Film: An Interview with Jason Lee, Screenwriter and Director of ‘A Good Fortune’《百万红包》

As Singapore prepares for the annual Lunar New Year homecoming, A Good Fortune《百万红包》 arrives with the familiar comforts of festive comedy, and even brings something surprisingly heartfelt beneath the laughter. The film follows Kai Xin (Xixi Lim), a struggling influencer who flees to Malaysia after falling victim to a scam, only to reunite with Zi Hao (Wang Weiliang), the boy who once stood up for … Continue reading Film: An Interview with Jason Lee, Screenwriter and Director of ‘A Good Fortune’《百万红包》

An Interview with artist Jahan Loh on his debut CASETiFY collection

A cosmic adventure blending mythology, science fiction, and elemental wisdom, Jahan Loh’s debut CASETiFY collection reimagines ancient traditions through a contemporary lens. Known for collapsing the boundaries between street culture, fine art, and pop iconography, the Singapore-born artist transforms the phone case into an intimate, everyday canvas, one that explores ideas of prosperity, abundance, and the rituals we carry with us daily. Unveiled at the … Continue reading An Interview with artist Jahan Loh on his debut CASETiFY collection

Visual Art: An interview with artist Shuang Li on ‘Alliance’, and Kim Association’s Alan Lo

In a city engineered for smooth circulation, of people, data, and capital, Alliance arrives as a quiet interruption. The exhibition marks Shuang Li’s first solo presentation in Southeast Asia and unfolds at Kim Association, a new project space in Singapore dedicated to transnational Asian practices. Anchored in Li’s recent work with storm chasing and livestreamed weather phenomena, the exhibition considers how contemporary life is shaped … Continue reading Visual Art: An interview with artist Shuang Li on ‘Alliance’, and Kim Association’s Alan Lo

Singapore Art Week 2026: STPI’s The Print Show & Symposium Singapore offers a deep dive into the productive disorder of print

If printmaking still carries the reputation of being secondary, thought of as editions locked behind glass, conceptually subordinate to painting or sculpture, STPI’s The Print Show & Symposium Singapore 2026 makes a deliberate case for its relevance now. Launched during Singapore Art Week, the initiative positions print not as a supporting medium but as a central, adaptive force within contemporary culture: materially rigorous, politically charged, … Continue reading Singapore Art Week 2026: STPI’s The Print Show & Symposium Singapore offers a deep dive into the productive disorder of print

Singapore Art Week 2026: An Interview with STPI’s Nathaniel Gaskell and curator Stephanie Bailey on The Print Show & Symposium Singapore

If printmaking still conjures images of editions locked behind glass, STPI is intent on changing that perception. Launching during Singapore Art Week 2026, The Print Show & Symposium Singapore positions print firmly at the centre of contemporary culture. Hosted at STPI’s riverside space at Robertson Quay, The Print Show brings together works by 27 internationally renowned artists, from household names such as Jeff Koons, Louise … Continue reading Singapore Art Week 2026: An Interview with STPI’s Nathaniel Gaskell and curator Stephanie Bailey on The Print Show & Symposium Singapore

Singapore Fringe Festival 2026: An Interview with Sofie Buligis on being and representing ‘Celup’

“You very celup sia.” The moment her partner said it, Sofie Buligis laughed, but she also felt something click into place. “I was like, yeah, I am,” she remembers. “My friends and family have called me that, and actually it’s quite a snappy name for a show.” That idea became Celup (literally, ‘to dip’, and loosely translates to a desire to be more ‘mixed’) her … Continue reading Singapore Fringe Festival 2026: An Interview with Sofie Buligis on being and representing ‘Celup’

Singapore Fringe Festival 2026: An Interview with Wang Ping-Hsiang on representing violence in performance and karaoke in ‘Retina Manoeuvre’

When audiences first encountered Retina Manoeuvre in its early work-in-progress, few could have guessed that the performance would later tour Europe, gathering deeply personal responses from audiences who recognised themselves, despite having no connection to Taiwan at all. The project began far from the solo, autobiographical form it eventually took. Taiwanese artist and creator Ping-Hsiang Wang recalls that the original proposal involved three performers and … Continue reading Singapore Fringe Festival 2026: An Interview with Wang Ping-Hsiang on representing violence in performance and karaoke in ‘Retina Manoeuvre’

Singapore Fringe Festival 2026: An Interview with Woody Avenue on normalising queerness and representing love in ‘A Lesbian Love Story: The Musical’

When theatre-makers Rosie McGowan and Kluane Saunders first started writing a musical about a woman trying to create the happiest lesbian love story ever put on stage, they didn’t realise they were also building a company. “The idea for the production came first and the company came after,” Rosie laughs. “A lot of people asked who was the company behind it, and we thought, oh, … Continue reading Singapore Fringe Festival 2026: An Interview with Woody Avenue on normalising queerness and representing love in ‘A Lesbian Love Story: The Musical’

Singapore Fringe Festival 2026: An Interview with Haresh Sharma, Grace Kalaiselvi, and Jaspreet Kaur Sekhon on representing disability onstage in ‘Invisible’

Set against the seemingly ordinary backdrop of a hotel workplace, Invisible begins with a simple premise: Malini, a young disabled woman, starts her new job as a cleaner determined to do well. When a guest’s prized possession goes missing, the incident sets off a chain of events that reveals the hidden struggles, quiet tensions, and unseen disabilities carried by those involved. Written by award-winning playwright … Continue reading Singapore Fringe Festival 2026: An Interview with Haresh Sharma, Grace Kalaiselvi, and Jaspreet Kaur Sekhon on representing disability onstage in ‘Invisible’

An Interview with Dr Louis Ng, Director, Hong Kong Palace Museum and Dr. Mohamed Ismail Khaled, Secretary-General, Supreme Council of Antiquities (SCA) of Egypt on the museum’s landmark Ancient Egypt Unveiled exhibition

HONG KONG – Hong Kong’s cultural landscape has taken a giant step into the world of ancient civilisations with the grand opening of the Hong Kong Palace Museum’s (HKPM) latest special exhibition, “Ancient Egypt Unveiled: Treasures from Egyptian Museums”. Opening to the public on 20 November 2025 and running through 31 August 2026, the exhibition marks the first time a major collection of Egyptian artefacts … Continue reading An Interview with Dr Louis Ng, Director, Hong Kong Palace Museum and Dr. Mohamed Ismail Khaled, Secretary-General, Supreme Council of Antiquities (SCA) of Egypt on the museum’s landmark Ancient Egypt Unveiled exhibition