Preview: Leonard Bernstein’s Mass by Orchestra of the Music Makers

Is there anything that Edith Podesta cannot do? After dipping her toes into directing opera last year with Hansel and Gretel, the critically acclaimed theatremaker will once again be teaming up with the Orchestra of Music Makers this June to present the Southeast Asian premiere of Leonard Bernstein’s Mass. First composed in 1971 at the behest of Jacqueline Kennedy for the inauguration of the John F. … Continue reading Preview: Leonard Bernstein’s Mass by Orchestra of the Music Makers

Review: Sensing the Dark (Esplanade’s Flipside 2018)

Darkness feels like an old friend in this concert with a twist.  Directed by Julian Wong with vocal direction by Irene Jansen, Sensing the Dark is a concert with a twist – the musicians and audience members are clothed under a blanket of darkness, initially with almost no light illuminating them as they begin to play. We’re not even privy to seeing their faces before the show … Continue reading Review: Sensing the Dark (Esplanade’s Flipside 2018)

Preview: Pesta Raya 2018 by Esplanade – Theatres on the Bay

  Coinciding with the celebration of Hari Raya Aidilfitri, the 17th edition of Esplanade – Theatres on the Bay’s Pesta Raya – Malay Festival of Arts returns this July! This year, the festival will showcase the rich history of the Nusantara (Malay Archipelago), with a spectrum of programmes set to appeal to everyone from the young ones all the way to the oldtimers and hipsters! … Continue reading Preview: Pesta Raya 2018 by Esplanade – Theatres on the Bay

Preview: M1 CONTACT Contemporary Dance Festival 2018

The M1 CONTACT Contemporary Dance Festival returns in 2018 with its 9th edition this June, bringing in shows from both local and regional independent dance artists. Presented in collaboration with Esplanade – Theatres on the Bay, this year’s Festival runs from 9th June to 5th August 2018 and presents both bold, new and original works, as well as restagings of previous, acclaimed pieces, spanning a total … Continue reading Preview: M1 CONTACT Contemporary Dance Festival 2018

SIFA 2018: An Enemy of the People by Schaubühne Berlin (Review)

A contemporary version of Ibsen’s play effectively brings out its newfound urgency and relevance in our crazy, messed up modern world. Henrik Ibsen’s An Enemy of the People was initially considered one of his minor works in his lifetime. But in recent years, the play has seen an increasing number of stagings and new interpretations, and come to represent a disturbingly prescient rallying cry for the uncertain, messy … Continue reading SIFA 2018: An Enemy of the People by Schaubühne Berlin (Review)

Voilah! 2018: Roots by Bellepoque (Review)

The Belle Epoque was the pinnacle of arts in Europe, literally the ‘Golden Age’. With a name like that, Bellepoque of course, strives for excellence in their productions, and to showcase just what is it that made the era such a fascinating and innovative time. In Roots, the team quite literally takes its audience back in time, presenting a series of pieces and works from famous composers … Continue reading Voilah! 2018: Roots by Bellepoque (Review)

The Studios 2018: Leda and the Rage (Review)

Feathers fly hard and fast in this affecting swansong of agency over one’s own body, and the long road to recovery.  When one has been through a sexual assault, she is not merely a victim, but a survivor. But even when the deed has been done, deep scars are left behind, often leaving survivors lost, confused and unable to come to terms with the immense, … Continue reading The Studios 2018: Leda and the Rage (Review)

SIFA 2018: Robert Icke and Duncan Macmillan’s 1984 (Review)

  SIFA 2018 opens on a chilling note with this dystopian modern classic.  Considered by many to be George Orwell’s magnum opus, 1984 has become the go to model for a dystopian world, a culmination of everything we should avoid becoming at all costs. Yet this is a warning the world seems to have forgotten to heed, as the chilling reality of a society plagued by surveillance … Continue reading SIFA 2018: Robert Icke and Duncan Macmillan’s 1984 (Review)

SIFA 2018: Robert Icke and Duncan Macmillan’s 1984 (Preview)

George Orwell’s literary masterpice 1984 remains one of the most iconic depictions of a dystopian society. Despite being written in 1949, the book’s narrative has been shockingly prophetic, raising the idea of a society increasingly under surveillance and cults of personality. Although there’ve been several staged adaptation produced over the years, there’s none you’ll experience quite like the version by award-winning theatremakers Robert Icke and Duncan Macmillan. The … Continue reading SIFA 2018: Robert Icke and Duncan Macmillan’s 1984 (Preview)

Voilah 2018: An Interview with Bellepoque Director Sabrina Zuber (Roots)

Bellepoque is a company that strongly believes in the importance of knowing one’s roots, in order to continue to flourish. More specifically, like their name, they’re committed fully to the Belle Epoque era between 1871 and 1914, where the arts and music flourished in Europe, particularly in Paris. Using the music from that era, the company seeks to create new work, re-defining the styles and … Continue reading Voilah 2018: An Interview with Bellepoque Director Sabrina Zuber (Roots)