NUS Arts Festival 2019: A Disappearing Number (Review)

Math is hard. Math and theatre initially seem like odd bedfellows. After all, math is grounded in undeniable realities, while theatre tends to take liberties with that, shuttling between the abstract and absolute to produce art. Yet, with 2019 NUS Arts Festival opening show A Disappearing Number, director Edith Podesta attempts to prove the theorem that math and theatre can coexist, with surprising parallels that can be applied … Continue reading NUS Arts Festival 2019: A Disappearing Number (Review)

Review: Kotor by -wright Assembly

The concept of he for she gets a visceral, movement-based portrayal by -wright Assembly. In a decidedly deviant conceptualisation from the usual plethora of female-led work this International Women’s Day, -wright Assembly breaks the mould to present a new interdisciplinary, movement-based performance choreographed by Ismail Jemaah, primarily featuring male performers, as it explores the concept of male responsibility in the ongoing fight for gender equality. … Continue reading Review: Kotor by -wright Assembly

Review: LEAP 2019 by Frontier Danceland

A medley of new choreographies and dancers to be form LEAP 2019 With their annual production of graduating dancers from the M1-Frontier Danceland PULSE Programme, Frontier Danceland presented six brand new choreographies as part of the eight edition of LEAP, as choreographed by Artistic Director Low Mei Yoke, company artists Faye Tan, Keigo Nozaki and Sammantha Yue, and project choreographers Adelene Stanley and Chew Shaw En. … Continue reading Review: LEAP 2019 by Frontier Danceland

Preview: NUS Arts Festival 2019 – A Game of Numbers

Far too often, the arts are seen as in direct conflict with the maths and sciences, unable to co-exist in harmony and worlds apart. Yet with the 2019 NUS Arts Festival, for its 14th edition, the team has decided to do the impossible, and show the world that arts and math do in fact, have a lot in common with each other, at “Singapore’s First … Continue reading Preview: NUS Arts Festival 2019 – A Game of Numbers

Review: Alice, Bob & Eve, conceptualised by Teow Yue Han in collaboration with RAW Moves Dancers

A living laboratory that examines the Singaporean obsession with facts and figures. In RAW Moves’ first show of 2019, the contemporary dance company breaks new ground with the all new Alice, Bob & Eve, as conceptualised by visual artist Teow Yue Han in collaboration with the RAW Moves Dancers. Taking over a gallery space in the School of the Arts, Alice, Bob & Eve (titled after placeholder … Continue reading Review: Alice, Bob & Eve, conceptualised by Teow Yue Han in collaboration with RAW Moves Dancers

Touring The UK 2019: Matthew Bourne’s The Red Shoes (Preview)

LONDON – Based on the film by Michael Powell and Emeric Pressburger, as well as the Hans Christian Andersen fairytale of the same name, Matthew Bourne’s The Red Shoes returns for a UK tour this November, with dates set for Plymouth, Salford and Sadler’s Wells in London for a seven week Christmas season.  The double Olivier award-winning production was a sell-out before it even hit its world … Continue reading Touring The UK 2019: Matthew Bourne’s The Red Shoes (Preview)

Hong Kong 2019: Pride by Hong Kong Repertory Theatre (Preview)

HONG KONG – The term “Gang Piao” literally means drifting back and forth in Hong Kong, yet its exact definition is not certain – are “Gang Piao” professionals who came to work in Hong Kong from the Mainland? Or are they students from the Mainland? Or tourists who came to Hong Kong to shop? The Hong Kong Repertory Theatre (HKRep) presents Pride this March, a new work … Continue reading Hong Kong 2019: Pride by Hong Kong Repertory Theatre (Preview)

Hong Kong 2019: Marriage by Hong Kong Repertory Theatre (Preview)

HONG KONG – Every woman can pursue happiness with no regret. That’s the premise of quintuple Hong Kong Drama Award-winning play Marriage, by celebrated Japanese playwright Hashida Sugako, who other works have moved audiences all around the world. Marriage, originally a 1982 television drama before being adapted for the stage the following year, traces the path of women’s self-determination and how they overcome fate. In the Hanada family, a mother and her … Continue reading Hong Kong 2019: Marriage by Hong Kong Repertory Theatre (Preview)

Preview: Kotor by -wright Assembly

“What you allow is what will continue.” This March, coinciding with International Women’s Day, artist collective -wright Assembly have gathered both male and female artists specialising in multiple art disciplines to create Kotor, a multidisciplinary performance responding to writer Natalie Wang’s anthology The Woman Who Turned Into a Vending Machine. The project originated when Creative Producer Farhanah Diyanah (FD) spoke to choreographer Ismail Jemaah, developing a new … Continue reading Preview: Kotor by -wright Assembly

Preview: LEAP 2019 by Frontier Danceland

Frontier Danceland begins their 2019 edition with a showcase of new works this March with LEAP 2019. Led by Artistic Director Low Mei Yoke, company artists Faye Tan, Keigo Nozaki and Sammantha Yue, and project choreographers Adelene Stanley and Chew Shaw En will showcase brand new choreography featuring the talented young dancers from the M1-Frontier Danceland PULSE Programme as they explore issues of the everyday, from … Continue reading Preview: LEAP 2019 by Frontier Danceland