Thick Beats for Good Girls: An Interview with Creators Pooja Nansi, Jess Bellamy and Huzir Sulaiman

Jess Bellamy and Pooja Nansi have just completed a day of rehearsals at Checkpoint Theatre in Goodman Arts Centre. Their space is marked out in colourful shades of tape, while a visualisation board consisting of rappers from Nicki Minaj to Kanye West is stuck on a wall. Joined by director and dramaturg Huzir Sulaiman, we’re here to get down and find out about Checkpoint Theatre’s … Continue reading Thick Beats for Good Girls: An Interview with Creators Pooja Nansi, Jess Bellamy and Huzir Sulaiman

Preview: Thick Beats for Good Girls by Checkpoint Theatre

What exactly makes a good girl? Is she religious and knows her prayers by heart? Can she ever let go and take a walk on the wild side and still be good? And above all – can good girls ever call the shots? All these questions and more just might be answered in Checkpoint Theatre’s newest production this April. Directed by Huzir Sulaiman, Checkpoint will be premiering an … Continue reading Preview: Thick Beats for Good Girls by Checkpoint Theatre

Review: When We Dead Awaken by Intercultural Theatre Institute

You’ve never seen Ibsen quite like this in ITI alumnus Sankar Venkateswaran’s stripped down, physical-focused interpretation. When We Dead Awaken is often considered one of Henrik Ibsen’s most unusual plays. Set in a spa town amidst snowy mountains and mysterious women, Ibsen’s final play was also his most oneiric, along with being his darkest, in dealing with themes of unhappy marriages, artistic death and actual mortality. … Continue reading Review: When We Dead Awaken by Intercultural Theatre Institute

Preview: When We Dead Awaken by Intercultural Theatre Institute

Henrik Ibsen is perhaps one of the greatest playwrights. But amongst his many celebrated plays, there still remain a couple that are so rarely staged, dwarfed by the success of his better known works such as A Doll’s House or An Enemy of the People. In the first show of 2018 from the Intercultural Theatre Institute’s (ITI) latest graduating batch, the students will be presenting Ibsen’s final written … Continue reading Preview: When We Dead Awaken by Intercultural Theatre Institute

Review: Sharul Channa Is A Pottymouth

Sharul Channa fully embraces her title in this no holds barred, completely unfiltered performance. Sharul Channa occasionally receives a request from her father for jokes he can share at the temple. We can only hope that he’s never tried, because just about all of them would be far too inappropriate to tell there. From making light of mourners at a funeral to unflinchingly talking about … Continue reading Review: Sharul Channa Is A Pottymouth

Coffee with Sharul Channa: Still A Pottymouth In 2018

Sharul Channa was once accused of being a pottymouth by the mainstream press and has never looked back. Proudly wearing the name like a badge of honour, she’s bringing back her infamous pottymouth for another round of laugh out loud jokes and relatable stories this year in an all new show, and we decided to speak to her about it and catch up on how … Continue reading Coffee with Sharul Channa: Still A Pottymouth In 2018

Preview: Medea by Cake Theatrical Productions

Cake is no stranger to adapting famous, tragic Greek figures; just last year they produced the award-winning, all-star production of Electra, which starred Edith Podesta as the eponymous heroine. It’s no wonder then that they’ll be continuing their winning streak and adapting a different Greek heroine this time – the doomed sorceress Medea. The figure of Medea has been adapted countless times in theatre, most famously by Greek … Continue reading Preview: Medea by Cake Theatrical Productions

Review: Leakage(s) and Anticoagulants by ITI

Based on Fyodor Dostoevsky’s classic novel Crime and Punishment, David Gaitan’s Leakage(s) and Anticoagulants is a biting psychological exploration on rational egotism and morality. A young intellectual, Raskolnikov (Tan Weiying), steals from and murders an unscrupulous old pawnbroker and due to a series of coincidences, manages to escape undetected. To Raskolnikov, this crime is motivated not by anything quite as plebeian as greed or desperation, … Continue reading Review: Leakage(s) and Anticoagulants by ITI

Preview: Leakage(s) and Anticoagulants by ITI

“There must be poetry in what is horrible.” This September, the Intercultural Theatre Institute presents the Singapore premiere of Mexican playwright David Gaitán’s Leakage(s) and Anticoagulants in the graduating batch’s second show of 2017. Itself an adaptation of Fyodor Dostoevsky’s classic novel Crime and Punishment, the darkly comic Leakage(s) and Anticoagulants takes audiences down a dark journey into the mind of a murderer. Raskolnikov has just killed an old woman, … Continue reading Preview: Leakage(s) and Anticoagulants by ITI

Review: FRAGO by Checkpoint Theatre

National Service in Singapore celebrates its 50th anniversary this year, making it a perfect time to churn out army-themed plays that reflect on its history. Checkpoint Theatre has started the ball rolling with FRAGO, which may use the image of the Armed Forces, but is an altogether quite different kettle of fish. FRAGO centres on an armoured infantry platoon returning for reservist as they prepare … Continue reading Review: FRAGO by Checkpoint Theatre