Review: Love Ya Mom! by (爱呀,我的妈!) by Godot Theatre Company

Heartwarming tale that’ll bring anyone closer to their mom. There’s just some nights you need nothing more than a simple and clean musical to reassure and make you feel warm and fuzzy inside. Most recently, that musical happens to be Taiwanese theatre company Godot Theatre’s Love Ya Mom!, which played at the Esplanade Theatre in its overseas debut. Directed by Liang Chi-Ming, with music by acclaimed … Continue reading Review: Love Ya Mom! by (爱呀,我的妈!) by Godot Theatre Company

Preview: M1 Peer Pleasure Youth Theatre Festival 2019 by ArtsWork Collaborative

Following a one year hiatus, the M1 Peer Pleasure Youth Theatre Festival, Singapore’s only annual theatre festival by young people presented by ArtsWok Collaborative, returns this July to the Esplanade – Theatres on the Bay. Taking on the theme of Poverty, this year’s edition will feature a brand new Artistic Director in the form of veteran theatre practitioner and drama educator Jean Ng. Exploring what poverty looks … Continue reading Preview: M1 Peer Pleasure Youth Theatre Festival 2019 by ArtsWork Collaborative

George Town Festival 2019: Kampong Chempedak by The Glowers Drama Group (Review)

Change is the only constant. PENANG, MALAYSIA – While most modern city-dwellers have long gotten used to the constant march of progress as our cityscape moves forth, there remain those that find it difficult to impossible to adapt to the way the world has changed. Performed by Singapore senior theatre group The Glowers, our story then focuses on the villagers of Kampong Chempedak, once a thriving and … Continue reading George Town Festival 2019: Kampong Chempedak by The Glowers Drama Group (Review)

In London’s (Off) West End 2019: This is Black at The Bunker

LONDON – Opening The Bunker’s Autumn Season, This is Black will premiere theatre productions by four new and exciting Black writers across an alternating double-bill. Exploring identity, family relationships and universal struggles, the festival will showcase All the Shit I Can’t Say to My Dad by Abraham Adeyemi and Blue Beneath My Skin by Macadie Amoroso with PYNEAPPLE by Chantelle Alle and Melissa Saint and Teleportation … Continue reading In London’s (Off) West End 2019: This is Black at The Bunker

Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

Steering audiences to believe in the redemptive power of art. Written and directed by Nelson Chia, First Fleet marks a bold move for the Nine Years Theatre artistic director, clearly differentiating them from the rest of the companies producing works relating to Singapore’ colonial history this year. Taking inspiration from both historical figures and Thomas Keneally’s novel The Playmaker, First Fleet instead focuses on Australia’s colonial history. And more specifically, the … Continue reading Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

In London’s (Off) West End 2019: Femme Fatale by Fireraisers at Omnibus Theatre

LONDON – 1968. New York. Nico, singer with The Velvet Underground and Andy Warhol’s Superstar, waits to shoot his latest movie when her Chelsea Hotel room is invaded by radical feminist Valerie Solanas. She wants the celebrity’s help to spread her message of female revolution, but Nico only craves drugs to insulate her from her pain. A darkly comic battle begins, between two iron-willed opponents who … Continue reading In London’s (Off) West End 2019: Femme Fatale by Fireraisers at Omnibus Theatre

George Town Festival 2019: Screaming in Silence by Parastoo Theatre Team (Review)

Staging the painful truth of forced marriage in Afghanistan.  PENANG, MALAYSIA – Performed by Parastoo Theatre Team, a group of Afghan refugees who are based in Malaysia, Screaming in Silence uses the form of Theatre of the Oppressed to raise awareness about child marriage in Afghanistan, following the life of a young girl forced into marriage with a much older man by her father and the community. Performed in … Continue reading George Town Festival 2019: Screaming in Silence by Parastoo Theatre Team (Review)

Nine Years Theatre’s First Fleet (第一舰队): An Interview with Director Nelson Chia

Following FAUST/US earlier this year, Nine Years Theatre returns this week for their second production of the year – an original work about the first British fleet to step foot onto what would eventually become Australia, aptly titled First Fleet. Written and directed by Nelson Chia, we posed a number of questions to the Nine Years Theatre Artistic Director to find out a little more about what we … Continue reading Nine Years Theatre’s First Fleet (第一舰队): An Interview with Director Nelson Chia

N.O.W. 2019: Three Fat Virgins Unassembled (Review)

  Almost 30 years on and Ovidia Yu’s classic remains shockingly relevant. One of my earliest memories of coming into contact with local theatre is picking up a copy of Fat Virgins, Fast Cars and Asian Values in the late 2000s, collecting some of the Theatreworks Writers’ Lab’s most seminal plays from the 1990s. Naturally, as its title suggests, this collection contained Ovidia Yu’s Three Fat Virgins Unassembled, a … Continue reading N.O.W. 2019: Three Fat Virgins Unassembled (Review)

Dream Academy’s Broadway Beng: An Interview with Sebastian Tan

In many ways, Broadway Beng seems eternal. Having debuted in 2006, the dapper, Hokkien-spouting, Broadway/West End musical-lovin’ ‘beng’ has become something of a national icon in his own right, winning the hearts of countless aunties, xiao mei meis and men alike with his swagger and charm. But unlike an icon such as say, James Bond and how the character changes actors every few years, Broadway Beng can and will … Continue reading Dream Academy’s Broadway Beng: An Interview with Sebastian Tan