In London’s (Off) West End 2019: Feast from the East by INK Festival (Preview)

LONDON – This May, London’s INK Festival is showcasing some of East Anglia’s short plays with Feast from the East, featuring contributions from writing superstars such as Richard Curtis and his daughter Scarlett. Considered a vital platform for regional writing, INK’s London residency is set to bring their work to a wider audience, having produced over 100 new plays in just four years. With INK, the … Continue reading In London’s (Off) West End 2019: Feast from the East by INK Festival (Preview)

In London’s (Off) West End 2019: F*ck You Pay Me at the Bunker (Preview)

LONDON – Writer, performer and winner of the Sexual Freedom Awards Joana Nastari closes The Bunker Theatre’s spring season with her award-winning debut performance, Fuck You Pay Me.  Having won the Wilton’s Music Hall Edinburgh Award and VAULT Festival People’s Choice Award 2018, Fuck You Pay Me blends theatre, comedy, music and spoken word to bring audiences an authentic and hilarious night of entertainment, telling of one woman and … Continue reading In London’s (Off) West End 2019: F*ck You Pay Me at the Bunker (Preview)

Preview: Singapore International Piano Festival 2019 by Singapore Symphony Orchestra

The 26th edition of the Singapore International Piano Festival returns this May and gathers virtuoso pianists from all four corners of the world. Presented by the Singapore Symphony Orchestra, naturally, the festival will be held at their home at the Victoria Concert Hall, doubling in significance as the iconic birthplace of the festival. Well known for its intimate setting, audiences can expect concerts up closer and … Continue reading Preview: Singapore International Piano Festival 2019 by Singapore Symphony Orchestra

The Studios 2019: An Interview with Natalie Hennedige, Director of Rubber Girl On The Loose

so This week, the Esplanade’s new season of The Studios returns, presenting a lineup of intimate, powerful theatre shows playing at both the Theatre Studio and Annexe Studio. Kicking off the season is Cake Theatrical Productions with their hotly anticipated new production Rubber Girl On The Loose.  Based off Sophocles’s Antigone, this new interpretation of the Greek classic carries on in Cake’s tradition of reworking Greek plays (following … Continue reading The Studios 2019: An Interview with Natalie Hennedige, Director of Rubber Girl On The Loose

Sleep No More《不眠之夜》: An Interview with Punchdrunk Artistic Director Felix Barrett

SHANGHAI, CHINA – It’s been almost three years since Punchdrunk brought their blockbuster immersive theatre experience Sleep No More to Shanghai, and the success they’ve seen so far isn’t letting up anytime soon, as good as or even better than previous editions staged in New York and London. Based off Shakespeare’s classic tragedy Macbeth, Sleep No More takes the experience up a level by turning it into a film noir-like tale, … Continue reading Sleep No More《不眠之夜》: An Interview with Punchdrunk Artistic Director Felix Barrett

Preview: Mendelssohn Violin Concerto presented by Singapore Symphony Orchestra

This April, the Singapore Symphony Orchestra presents Mendelssohn’s the Hebrides, the Violin Concerto, and the Scottish Symphony; three of Mendelssohn’s finest violin classics capturing the composer’s Romantic spirit, inventiveness and vibrant capacity for melody at Mendelssohn Violin Concerto. Conducted by leading Spanish-Catalan conductor Josep Pons, the performance will also feature  guest soloist, young American violinist Stefan Jackiw, considered one of America’s foremost violinists, captivating audiences on both … Continue reading Preview: Mendelssohn Violin Concerto presented by Singapore Symphony Orchestra

Review: Goddesses of Words – Sarojini Naidu by Grace Kalaiselvi

It can happen to anyone and everyone. When Grace Kalaiselvi asked her actresses to read the poems of Sarojini Naidu in preparation for her all new Goddesses of Words series (aimed at highlighting female Indian poets writing in English), each performer somehow connected almost instantly with the theme of trauma, and more specifically, sexual assault. While not all of the poems necessarily put trauma at … Continue reading Review: Goddesses of Words – Sarojini Naidu by Grace Kalaiselvi

Singapore Repertory Theatre’s The Truth: An Interview with Cast Members Neo Swee Lin and Lim Yu-Beng

The Singapore Repertory Theatre opens their 2019 season this April with Florian Zeller’s The Truth, as translated by Christopher Hampton. A comedy revolving around sex, lies and best friends’ wives, The Truth follows Michael as he embarks on an affair, building a bigger and bigger lie as he attempts to cover it up…and just might lead to a truth that’s far from straightforward as someone else might have been doing … Continue reading Singapore Repertory Theatre’s The Truth: An Interview with Cast Members Neo Swee Lin and Lim Yu-Beng

Review: FAUST/US (浮世/德) by Nine Years Theatre

Lest the demons get to me. Written by Johann Wolfgang von Goethe in the early 1800s, there is a timelessness to the narrative and themes discussed in Faust that have led to it becoming an inspiration for countless other works of art, and its regard as one of the greatest works of German literature. To stage it in a new capacity then, is certainly a challenging … Continue reading Review: FAUST/US (浮世/德) by Nine Years Theatre

Preview: VCH ORGAN SERIES – Martin Setchell by Singapore Symphony Orchestra

International concert organist Martin Setchell, well-known as both transcriber and performer, is set to introduce and play transcriptions (mostly his own) of favourite music from the 18th and 20th centuries, perfect for the VCH Klais organ – from the ornate vigour of the Baroque, to the effusive, genteel dances of popular vein, culminating in the relentless oriental verve of the famous Sabre Dance. Showcasing the versatility … Continue reading Preview: VCH ORGAN SERIES – Martin Setchell by Singapore Symphony Orchestra