Review: Kotor by -wright Assembly
The concept of he for she gets a visceral, movement-based portrayal by -wright Assembly. In a decidedly deviant conceptualisation fromContinue Reading
Category: Experimental
Review: Alice, Bob & Eve, conceptualised by Teow Yue Han in collaboration with RAW Moves Dancers
A living laboratory that examines the Singaporean obsession with facts and figures. In RAW Moves’ first show of 2019, theContinue Reading
Arts Esplanade Theatre Studio Experimental Preview Singapore Singapore Arts, Theatre. Theatre Theatres
Preview: Esplanade presents The Studios 2019 – The Weight Of A Stone In A Pocket
Esplanade – Theatres on the Bay returns with another season of intimate performances with The Studios 2019. This year, theContinue Reading
Preview: Kotor by -wright Assembly
“What you allow is what will continue.” This March, coinciding with International Women’s Day, artist collective -wright Assembly have gatheredContinue Reading
In London’s West End 2018: The Cane by the Royal Court Theatre (Review)
A wicked reflection on victimization in the age of snowflakes. LONDON – For many adults, the image of a cane dredgesContinue Reading
In London’s West End 2019: King’s Head Theatre’s Coming Clean at Trafalgar Studios (Review)
The lines of desire are set ablaze with this 80s drama about fidelity and the rules of engagement within (andContinue Reading
Preview: Alice, Bob & Eve by RAW Moves
Moving on from their 2018 theme of Competition, RAW Moves strides in 2019 with their first production of the year.Continue Reading
In London’s West End 2018: Young Vic’s The Inheritance at the Noel Coward Theatre (Review)
A moving portrayal of Howards End seen through the lens of a 21st century queer narrative. LONDON – For the generationContinue Reading
In London’s West End 2018: National Theatre’s Nine Night at Trafalgar Studios (Review)
Family drama meets funeral tradition in this scintillating debut from Natasha Gordon. LONDON – The Caribbean funeral tradition of Nine-Nights isContinue Reading
In London’s West End 2018: Hole by the Royal Court Theatre (Review)
Hell hath no fury like a woman scorned. LONDON – Armed with six women, diverse in colour and shape making upContinue Reading
