In London’s (Off) West End 2019: What Girls Are Made Of by Raw Material & Traverse Theatre Company in association with Regular Music (Preview)

LONDON – Following a sold-out, Fringe First winning run at Edinburgh Fringe 2018 (where it’ll return again for 2019), Cora Bissett’s What Girls Are Made Of charts her rollercoaster journey from indie-kid hopeful to wised-up woman. In this exhilarating and exciting piece of gig theatre, directed by Orla O’Loughlin and winner of a Scottish Culture Award 2019, Cora celebrates life’s euphoric highs and epic sh*tstorms … Continue reading In London’s (Off) West End 2019: What Girls Are Made Of by Raw Material & Traverse Theatre Company in association with Regular Music (Preview)

In London’s (Off) West End 2019: Macbeth by Antic Disposition at Temple Church (Preview)

LONDON – You may have seen Macbeth, but have you ever seen it performed in a church? This summer, get ready as the Peter Brook Award-winning Antic Disposition return to Temple Church to present a new production of Macbeth, following their sold out, critically acclaimed runs of Romeo and Juliet in 2014, Henry V in 2015 and Richard III in 2017. Inspired by supernatural promises, a powerful nobleman and his … Continue reading In London’s (Off) West End 2019: Macbeth by Antic Disposition at Temple Church (Preview)

Touring The UK 2019: Bleak House by David Glass Ensemble

LONDON – Returning to the UK stage 12 years after the award-winning success of Gormenghast, the reformed David Glass Ensemble present their breath-taking physical adaptation of Bleak House by international master theatre maker David Glass. Since 1990, the David Glass Ensemble has created inspiring and extraordinary theatre for the world stage. Having worked in over 70 countries worldwide, David and his Ensemble now bring current and … Continue reading Touring The UK 2019: Bleak House by David Glass Ensemble

Touring The UK 2019: Murder, Margaret and Me by A Tilted Wig, Malvern Theatres and Churchill Theatre, Bromley

LONDON – Lin Blakley  of Eastenders fame is about to get mysterious, as she steps into the shoes of beloved mystery writer Agatha Christie for the UK tour of Philip Meeks’ critically acclaimed play – Murder, Margaret and Me. Directed by Damian Cruden, the cast also includes Sarah Parks as Margaret Rutherford, and Gilly Tompkins as the Spinster. Murder, Margaret and Me is the story of an unlikely friendship … Continue reading Touring The UK 2019: Murder, Margaret and Me by A Tilted Wig, Malvern Theatres and Churchill Theatre, Bromley

N.O.W. 2019: Stand-up – Fresh + Raw (Review)

A 10-lesson course by one of Asia’s top 10 female comedians pays off for these new comedy hopefuls. Is it possible to even teach an art form as intuitive as stand-up comedy? Sharul Channa certainly thinks so, as she presents the graduating cohort of her very first 10-lesson course for beginners in N.O.W.’s Stand-Up: Fresh + Raw. Transforming the space at 72-13 to a cosier, more … Continue reading N.O.W. 2019: Stand-up – Fresh + Raw (Review)

Preview: Forked (2019) by The Finger Players

We first saw Jo Tan’s Forked when it premiered at the 2018 M1 Singapore Fringe Festival. Now, with further developments under The Finger Players’ Watch This Space playwright incubation programme, she’s back with a brand new version of the comedy-drama this August! Directed by Chong Tze Chien, Forked is veteran actress Jo Tan’s first full length play as an emerging playwright. First written under a six-week writers programme under … Continue reading Preview: Forked (2019) by The Finger Players

Review: We Were So Hopeful Then by The Necessary Stage

An attempt to highlight the invisible people key to a production’s success. In any theatre production, those deemed worthy of praise are often limited to cast and creatives. But even beyond them, there still exist people who are present in every production, yet never receive praise or acknowledgement they deserve. To highlight these invisible people then acts as one of the key goals of Ellison Tan’s We … Continue reading Review: We Were So Hopeful Then by The Necessary Stage

N.O.W. 2019: Nimita’s Place – Staged Reading (Review)

The tragedy of Partition leaves a haunting impression in this page to stage adaptation. When Akshita Nanda debuted her first novel last year, little did we expect to see it receive a stage adaptation just a year later. Directed by Edith Podesta, the staged reading may not be a full production, but still manages to mostly capture the essence of the original novel, trimming out material … Continue reading N.O.W. 2019: Nimita’s Place – Staged Reading (Review)

Review: Aladdin the Musical presented by BASE Entertainment Asia

It doesn’t matter how much you love the animated film – this staging of Aladdin is a whole new world in itself filled with theatrical magic of the best kind.   For all of Disney’s theatrical adaptations of their films, Aladdin certainly ranks among one of the best, effectively bringing out the colourful world of the film to the stage. Adapted from the 1992 animated film of the … Continue reading Review: Aladdin the Musical presented by BASE Entertainment Asia

Review: The Wonderland Cabaret by Andsoforth

Andsoforth’s naughty side is realised in full with this curious cabaret. When Lewis Carroll wrote Alice in Wonderland in 1865, chances are he never imagined it would ever be adapted into a cheeky cabaret, complete with his characters dressed in fishnet tights, thigh-high boots and all dragged up. To be honest though, he might end up enjoying it, especially if it comes in the form of … Continue reading Review: The Wonderland Cabaret by Andsoforth