In the spring of 1983, despite not speaking a word of Mandarin, Arthur Miller travelled to Beijing to direct Death of a Salesman with an all-Chinese cast. The encounter, later documented in his memoir Salesman in Beijing, has since become a touchstone of cross-cultural theatre-making. More than two decades later, that improbable collaboration now finds new life in Salesman之死, a multilingual, documentary-inflected work that traces … Continue reading SIFA 2026: Salesman之死 – An interview with director Danny Yeo on translating and adapting Arthur Miller