Gamarjobat: An Interview with Masters of Mime Ketch! and HIRO-PON

Japanese comedy duo Ketch! and HIRO-PON will catch your attention from a distance. Clad in their signature suits and sunglasses, and boasting a red and yellow mohawk respectively, the two of them form Gamarjobat, a word that translates to ‘Hello’ in Georgian. First achieving fame at the Edinburgh Fringe Festival, Gamarjobat specialises in silent comedy and mime, with outrageous acts that transcend age, culture and … Continue reading Gamarjobat: An Interview with Masters of Mime Ketch! and HIRO-PON

Review: SUB II – The Art of Exploitation by Underground Theatre

A chance to hear from the misunderstood ranks of society and learn a little more about subcultures.  We’re going to start this review with a disclaimer: we have just about zero experience interacting with any of the subcultures mentioned in SUB II. A punk, metalhead or skinhead is about the furthest thing from our usual social circles, and it’s completely refreshing to see these subcultures take the … Continue reading Review: SUB II – The Art of Exploitation by Underground Theatre

Preview: Lanang by Hatch Theatrics

This April, in their 9th theatrical production and the final work in their Artist Residency at the Malay Heritage Centre, Hatch Theatrics presents Lanang. Literally translating to ‘boy’, Lanang was first written by Hatch Theatrics member Hafidz Abdul Rahman as part of Theatreworks’ 24-Hour Playwriting Competition held at the Malay Heritage Centre in 2014, and cinched joint-second prize at the Open category (there was no first prize that … Continue reading Preview: Lanang by Hatch Theatrics

Preview: When We Dead Awaken by Intercultural Theatre Institute

Henrik Ibsen is perhaps one of the greatest playwrights. But amongst his many celebrated plays, there still remain a couple that are so rarely staged, dwarfed by the success of his better known works such as A Doll’s House or An Enemy of the People. In the first show of 2018 from the Intercultural Theatre Institute’s (ITI) latest graduating batch, the students will be presenting Ibsen’s final written … Continue reading Preview: When We Dead Awaken by Intercultural Theatre Institute

True Colours Festival 2018: Double Bill by No Strings Attached Theatre of Disability + Very Special Theatrics (Preview)

As part of the inaugural True Colours Festival, one local group and one international group will be presenting the world premiere of a brand new Double Bill of theatrical works over the weekend of the festival! Presented by Australia’s No Strings Attached Theatre of Disability (NSA) and Singapore’s Very Special Theatrics (VST), I Forgot To Remember To Forget and My Home Is Not A Shell will … Continue reading True Colours Festival 2018: Double Bill by No Strings Attached Theatre of Disability + Very Special Theatrics (Preview)

Preview:《有时月光》(Sometime Moon) by Toy Factory

Toy Factory opens their 2018 season on a high note, with a brand new show this March! Titled《有时月光》Sometime Moon, this epic new production is incredibly ambitious, and the 10-act musical charts a hundred years of history in the life of one of the earliest Huay Kuan (Clan Association) established in Singapore. Sometime Moon follows the rise of the fictitious Quan Ji Huay Kuan from the moment … Continue reading Preview:《有时月光》(Sometime Moon) by Toy Factory

Preview: Secret Theatre Project Singapore

Think you know Singapore? Think again, as this May, international immersive theatre phenomenon Secret Theatre finally makes its way down to the country to bring an all new project to new audiences! Taking place in a secret club right in the heart of Singapore, audience members will even require instructions and a password just for entry when they enter the venue and dive straight into … Continue reading Preview: Secret Theatre Project Singapore

The Art Scene’s Movers and Shakers: Theatreworks Curators Academy

    The inaugural Theatreworks Curators Academy comes to a close for now, with plenty of food for thought. SINGAPORE – Even as new SIFA Festival Director Gaurav Kripalani steps up to the plate for a new era of the festival, his immediate predecessor still certainly has plenty on his plate, as Ong Keng Sen heralds an all new programme of his own: the inaugural … Continue reading The Art Scene’s Movers and Shakers: Theatreworks Curators Academy

Review: The Page on Stage – A Performance of Words from the stories of Baratham, Cheong, Jeyaretnam and Tay

There’s magic in words as Rebekah Sangeetha Dorai and Jun Vinh Teoh bring to life classic characters from beloved stories from the 90s.  There are some books you read as you’re growing up that you never forget. For producer Tan Kheng Hua, they include works from 90s writers Gopal Baratham, Colin Cheong, Philip Jeyaretnam and Simon Tay, all of whom are proudly showcased in The Page … Continue reading Review: The Page on Stage – A Performance of Words from the stories of Baratham, Cheong, Jeyaretnam and Tay

Review: The Good Farmer by Theatreworks

Theatreworks’ twentieth edition of the annual 24-Hour Playwriting Competiton was held at a farm commune out in Lorong Chencharu. So it makes complete sense that one of its winners, first time competition participant Christopher Chee, would make full use of the setting for inspiration for his play The Good Farmer.  The Good Farmer’s entire plot revolves around the competition’s first prompt, where participants were tasked to open … Continue reading Review: The Good Farmer by Theatreworks