★★★★★ Theatre Review: Charged (2026) by Teater Ekamatra

Haunting revival interrogates the fragile foundations of Singapore’s racial harmony with unsettling force. Duration: 105min Singapore likes to tell itself a comforting story: that we are a multiracial nation where harmony is one of our greatest achievements. And while that may be true to a large extent, beneath the familiar choreography of Racial Harmony Day celebrations, bilingual policies and shared national rituals lies the assumption … Continue reading ★★★★★ Theatre Review: Charged (2026) by Teater Ekamatra

An interview with artistic director Shaza Ishak and actress Serene Chen on the complexity and social fault lines laid bare in Teater Ekamatra’s revival ‘Charged’

When Charged premiered in 2010, it did something few Singapore plays had dared to do back then. Set over a single night in an army camp during Chinese New Year, Chong Tze Chien’s drama placed one of Singapore’s most enduring fault lines of race within one of its most sacred institutions. The Singapore Armed Forces has long been imagined as a crucible of nation-building, a … Continue reading An interview with artistic director Shaza Ishak and actress Serene Chen on the complexity and social fault lines laid bare in Teater Ekamatra’s revival ‘Charged’

Preview: Charged by Teater Ekamatra

Some plays don’t lose their relevance, but become even more necessary with time. This July, Teater Ekamatra revives CHARGED, the acclaimed play by Chong Tze Chien that first sparked conversation when it premiered in 2010. Running from 23 July to 2 August 2026 at The Ngee Ann Kongsi Theatre, Wild Rice @ Funan, the production returns 16 years after its award-winning run, inviting a new … Continue reading Preview: Charged by Teater Ekamatra

★★★★☆ Theatre Review: GIRLS GIRLS GIRLS by Wild Rice

By D.Y. Lesbian voices are front and centre in Wild Rice’s new verbatim play, providing a distinctly Singaporean context to queer storytelling with unapologetic confidence.  The title of Wild Rice’s newest play is a declaration: the repetition of a single word, GIRLS, three times over. Just in time for Singapore’s unofficial Pride month, the play dons the colours of the lesbian flag and sports an … Continue reading ★★★★☆ Theatre Review: GIRLS GIRLS GIRLS by Wild Rice

★★☆☆☆ Theatre Review: All You Can Eat by Wild Rice’s Young & Wild and The Rice Cooker

Undercooked, repetitively formulaic scripts do this promising batch of young actors a disservice. Graduation showcases are a notoriously difficult dish to plate. A director has to decide exactly what they want audiences to leave remembering: is it an ensemble spread where every graduate gets equal time to shine? A curated tasting menu built around the strongest performers? Or a riskier selection that leans classical, experimental, … Continue reading ★★☆☆☆ Theatre Review: All You Can Eat by Wild Rice’s Young & Wild and The Rice Cooker

★★★★☆ Theatre Review: The Christians by Wild Rice

Hell is other Christians. The Christians arrives as one of the most unexpected entries in Wild Rice’s 2026 programming, and perhaps one of its most surprisingly provocative. A company long associated with sharp political critique, queer advocacy, and a willingness to satirise conservative structures, this is a show that feels almost disarming in its restraint. Where one might expect irreverence, Lucas Hnath’s critically-acclaimed play instead … Continue reading ★★★★☆ Theatre Review: The Christians by Wild Rice

★★★☆☆ Theatre Review: The Serangoon Gardens Techno Party of 1993 by Wild Rice

Joel Tan’s new play is a manic punk dream that takes us on a trippy ride on being a rebel without a cause in sanitised Singapore. In Singapore, rebellion often feels like a memory we’ve outgrown. We live orderly lives, shaped and honed for maximum efficiency, stability, and safety. Yet beneath that calm hum, there’s the quiet ache of a frustration we rarely name. To … Continue reading ★★★☆☆ Theatre Review: The Serangoon Gardens Techno Party of 1993 by Wild Rice

★★★★★ Theatre Review: Hotel (2025) by Wild Rice

Ten years on, Hotel remains a five-star experience, and a love letter to Singapore’s resilience and ever-changing nature, alive with endless possibility. When we first watched Hotel in 2016, Singapore, and the world, were different. It was before the global pandemic reshaped how we gathered, before Wild Rice unveiled its own theatre at Funan, and before the leadership changes that now signal a new chapter … Continue reading ★★★★★ Theatre Review: Hotel (2025) by Wild Rice

★★★★☆ Theatre Review: Fat Kids Are Harder to Kidnap® – The Musical by How Drama

How Drama returns with the 2025 edition of their hit show, tackling politics, musicals, and pop culture with a bundle of laughs. In a year where the headlines have been equal parts surreal and exhausting from election chatter to global trade fallouts, sometimes the only way to keep up is to burst into song. And if there’s one show that can turn the chaos of … Continue reading ★★★★☆ Theatre Review: Fat Kids Are Harder to Kidnap® – The Musical by How Drama

Review: Kuah Jenhan – Like This, Like Dad.

Laughter and heart rolled into one big comedy special. Malaysian comedian Kuah Jenhan knows how to take careful potshots and make witty observations about the world we live in today. But in his solo outing Kuah Jenhan: Like This, Like Dad, Kuah offers something more than just a barrel full of laughs; he takes audiences on a deeply personal journey through memory, grief, identity, and, … Continue reading Review: Kuah Jenhan – Like This, Like Dad.