A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

When audiences step into A Dream of Red Mansions this March, they will be entering a world suspended somewhere between memory and dream. The ballet, performed by the National Ballet of China, transforms one of China’s most beloved literary works into a lyrical stage experience. Inspired by Cao Xueqin’s 18th-century novel, the production blends classical ballet vocabulary with Chinese movement aesthetics to evoke a fragile … Continue reading A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

Dance the night away as Armenian Street comes alive with the Peranakan Museum’s Armenian Street Party

This March, one of Singapore’s most vibrant heritage celebrations returns to the city centre. From 13 to 15 March 2026, the Peranakan Museum will transform Armenian Street into a lively cultural playground as the Armenian Street Party marks its 10th edition with three evenings of performances, food, art, and interactive experiences. Running daily from 5pm to 10pm, the festival invites visitors to wander through a … Continue reading Dance the night away as Armenian Street comes alive with the Peranakan Museum’s Armenian Street Party

Music: Ding Yi Music Company Appoints Tay Zhi Wen as New General Manager

Ding Yi Music Company has appointed Tay Zhi Wen as its new General Manager, effective 1 March 2026. Her appointment marks a new chapter in the company’s continued artistic and organisational development. As General Manager, Zhi Wen will work closely with the Board, Artistic Leadership, musicians and staff to advance the ensemble’s artistic vision while strengthening the organisational capabilities to support its evolving practice. Zhi … Continue reading Music: Ding Yi Music Company Appoints Tay Zhi Wen as New General Manager

★★★★★ Theatre Review: Le Père (The Father) 父亲 by Shanghai Dramatic Arts Centre

by D.Y. Mandarin adaptation of acclaimed Florian Zeller play finds heartbreaking new resonance; spotlighting the Asian sensibilities of a family at war with Alzheimer’s disease.  In theatre, there are few plays that break the trust between audience and performer in its storytelling; And with an unassuming title such as ‘The Father’, the audience is lured into a false sense of familiarity. But, when the naturalistic, … Continue reading ★★★★★ Theatre Review: Le Père (The Father) 父亲 by Shanghai Dramatic Arts Centre

★★★★★ Theatre Review: Force Majeure by Pangdemonium

A storm of memory, art and family marks the beginning of Pangdemonium’s final season. Pangdemonium opens its 2026 season with Force Majeure, a quietly devastating meditation on art, family and the fragile structures that hold both together. Written by Stephanie Street and directed by Tracie Pang, the play reimagines Chekhov’s Three Sisters within a contemporary Southeast Asian context, where artists find themselves negotiating not just … Continue reading ★★★★★ Theatre Review: Force Majeure by Pangdemonium

Arts of Hong Kong: The Hong Kong Academy for Performing Arts and Hong Kong Arts Festival Strengthen Strategic Partnership through signing a Memorandum of Understanding

HONG KONG – The Hong Kong Academy for Performing Arts (HKAPA) and the Hong Kong Arts Festival (HKAF) are delighted to announce the signing of a Memorandum of Understanding (MoU), marking a new chapter in their long-standing partnership. The agreement builds on the two parties’ rich legacy of artistic exchange and collaboration, reinforcing both organisations’ shared vision for the future development of the arts. This MoU establishes a framework for strategic collaboration. By leveraging their complementary strengths, … Continue reading Arts of Hong Kong: The Hong Kong Academy for Performing Arts and Hong Kong Arts Festival Strengthen Strategic Partnership through signing a Memorandum of Understanding

An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

In its final season, Pangdemonium returns to a writer who has haunted stages for more than a century: Anton Chekhov. But this is not a museum piece, nor a reverent period revival. Force Majeure, written by Stephanie Street and adapted from Three Sisters, relocates the ache of Chekhov’s provincial dreamers into a contemporary landscape of global drift and fragile belonging. The soldiers and samovars are … Continue reading An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

Art: Rirkrit Tiravanija’s SAY YES TO EVERYTHING at STPI

What if an art exhibition didn’t ask you to stand still and look, but instead invited you to eat, talk, play, and linger? This March, Rirkrit Tiravanija brings exactly that proposition to Singapore with SAY YES TO EVERYTHING, his largest exhibition here to date, presented at STPI from 7 March to 9 May 2026. Known for redefining what art can be, Tiravanija has spent decades … Continue reading Art: Rirkrit Tiravanija’s SAY YES TO EVERYTHING at STPI

★★★★☆ Dance Review: Diary VII ・ The Story Of…… by Mui Cheuk-yin

Mui Cheuk-yin transforms a chance encounter with a stray cat into a profound reflection on migration, memory and the circular nature of time. Diary entries often feel like streams of consciousness, a flow of thought. So for a dance piece to take inspiration from one, that results in a performance where there is no dramatic overture, no attempt to overwhelm. Instead, the theatre fills with … Continue reading ★★★★☆ Dance Review: Diary VII ・ The Story Of…… by Mui Cheuk-yin

★★★★☆ Theatre Review: The Sun by 4 CHAIRS THEATRE

A searing Taiwanese sci-fi triumph that evokes harrowing existential crises as we wonder how much humanity we leave behind as we evolve. There is something disquietingly apt about encountering The Sun in a cultural moment already steeped in suspicion, fracture and the long psychological aftershocks of global crises today. Directed by Tora Hsu and adapted by Chen Yi-En from Tomohiro Maekawa’s 2010 Japanese script, this … Continue reading ★★★★☆ Theatre Review: The Sun by 4 CHAIRS THEATRE