Singapore Art Week 2026: STPI’s The Print Show & Symposium Singapore offers a deep dive into the productive disorder of print

If printmaking still carries the reputation of being secondary, thought of as editions locked behind glass, conceptually subordinate to painting or sculpture, STPI’s The Print Show & Symposium Singapore 2026 makes a deliberate case for its relevance now. Launched during Singapore Art Week, the initiative positions print not as a supporting medium but as a central, adaptive force within contemporary culture: materially rigorous, politically charged, … Continue reading Singapore Art Week 2026: STPI’s The Print Show & Symposium Singapore offers a deep dive into the productive disorder of print

Singapore Art Week 2026: An Interview with STPI’s Nathaniel Gaskell and curator Stephanie Bailey on The Print Show & Symposium Singapore

If printmaking still conjures images of editions locked behind glass, STPI is intent on changing that perception. Launching during Singapore Art Week 2026, The Print Show & Symposium Singapore positions print firmly at the centre of contemporary culture. Hosted at STPI’s riverside space at Robertson Quay, The Print Show brings together works by 27 internationally renowned artists, from household names such as Jeff Koons, Louise … Continue reading Singapore Art Week 2026: An Interview with STPI’s Nathaniel Gaskell and curator Stephanie Bailey on The Print Show & Symposium Singapore

Arts of Hong Kong: An Interview with Hong Kong film and theatre power couple Rosa Maria Velasco and German Cheung Ming Yiu

Rosa Maria Velasco has been to Singapore many times, but always in a hurry. The city, for her, has long been a place of arrival and departure; rehearsals folded into performance schedules, nights measured in curtain calls rather than conversations. But this visit feels different. She is here not to perform, but to meet audiences, to talk, to listen, and to understand what it means … Continue reading Arts of Hong Kong: An Interview with Hong Kong film and theatre power couple Rosa Maria Velasco and German Cheung Ming Yiu

Singapore Fringe Festival 2026: An Interview with Sofie Buligis on being and representing ‘Celup’

“You very celup sia.” The moment her partner said it, Sofie Buligis laughed, but she also felt something click into place. “I was like, yeah, I am,” she remembers. “My friends and family have called me that, and actually it’s quite a snappy name for a show.” That idea became Celup (literally, ‘to dip’, and loosely translates to a desire to be more ‘mixed’) her … Continue reading Singapore Fringe Festival 2026: An Interview with Sofie Buligis on being and representing ‘Celup’

Singapore Fringe Festival 2026: An Interview with Wang Ping-Hsiang on representing violence in performance and karaoke in ‘Retina Manoeuvre’

When audiences first encountered Retina Manoeuvre in its early work-in-progress, few could have guessed that the performance would later tour Europe, gathering deeply personal responses from audiences who recognised themselves, despite having no connection to Taiwan at all. The project began far from the solo, autobiographical form it eventually took. Taiwanese artist and creator Ping-Hsiang Wang recalls that the original proposal involved three performers and … Continue reading Singapore Fringe Festival 2026: An Interview with Wang Ping-Hsiang on representing violence in performance and karaoke in ‘Retina Manoeuvre’

Singapore Fringe Festival 2026: An Interview with Woody Avenue on normalising queerness and representing love in ‘A Lesbian Love Story: The Musical’

When theatre-makers Rosie McGowan and Kluane Saunders first started writing a musical about a woman trying to create the happiest lesbian love story ever put on stage, they didn’t realise they were also building a company. “The idea for the production came first and the company came after,” Rosie laughs. “A lot of people asked who was the company behind it, and we thought, oh, … Continue reading Singapore Fringe Festival 2026: An Interview with Woody Avenue on normalising queerness and representing love in ‘A Lesbian Love Story: The Musical’

Singapore Fringe Festival 2026: An Interview with Haresh Sharma, Grace Kalaiselvi, and Jaspreet Kaur Sekhon on representing disability onstage in ‘Invisible’

Set against the seemingly ordinary backdrop of a hotel workplace, Invisible begins with a simple premise: Malini, a young disabled woman, starts her new job as a cleaner determined to do well. When a guest’s prized possession goes missing, the incident sets off a chain of events that reveals the hidden struggles, quiet tensions, and unseen disabilities carried by those involved. Written by award-winning playwright … Continue reading Singapore Fringe Festival 2026: An Interview with Haresh Sharma, Grace Kalaiselvi, and Jaspreet Kaur Sekhon on representing disability onstage in ‘Invisible’

SGIFF 2025 draws to a close with 44 sold-out screenings and 33% increase in tickets sold

The Singapore International Film Festival (SGIFF), part of the Singapore Media Festival 2025 hosted by the Infocomm Media Development Authority (IMDA), closed its 36th edition on a historic high on 7 December, setting a new festival record with 44 sold-out screenings. For the third consecutive year, SGIFF achieved a new box office record, with ticket sales rising 33% from 2024. This year, the festival also saw its strongest turnout with a 28.7% increase in participation compared to last year, marking the festival’s strongest … Continue reading SGIFF 2025 draws to a close with 44 sold-out screenings and 33% increase in tickets sold

SGIFF 2025: SGIFilmFeud and #SaveOurCinemas bring up urgent conversation on the state and future of cinema

In the era of the streaming wars and the grief from closure of major cinemas, this year’s Singapore International Film Festival raised the pertinent question of the now and future state of communal film culture in Singapore across two panel discussions. Though framed differently, one gamified and playful, the other urgent and elegiac, SGIFilmFeud and #SaveOurCinemas, converged and circled the anxieties, structural challenges, and diminishing … Continue reading SGIFF 2025: SGIFilmFeud and #SaveOurCinemas bring up urgent conversation on the state and future of cinema

SGIFF announces winners of the 2025 Silver Screen Awards, honouring excellence across Asian cinema

In a night shimmering with cinematic daring, the 36th Singapore International Film Festival unveiled the winners of its 2025 Silver Screen Awards, an event that once again affirmed Southeast Asia as one of the world’s most vibrant storytelling regions brimming with potential. First introduced in 1991 as the pioneering international competition devoted to Asian cinema, the Silver Screen Awards have long stood as a beacon … Continue reading SGIFF announces winners of the 2025 Silver Screen Awards, honouring excellence across Asian cinema