★★★☆☆ Review: Scenes From The Climate Era by David Finnigan and Ellison Tan

Myriad views of the climate disaster and the desperation and depression that emerges in its rise. How does one frame a play about climate change and still add to the already burgeoning conversation? Adapted for a Singaporean production, Australian playwright David Finnigan’s Scenes From The Climate Era is keenly aware of the weighty and convoluted nature of the climate crisis, and how difficult it can … Continue reading ★★★☆☆ Review: Scenes From The Climate Era by David Finnigan and Ellison Tan

The Studios 2025: An Interview with Jaha Koo on ‘Haribo Kimchi’ and the process of creation

The surprising flavour of seaweed soup. The sharp sound of a knife slicing cucumber. The hiss and sizzle of mushrooms on a scorching fire. In Haribo Kimchi, South Korean theatremaker and composer Jaha Koo invites us into a pojangmacha, or a typical neon-lit street food tents from Korea. Get ready to meet a snail, a gummy bear, and an eel as they guide us through … Continue reading The Studios 2025: An Interview with Jaha Koo on ‘Haribo Kimchi’ and the process of creation

The Studios 2025: An Interview with playwright David Finnigan on ‘Scenes From The Climate Era’

A couple debates whether to bring a child into a world on fire. Scientists race to build a coral reef in a lab. Somewhere in Antarctica, a team attempts to hold back a melting glacier with a seawall. And in the dark, the last frog of its species calls out—hoping, futilely, for a mate. In Scenes from the Climate Era, Australian playwright David Finnigan zooms … Continue reading The Studios 2025: An Interview with playwright David Finnigan on ‘Scenes From The Climate Era’

Preview: Esplanade’s The Studios 2025 – Sustenance

Two years ago, Esplanade – Theatres on the Bay’s annual theatre season, The Studios, embarked on a three-year curatorial arc revolving around the theme of LAND. In 2023, they covered Landings, exploring the natural world we live in and the way we interact with it, while in 2024, they covered Fault Lines, focusing on disruptions and movements that shift the trajectory of our lives. Now … Continue reading Preview: Esplanade’s The Studios 2025 – Sustenance

Bakchormeeboy Awards 2024: Revivals, restagings and hope for the future

There are a few things that make good theatre and live performance so uniquely powerful, but perhaps the greatest factor that leads to us appreciating it that much more lies in how it is quite simply, temporal. No two nights are the same, whether it is due to a difference in the audience members present, a change in actors’ delivery, or even something that seems … Continue reading Bakchormeeboy Awards 2024: Revivals, restagings and hope for the future

★★★★☆ Review: This Song Father Used To Sing (Three Days In May) by Wichaya Artamat

A closer look at ordinary life that carries on in spite of the extraordinary. Thai writer-director Wichaya Artamat claims that his play This Song Father Used To Sing (Three Days In May) is an unpolitical play. But can any play truly be completely devoid of any political attachment? Rounding off the Esplanade’s 2024 season of The Studios, This Song Father Used To Sing (Three Days … Continue reading ★★★★☆ Review: This Song Father Used To Sing (Three Days In May) by Wichaya Artamat

★★★★☆ Review: Hi, Can You Hear Me? by The Necessary Stage

Hell lies somewhere between a bar and a breakout room. Considering that we live in a world ravaged by war, beset by pandemics, and face unprecedented climate change that brings with it the assurance of disaster, it’s not entirely surprising that something eventually breaks inside us from how overwhelming it can all be. But when faced with such existential anxiety – do we end up … Continue reading ★★★★☆ Review: Hi, Can You Hear Me? by The Necessary Stage

Of Disasters and Carrying On: An Interview with co-directors A Yagnya and Alvin Tan on The Necessary Stage’s ‘Hi, Can You Hear Me?’

There are days the COVID-19 pandemic feels like a distant fever dream, a time where everyone was touting the ‘new normal’ when it seemed we would never wake from it. But as suddenly as it came, everything seemed to disappear again when we opened up to the world again, and we entered a new era of chaos. Previously glued to our phones, we saw countries … Continue reading Of Disasters and Carrying On: An Interview with co-directors A Yagnya and Alvin Tan on The Necessary Stage’s ‘Hi, Can You Hear Me?’

Preview: Hi, Can You Hear Me? by The Necessary Stage

A mysterious tiger who runs a bar in limbo. Guan Yin caught in a loop of death and rebirth. A man whose memory fails him while being taken care of by an AI. Post-traumatic boredom, and uncontrollable life within a hotel room. These are just some of the strange characters and phenomena that inhabit The Necessary Stage’s latest play, Hi, Can You Hear Me? Written … Continue reading Preview: Hi, Can You Hear Me? by The Necessary Stage

Review: Love All Around by Abhaya

Stories of love told through bharatanatyam. Love is a mystery, and endlessly fascinating, inspiring countless films, music and stories. Co-created and performed by Krithika Soma, Madhuri Suresh, and Varsha Vishwanath, Abhaya’s Love All Around is a brand new bharatanatyam creation that explores the nature of love, depicting the experiences of unassuming strangers who discover and learn to understand the power of love.  Directed by Ponnamma … Continue reading Review: Love All Around by Abhaya