centre, Hatch Theatrics presents Lanang. Literally translating to ‘boy’, Lanang was first written by Hatch Theatrics member Hafidz Abdul Rahman as part of Theatreworks’ 24-Hour Playwriting Competition held at the Malay Heritage Centre in 2014, and cinched joint-second prize at the Open category (there was no first prize that … Continue reading Preview: Lanang by Hatch Theatrics

Preview: When We Dead Awaken by Intercultural Theatre Institute

Henrik Ibsen is perhaps one of the greatest playwrights. But amongst his many celebrated plays, there still remain a couple that are so rarely staged, dwarfed by the success of his better known works such as A Doll’s House or An Enemy of the People. In the first show of 2018 from the Intercultural Theatre Institute’s (ITI) latest graduating batch, the students will be presenting Ibsen’s final written … Continue reading Preview: When We Dead Awaken by Intercultural Theatre Institute

True Colours Festival 2018: Double Bill by No Strings Attached Theatre of Disability + Very Special Theatrics (Preview)

As part of the inaugural True Colours Festival, one local group and one international group will be presenting the world premiere of a brand new Double Bill of theatrical works over the weekend of the festival! Presented by Australia’s No Strings Attached Theatre of Disability (NSA) and Singapore’s Very Special Theatrics (VST), I Forgot To Remember To Forget and My Home Is Not A Shell will … Continue reading True Colours Festival 2018: Double Bill by No Strings Attached Theatre of Disability + Very Special Theatrics (Preview)

Preview: Debussy’s Pelléas et Mélisande by the Welsh National Opera (HKAF 2018)

Established since the early 1900s, the Welsh National Opera has since grown to become the country’s national opera company, fully professional and with a ton of history to their name. At the 2018 Hong Kong Arts Festival, they’ll be heading over to the Hong Kong Cultural Centre Grand Theatre to perform what is often considered the definitive version of Debussy’s opera Pelléas et Mélisande. Winner of … Continue reading Preview: Debussy’s Pelléas et Mélisande by the Welsh National Opera (HKAF 2018)

untitled cow number one: A Cata Odata X The Necessary Stage X WAFT-LAB Collaboration

The Necessary Stage is starting their 2018 season with plenty of collaborations, having kickstarted Phase 1 of their forthcoming collaboration with Canada and with their new main season work Underclass in May, produced in collaboration with Drama Box. But before all that, this March, they’ll be treading new ground as they embark on an all new project with Cata Odata, a Balinese art space led by creative director … Continue reading untitled cow number one: A Cata Odata X The Necessary Stage X WAFT-LAB Collaboration

Preview:《有时月光》(Sometime Moon) by Toy Factory

Toy Factory opens their 2018 season on a high note, with a brand new show this March! Titled《有时月光》Sometime Moon, this epic new production is incredibly ambitious, and the 10-act musical charts a hundred years of history in the life of one of the earliest Huay Kuan (Clan Association) established in Singapore. Sometime Moon follows the rise of the fictitious Quan Ji Huay Kuan from the moment … Continue reading Preview:《有时月光》(Sometime Moon) by Toy Factory