Preview: FEVER ROOM presented by Theatreworks

Filmmaker Apichatpong Weerasethakul is perhaps best known for his breakout work Uncle Boonmee Who Can Recall His Past Lives, the first Thai film and first Southeast Asian to ever win a Palme d’Or at the 2010 Cannes Film Festival. Now, to kickstart their 2018 season, TheatreWorks Curators Academy is proud to welcome Apichatpong onto our shores with his touring work FEVER ROOM.  Playing at the Victoria Theatre from 25th … Continue reading Preview: FEVER ROOM presented by Theatreworks

M1 Singapore Fringe Festival 2018: All In by ATRESBANDES (Review)

EDM, North Korea and storage space collapse into an absurdist reflection on the difficulty of remaining an individual in an already overcrowded world.  Two figures clad in black zentai suits discuss getting a self storage space in distorted voices. A man finds his opinions constantly silenced and quashed whenever he raises them to his ‘friends’. A ghostly figure meets a red suited, Japanese-speaking man in … Continue reading M1 Singapore Fringe Festival 2018: All In by ATRESBANDES (Review)

M1 Singapore Fringe Festival 2018: If there’s not dancing at the revolution, I’m not coming by Julia Croft (Review)

An unusually moving neo-burlesque reflection on film and pop culture’s influence on women.  One of the key theories any film studies student learns early on is the concept of the male gaze and visual pleasure, coined by seminal film critic Laura Mulvey. In short, it’s a concept that discusses how Hollywood films are essentially born from an unconscious patriarchal desire to derive pleasure from voyeurism … Continue reading M1 Singapore Fringe Festival 2018: If there’s not dancing at the revolution, I’m not coming by Julia Croft (Review)

M1 Fringe Festival 2018: The Immortal Sole by Edith Podesta (Review)

A confident, powerful performance to kick off the 2018 M1 Singapore Fringe Festival. By now, Edith Podesta has firmly established herself as the mistress of just about every performing art form. From her years of experience as a theatre director leading up to the award-winning BITCH, to her stint as a choreographer in RAW Moves’ Indices of Vanishment, Podesta’s breadth of work has grown from strength to strength, … Continue reading M1 Fringe Festival 2018: The Immortal Sole by Edith Podesta (Review)

M1 Fringe Festival 2018: Hayat by Pink Gajah Theatre (Review)

The transformative power of pain is on full display in a moving work from Pink Gajah. Hayat may be a word that means life, but in Pink Gajah’s newest work of the same name, it begins with a death. Specifically, the memory of the death of performer Ajuntha Anwari’s mother, a trigger to reflect upon her life and begin her journey of grief, not only for her mother, … Continue reading M1 Fringe Festival 2018: Hayat by Pink Gajah Theatre (Review)

Preview: The Brothers Size by Young Vic and Actors Touring Company

The stunning Moonlight may have taken all the thunder as Best Picture at the Academy Awards back in 2017, but writer Tarell Alvin McCraney is set to continue making waves in January with an all new staging of his play The Brothers Size. Directed by the acclaimed Bijan Sheibani, The Brothers Size follows two African-American brothers Ogun and Oshoosi after a spell in prison, reuniting through the power of … Continue reading Preview: The Brothers Size by Young Vic and Actors Touring Company

Review: We, The Singaporeans by The Royal Dance-Off Company

Contemporary dance often has the unfortunate association with descriptors like ‘enigmatic’ and ‘abstract’, and too easily, one fears walking out of the theatre having understood nothing but beautiful movements and choreography. Not so for The Royal Dance-Off Company (TRDOco). Under artistic director Ryan Tan, the company’s 2018 annual production has started off the year’s dance calendar on an incredibly hopeful note, having found a way to … Continue reading Review: We, The Singaporeans by The Royal Dance-Off Company

Exceptional Talents, Exceptional People: True Colours Festival 2018 (Preview)

“This is not a pity party,” True Colours Festival Director Ms Audrey Perrera says boldly. “These performers have been handpicked from hundreds of auditions and audition videos, and showcase exceptional talent, not as disabled people, but as people, period.” And her words ring incredibly true, as the entire audience collectively holds their breath watching blind Filipina singer Alienette Coldfire open her mouth and sing a … Continue reading Exceptional Talents, Exceptional People: True Colours Festival 2018 (Preview)

M1SFF 2018 Previews Part 3: Questioning Perfection and the Patriarchal Gaze

In the final part of our previews for the 2018 M1 Singapore Fringe Fest, we look at four works that tackle the complexities of the female form and the emphasis on female beauty. These pieces question the validity of succumbing to the patriarchal gaze and reject the emphasis on traditional ‘aesthetic beauty’, as they bring alternative takes on femininity across age and history. Read our … Continue reading M1SFF 2018 Previews Part 3: Questioning Perfection and the Patriarchal Gaze

Preview: Artwalk Little India 2018 – Urban Mythology (SAW 2018)

This Singapore Art Week, ARTWALK Little India returns for its 4th edition with the theme of Urban Mythology, bringing back tales of Little India in the form of murals, public art installations and free performances all around the district. Presented by LASALLE College of The Arts and Singapore Tourism Board with the support of Little India Shopkeepers and Heritage Association, this year’s edition will feature an even greater … Continue reading Preview: Artwalk Little India 2018 – Urban Mythology (SAW 2018)