Review: 1984 by The Young Company

The latest batch of Young Company graduates tackles Orwell’s magnum opus. George Orwell’s 1984 is a classic of modern literature, imagining a terrifying dystopian world of surveillance states and totalitarian governments. And come the chaotic state of the world today, more than ever, it feels as if that world is becoming a reality we cannot deny. With this new production by The Young Company’s latest graduating … Continue reading Review: 1984 by The Young Company

In London’s West End 2019: Fleabag at Wyndham’s Theatre (Review)

It’s clear why this no filter, no holds barred one woman show catapulted Phoebe Waller-Bridge to stardom. LONDON – Phoebe Waller-Bridge needs little to no introduction. The writer-actor shot to fame with the BBC adaptation of her Edinburgh Fringe hit Fleabag, and since then, has only been on the rise, voicing a droid in Rogue One: A Star Wars Story, writing for BBC America’s is, … Continue reading In London’s West End 2019: Fleabag at Wyndham’s Theatre (Review)

In London’s (Off) West End 2019: Warheads by Park Theatre (Review)

Intense, frank look at PTSD in this urban drama about soldiers.  LONDON –  War is a disaster that few of us, thankfully, have ever had to experience in our lives. But for those of us who have, it can be one of the most traumatic things that affect you for life, with countless stories of PTSD war vets suffer long after it’s over. With Warheads, writers Taz Skylar … Continue reading In London’s (Off) West End 2019: Warheads by Park Theatre (Review)

Review: The Adventures of Abhijeet by Patch and Punnet

Singa-satire still falls flat. When The Adventures of Abhijeet was first presented the M1 Singapore Fringe earlier this year, I was unable to get a chance to catch it. Reading up about it, I found out how that version was pitched as a rollicking satire on xenophobia, while this newer, full-length one pulls back its claim to simply be “a story where migrant workers are … Continue reading Review: The Adventures of Abhijeet by Patch and Punnet

Underbelly Festival Southbank 2019: 80 Days – A Real World Adventure by Fire Hazard Games (Review)

Awakening one’s sense of wonder and curiosity with the power and whimsy of games. LONDON – Londoners have been documented to be some of the fastest walkers in the world. But in constantly rushing from place to place, one often ends up completely forgetting to stop and smell the roses, so to speak, with plenty of details we miss even in our most frequented of places. … Continue reading Underbelly Festival Southbank 2019: 80 Days – A Real World Adventure by Fire Hazard Games (Review)

M1 Patch! 2019: PROJECT Utopia《望眼吾托邦》 by The Theatre Practice (Review)

The Practice Space becomes a lab to experiment and play with the concept of ‘Utopia’. English writer Thomas Moore was the first person to write about utopias, or an imaginary perfect world. Can such a place exist in real life, or is it doomed to forever be a land of fiction? With The Theatre Practice’s PROJECT Utopia, five international artists then come together to distil that question … Continue reading M1 Patch! 2019: PROJECT Utopia《望眼吾托邦》 by The Theatre Practice (Review)

M1 Patch! 2019: A Dog’s House《野良犬之家》by M.O.V.E. Theatre (Review)

Cycles of abuse can be a real bitch to break out of in this harrowing, pitch black play. It’s not often that you leave a play feeling utterly corrupted by how dark it is, and if any company has done it, it’s Taiwan’s M.O.V.E. Theatre. Directed by Fu Hong-Zheng and written by Lin Meng-Huan, A Dog’s House is pitch black in tone, as we enter the home of … Continue reading M1 Patch! 2019: A Dog’s House《野良犬之家》by M.O.V.E. Theatre (Review)

Review: Forked (2019) by The Finger Players

Faking it till you make it only gets you forked. Last seen as part of the 2018 M1 Singapore Fringe Festival, local actress Jo Tan’s debut play is back – now with the support of The Finger Players and re-imagined as a one woman show. Directed by Chong Tze Chien and written and performed by Jo herself, Forked is a play that’s all about identity. Based partially … Continue reading Review: Forked (2019) by The Finger Players

Review: Hossan-AH 50! – Love You LEONG Time! by Double Confirm Productions

A last hurrah for the Singapore Boy in this sincere celebration of a life in entertainment. Surefire ways to tell you’re getting on in age – when people call you ‘lao ban’ (boss) instead of ‘xiao di’ (little boy), and when you realise it’s probably more appropriate to call the taxi driver ‘brother’ instead of ‘uncle’. Where these might spark a mid-life crisis in some, … Continue reading Review: Hossan-AH 50! – Love You LEONG Time! by Double Confirm Productions

Review: Fat Kids Are Harder To Kidnap X Re-Run by How Drama

Fat on genuine passion, heart and love for Singapore in all her idiosyncrasies.  After a fantastic sold-out run in 2018, Fat Kids Are Harder to Kidnap X returned this weekend for a second round to give those that missed it the first time (and longtime fans of the show) to immerse themselves completely in “the perfect, quintessentially Singaporean fringe show”. Directed by Melissa Sim,  the format of Fat Kids is … Continue reading Review: Fat Kids Are Harder To Kidnap X Re-Run by How Drama