Preview: The Page on Stage – A Performance of Words from the stories of Baratham, Cheong, Jeyaretnam and Tay

Tan Kheng Hua is a busy woman – she’s performing in Pangdemonium’s The Father , while still hard at work on producing a new show at The Arts House’s inaugural Textures literary festival. Directed by Brendon Fernandez, The Page On Stage features actors Rebekah Sangeetha Dorai and Jun Vinh Teoh performing stories from some of Singapore’s best known writers from the 90s. Watch the words of Gopal Baratham, Colin Cheong, Philip Jeyaretnam … Continue reading Preview: The Page on Stage – A Performance of Words from the stories of Baratham, Cheong, Jeyaretnam and Tay

Preview: Potong by Teater Ekamatra

As they celebrate their 30th Anniversary this year, Teater Ekamatra bursts into 2018 with a brand new show this March. Written by Jonny Jon Jon and directed by Irfan Kasban, Teater Ekamatra presents Potong.  Potong follows the familiar coming of age story as a a boy goes on a rite of passage every Singaporean son does – National Service. But for the Australian born Adam, Singapore is a … Continue reading Preview: Potong by Teater Ekamatra

An Interview with the Cast of The Little Company’s The Nightingale

SRT’s The Little Company is proud to present The Nightingale as it returns this March! Playing to rave reviews back in 2014, this restaging of Hans Christian Andersen’s classic tale of a bird and her best friend will feature a brand new cast, along with the same hit script by Mike Kenny and catchy songs by Ruth Ling that made the previous version go over so well. … Continue reading An Interview with the Cast of The Little Company’s The Nightingale

Huayi 2018: Einstein In The Carpark (爱因与斯坦) by Emergency Stairs (Review)

Liu Xiaoyi, in his director’s message for Einstein in the Carpark, poses to the late renowned theoretical physicist Albert Einstein a litany of 33 questions, among them such pithy existential ones as: “What do you think is the most important question of all?” “How do I find simplicity in confusion?” “Why do so many people know you, but so few people understand you?” This thought … Continue reading Huayi 2018: Einstein In The Carpark (爱因与斯坦) by Emergency Stairs (Review)

Preview: The Good Farmer by Theatreworks

At Theatreworks’ 20th 24-Hour Playwriting Competition, aspiring playwrights were sent to a farm community in the middle of Lorong Chencharu last September to bang out a full script over a day. And from that competition, one winner’s play from the Open Category is about to be adapted into a full production – NUS sociology student Christopher Chee with The Good Farmer.  The Good Farmer starts off with … Continue reading Preview: The Good Farmer by Theatreworks

Review: The Father by Pangdemonium!

Same same but different – Pangdemonium’s The Father is a terrifying take on dementia as seen through one man’s eyes.  Florian Zeller’s The Father is a difficult play to watch. Not necessarily because it’s complicated (although it’ll certain leave you confused and terrified by the end), but because it’s a play that deals with the inevitable – growing old, and the very real possibility of encountering … Continue reading Review: The Father by Pangdemonium!

Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)

Finding love in a hopeless place, with a side of ghosts, graves and a long list of ex-lovers. In Why We Chat?, director Edward Lam and writer Wong Wing Sze reimagine Pu Songling’s classic Strange Tales From A Chinese Studio (聊斋志异) for the times, taking inspiration from its supernatural themes and crafting an all new story about the contemporary horrors of feeling completely, utterly alone within the modern … Continue reading Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)

Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)

Nine Years Theatre and T.H.E. Dance Company take audiences on a nightmarish journey that explores the chaos within our minds. When Nine Years Theatre and T.H.E. Dance Company come together, it’s almost certain that something incredibly out of this world will be born from the collaboration. And when you add a heavy dose of surrealism, you’d probably get something along the lines of Cut Kafka. … Continue reading Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)

Huayi 2018: Einstein In The Carpark by Emergency Stairs (Preview)

Of the many performance spaces within the Esplanade, there’s never been one quite as unique as the carpark, being used for the very first time by experimental theatre company Emergency Stairs as they return to Huayi with their new production Einstein In The Carpark. Directed and conceptualized by Emergency Staris artistic director Liu Xiaoyi, Einstein In The Carpark takes inspiration from physicist Albert Einstein’s theory of relativity, … Continue reading Huayi 2018: Einstein In The Carpark by Emergency Stairs (Preview)

Huayi 2018: Why We Chat? by Edward Lam Dance Theatre (Preview)

This Huayi Festival, the Esplanade welcomes Hong Kong’s Edward Lam Dance Theatre to Singapore as they present a truly unique theatrical show that reflects on modern relationships, inspired, oddly enough, by the classic Chinese collection Liaozhai Zhiyi. Directed by award-winning director Edward Lam himself and written by the acclaimed playwright-actress Wong Wing Sze, Why We Chat? follows an aspiring writer (popular Taiwanese-Hong Kong singer/actor David Wang) as he shafts … Continue reading Huayi 2018: Why We Chat? by Edward Lam Dance Theatre (Preview)