Preview: Dancers’ Locker 2019 by Frontier Danceland

Originally conceived as a platform for company artists to explore their own choreography, Frontier Danceland Dancers’ Locker has now become a mainstay of their annual performance calendar. Showcasing emerging choreographers as they develop their ideas, take risks and create dance works that are fresh and innovative, this year’s edition features choreographers Keigo Nozaki (Japan) and Ma Yueru (Singapore) as they present brand new works. But beyond simply presenting … Continue reading Preview: Dancers’ Locker 2019 by Frontier Danceland

An Interview with Paris Opera Ballet Étoiles Léonore Baulac and Germain Louvet

Last weekend, the world famous, 300-year strong Paris Opera Ballet arrived at the Esplanade to perform some of the greatest contemporary hits in their repertoire. Performing William Forsythe’s Blake Works I, Jerome Robbins’ In the Night, and Crystal Pite’s The Season’s Canon, audiences were hyped, to say the least, about the rare opportunity to catch not one but three incredible performances in one sitting. Following an afternoon rehearsal on their … Continue reading An Interview with Paris Opera Ballet Étoiles Léonore Baulac and Germain Louvet

Review: INALA – A Zulu Ballet, produced by Sisters Grimm

Uniting the traditional and contemporary to create a timeless work exuding joy and good vibes.  Rarely has ballet been an art form associated with South Africa, much less combined with Zulu music performed by a gospel choir. For the INALA: A Zulu Ballet then, its rare and innovative premise is likely to have been the fuel to its ever growing success since its debut at the 2014 … Continue reading Review: INALA – A Zulu Ballet, produced by Sisters Grimm

Review: Paris Opera Ballet presented by Esplanade – Theatres on the Bay

Three works that showcase why Paris Opera Ballet remains one of the best ballet companies in the world. While most audiences tend to associate ballet with classical works, the best ballet companies of today have slowly but surely made the move towards a mix of both the contemporary and the classical. And for a company as renowned and respected as the Paris Opera Ballet, they’ve become … Continue reading Review: Paris Opera Ballet presented by Esplanade – Theatres on the Bay

Preview: Paris Opera Ballet presented by Esplanade – Theatres on the Bay

With its history of over 300 years, the world-renowned Paris Opera Ballet is often considered the birthplace of classical dance. Even today, the company continues to pursue excellence as it performs repertory work and creation of new choreographies. While it’s rare for the company to travel to Asia, this June, Singaporeans will get a chance to see the company in action as they tour to … Continue reading Preview: Paris Opera Ballet presented by Esplanade – Theatres on the Bay

Got to Move 2019: Open Call For Programmes This October

At the fifth edition of the National Art Council’s Got to Move (GTM) programme, Singaporeans are once again encouraged to get up and MOVE, as the programme continues to grow awareness and appreciation for dance from the ground up. This year’s anchor festival takes place across the entire island, with a variety of activities happening from 4th to 27th October, having increased its duration from three … Continue reading Got to Move 2019: Open Call For Programmes This October

Preview: Pesta Raya 2019 by Esplanade – Theatres on the Bay

The Esplanade’s Pesta Raya – Malay Festival of the Arts is back this June to once again highlight the varied arts and culture from across the wide expanse of the the nusantara (Malay Archipelago). Held together by the same rooted beliefs and culture, this year’s festival celebrates that diversity and richness from across its heritage, history and people. Once again coinciding with the celebration of Hari … Continue reading Preview: Pesta Raya 2019 by Esplanade – Theatres on the Bay

SIFA 2019: Crowd by Gisèle Vienne (Review)

The lines of desire are powerfully drawn over one crazy night at the rave.  While often considered a liminal space of chaos and pure freedom of expression, French choreographer Gisèle Vienne has managed to temper that manic energy and craft a scintillating, multi-layered dance work with Crowd, as we watch the lives of 14 dancers unfold over one night at a rave. Crowd dedicates itself entirely to the … Continue reading SIFA 2019: Crowd by Gisèle Vienne (Review)

SIFA 2019: Körper by Sasha Waltz & Hans Peter Kuhn (Review)

The discomfort of being in our own skin translates to the discomfort of being alive.   Often considered one of her signature works, Sasha Waltz’s Körper has remained incredibly iconic and relevant even 19 years on. While bodies are always a key part of any dance performance, rarely has a production chosen to so boldly examine the body itself in full visceral detail, tearing it down to … Continue reading SIFA 2019: Körper by Sasha Waltz & Hans Peter Kuhn (Review)

Review: Complexnya by Dance In Situ x P7:1SMA

Using the labyrinthine world of Hong Lim Complex to tease out issues of conflict and change. Much like their name suggests, contemporary dance company Dance In Situ is best known for their productions taking place in unexpected locations, eschewing the traditional stage to perform in everyday, neighbourhood spaces ranging from Bedok Maze, to Ang Mo Kio 3G Centre, to Chinatown MRT Station. This time around, … Continue reading Review: Complexnya by Dance In Situ x P7:1SMA