Preview: Because, The Night by Heman Chong (Presented by Theatreworks)

Muar-born, Singapore-based artist Heman Chong has always been interested in books and writing. In the past, his work often questions the function of the production of the narrative in our everyday lives. Chong has presented internationally, in places as diverse as London to Seoul, New York to Bangkok, and of course, Singapore, not to mention plenty of biennales. Concerns in his exhibitions range from the act … Continue reading Preview: Because, The Night by Heman Chong (Presented by Theatreworks)

Preview: Bee Gees Gold presented by Base Entertainment Asia

Saturday Night Fever used to be one of our favourite films as a child, and we remember our parents dancing and jiving to entire Bee Gees albums in the living room. So it excited us to no end to find out that one of the very best Bee Gees tribute bands is flying down straight from Las Vegas this December! Celebrate the holidays in style and … Continue reading Preview: Bee Gees Gold presented by Base Entertainment Asia

Preview: Our Town by Intercultural Theatre Institute (+Interview with Director Kok Heng Leun)

Presented in collaboration with the Esplanade, the Intercultural Theatre Institute’s graduating cohort will be performing their newest show at the Esplanade Theatre Studio this November, following their previous production of Leakages. Directed by Drama Box Artistic Director and Arts NMP Kok Heng Leun, ITI presents American playwright Thornton Wilder’s Pulitzer Prize winning play – Our Town.  Written in 1938, Our Town is a metaphysical theatre piece and plays out like … Continue reading Preview: Our Town by Intercultural Theatre Institute (+Interview with Director Kok Heng Leun)

Review: Boom by (aside)

Since its inception in 2008, Jean Tay’s Boom has become a seminal text keenly representing our country’s insatiable thirst for fancy new things and our forgotten heritage, told through the parallel stories of a property agent and his mother, and a civil servant and a literal unidentified corpse. Weaving in Hokkien with English, past with present, and a touch of magical realism, Boom is a poignant, powerful work that … Continue reading Review: Boom by (aside)

Review: Lemmings and The Wedding Pig by The Second Breakfast Company

Staging new scripts can be daunting, and even more so when these scripts mark their writers’ stage debuts. But in The Second Breakfast Company’s second outing, they’re going big and presenting an ambitious double bill of two completely new plays, both of which tackle mature topics beyond their young writers’ ages, and are promising starts should they choose to continue down this route in the future. The … Continue reading Review: Lemmings and The Wedding Pig by The Second Breakfast Company

Review: Sanctuary by The Necessary Stage and HANCHU-YUEI

There’s always something innately exciting about watching a collaborative devised work. Providing fertile ground for seeding new ideas and pushing collaborators beyond their creative comfort zones, there was plenty of hype surrounding The Necessary Stage’s latest collaboration, this time with young Japanese theatre company HANCHU-YUEI with their newest work: Sanctuary. Ending off their 30th Anniversary season with Sanctuary in many ways feels appropriate for TNS. The eponymous title … Continue reading Review: Sanctuary by The Necessary Stage and HANCHU-YUEI

da:ns Festival 2017: Benjamin Millepied’s L.A. Dance Project (Review)

Benjamin Millepied’s L.A. Dance Project presented at Esplanade’s da:ns Festival was a riveting performance of perfection, and left audiences in awe throughout the 80 minute show. The show opened with a sequence of three duets from the documentary A Dancer’s world: Martha Graham. Performed on a bare stage, the no-frills presentation of the dance brought the audience’s attention to the detail and shape of the dancers’ bodies, emphasizing the sharp lines … Continue reading da:ns Festival 2017: Benjamin Millepied’s L.A. Dance Project (Review)

Preview: The Nursery Rhymes Project by The Theatre Practice

If you’re a person of Chinese descent, ask yourself this: how many Mandarin nursery rhymes do you know? The answer to that can probably be represent by the fingers on a single hand (we know ours did). That’s why The Theatre Practice has embarked on a daunting new project to preserve our culture and reinvent Mandarin Nursery Rhymes, reintroducing these classics for audiences both old and new … Continue reading Preview: The Nursery Rhymes Project by The Theatre Practice

Preview: The Black Eye Club by Phil Charles

LONDON – This November, the Bread and Roses Theatre presents the 2017 winner of the annual Bread & Roses Playwriting Award – Phil Charles’ stage debut The Black Eye Club. Charles himself is no stranger to writing, having written for TV series such as Shameless and Doctors, and the former homeless support worker and advertising copywriter was inspired to write the play after witnessing cuts to council budgets and the subsequent … Continue reading Preview: The Black Eye Club by Phil Charles

Preview: Lemmings and The Wedding Pig by The Second Breakfast Company

The Second Breakfast Company (2BCo) made a splash with their debut, sold out production last year of Leow Puay Tin’s Family, and the young, up and coming theatre company seems to know exactly what direction they’ll be taking with them into the future (they already have their 2018 season more or less planned out too!). Confidently forging ahead in their second year with a strong focus … Continue reading Preview: Lemmings and The Wedding Pig by The Second Breakfast Company