The Studios 2019: An Interview with Director Chen Yingxuan and Performer Oon Shu An of Mergers & Accusations

Eleanor Wong is sometimes better known for her position as a law professor at NUS’ Faculty of Law. But to most of the arts community, she is perhaps best known for her seminal Invitation to Treat trilogy of plays, narratively linked by their protagonist, Ellen Toh. Set in the 90s, Ellen is a lawyer who realises she is a lesbian. But coming out, both to society and … Continue reading The Studios 2019: An Interview with Director Chen Yingxuan and Performer Oon Shu An of Mergers & Accusations

The Studios 2019: Miss British by The Art of Strangers (Review)

Post-colonial blues from the personal stories of three minority actresses.  With a title like Miss British, it’s easy to assume that the second show of the Esplanade’s 2019 The Studios Season is all about British identity. It’s a misnomer, and in fact, deals primarily with the impact, trauma and legacy that British colonialism has left behind on minorities. Directed by Felipe Cervera, Miss British comes at a timely … Continue reading The Studios 2019: Miss British by The Art of Strangers (Review)

The Studios 2019: An Interview with Felipe Cervera, Director of Miss British

As the Esplanade’s 2019 seasons of The Studios roars into its second week, The Art of Strangers presents a brand new show – Miss British. Based off an original idea by Sharon Frese, who stars alongside Grace Kalaiselvi, Rebekah Sangeetha Dorai and Riduan Zalani, Miss British is a devised, multi-disciplinary work questioning the British identity, thinking about issues of both the monarchy and slave trade. What then are the prejudices and social hierarchies left behind … Continue reading The Studios 2019: An Interview with Felipe Cervera, Director of Miss British

The Studios 2019: Rubber Girl On The Loose by Cake Theatrical Productions (Review)

Antigone gets schooled. School is a tragedy. Specifically in Cake’s case, it’s a Greek tragedy. Opening the Esplanade’s 2019 season of The Studios, Cake presents Rubber Girl on the Loose, a brand new adaptation and reinterpretation of Sophocles’s Antigone, except this time, set within the tyranny of a formal education system. The titular ‘rubber girl’ is of course, Antigone, wearing rubber bands all over her body and refusing … Continue reading The Studios 2019: Rubber Girl On The Loose by Cake Theatrical Productions (Review)

The Studios 2019: An Interview with Natalie Hennedige, Director of Rubber Girl On The Loose

so This week, the Esplanade’s new season of The Studios returns, presenting a lineup of intimate, powerful theatre shows playing at both the Theatre Studio and Annexe Studio. Kicking off the season is Cake Theatrical Productions with their hotly anticipated new production Rubber Girl On The Loose.  Based off Sophocles’s Antigone, this new interpretation of the Greek classic carries on in Cake’s tradition of reworking Greek plays (following … Continue reading The Studios 2019: An Interview with Natalie Hennedige, Director of Rubber Girl On The Loose

Review: Kotor by -wright Assembly

The concept of he for she gets a visceral, movement-based portrayal by -wright Assembly. In a decidedly deviant conceptualisation from the usual plethora of female-led work this International Women’s Day, -wright Assembly breaks the mould to present a new interdisciplinary, movement-based performance choreographed by Ismail Jemaah, primarily featuring male performers, as it explores the concept of male responsibility in the ongoing fight for gender equality. … Continue reading Review: Kotor by -wright Assembly

Review: Alice, Bob & Eve, conceptualised by Teow Yue Han in collaboration with RAW Moves Dancers

A living laboratory that examines the Singaporean obsession with facts and figures. In RAW Moves’ first show of 2019, the contemporary dance company breaks new ground with the all new Alice, Bob & Eve, as conceptualised by visual artist Teow Yue Han in collaboration with the RAW Moves Dancers. Taking over a gallery space in the School of the Arts, Alice, Bob & Eve (titled after placeholder … Continue reading Review: Alice, Bob & Eve, conceptualised by Teow Yue Han in collaboration with RAW Moves Dancers

Preview: Esplanade presents The Studios 2019 – The Weight Of A Stone In A Pocket

Esplanade – Theatres on the Bay returns with another season of intimate performances with The Studios 2019. This year, the programme takes on the theme The weight of a stone in a pocket, referring to the concept of how stones in one’s pocket are often forgotten, yet the moment one reaches in to touch and feel it, one is triggered to remember the reason for its presence … Continue reading Preview: Esplanade presents The Studios 2019 – The Weight Of A Stone In A Pocket

Preview: Kotor by -wright Assembly

“What you allow is what will continue.” This March, coinciding with International Women’s Day, artist collective -wright Assembly have gathered both male and female artists specialising in multiple art disciplines to create Kotor, a multidisciplinary performance responding to writer Natalie Wang’s anthology The Woman Who Turned Into a Vending Machine. The project originated when Creative Producer Farhanah Diyanah (FD) spoke to choreographer Ismail Jemaah, developing a new … Continue reading Preview: Kotor by -wright Assembly

In London’s West End 2018: The Cane by the Royal Court Theatre (Review)

A wicked reflection on victimization in the age of snowflakes. LONDON – For many adults, the image of a cane dredges up the memory of unpleasant childhoods, a symbol of punishment, fear and judgment. But as the years have gone by, corporeal punishment has in turn gone out of vogue, leaving the physical cane very much a thing of the past, becoming a hollow reminder of … Continue reading In London’s West End 2018: The Cane by the Royal Court Theatre (Review)