A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

When audiences step into A Dream of Red Mansions this March, they will be entering a world suspended somewhere between memory and dream. The ballet, performed by the National Ballet of China, transforms one of China’s most beloved literary works into a lyrical stage experience. Inspired by Cao Xueqin’s 18th-century novel, the production blends classical ballet vocabulary with Chinese movement aesthetics to evoke a fragile … Continue reading A Dream of Red Mansions: An Interview with the dancers and choreographer of National Ballet of China’s acclaimed ballet adaptation of the classic tale 

Civility Falls Apart: An Interview with director Nelson Chia and the cast of Nine Years Theatre’s God of Carnage 《杀戮之神》

At the start of Yasmina Reza’s God of Carnage, everything looks reasonable. Veronica has prepared food. Michael has arranged the living room. Annette arrives determined to be gracious. Alan, distracted by his phone, still shows up. Four adults sit down to discuss their sons’ playground conflict calmly, civilly, like responsible people should. That the evening collapses into chaos feels less like a shock than a … Continue reading Civility Falls Apart: An Interview with director Nelson Chia and the cast of Nine Years Theatre’s God of Carnage 《杀戮之神》

An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

In its final season, Pangdemonium returns to a writer who has haunted stages for more than a century: Anton Chekhov. But this is not a museum piece, nor a reverent period revival. Force Majeure, written by Stephanie Street and adapted from Three Sisters, relocates the ache of Chekhov’s provincial dreamers into a contemporary landscape of global drift and fragile belonging. The soldiers and samovars are … Continue reading An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

★★★★☆ Dance Review: Diary VII ・ The Story Of…… by Mui Cheuk-yin

Mui Cheuk-yin transforms a chance encounter with a stray cat into a profound reflection on migration, memory and the circular nature of time. Diary entries often feel like streams of consciousness, a flow of thought. So for a dance piece to take inspiration from one, that results in a performance where there is no dramatic overture, no attempt to overwhelm. Instead, the theatre fills with … Continue reading ★★★★☆ Dance Review: Diary VII ・ The Story Of…… by Mui Cheuk-yin

Huayi 2026: An Interview with Hong Kong dance icon Mui Cheuk-yin ‘Diary VII ・ The Story Of……’

For more than four decades, Mui Cheuk-yin has shaped the language of contemporary dance in Hong Kong through works that are deeply personal yet quietly expansive. Her long-running Diary series, begun in 1986, traces a life in motion: recording memories, migrations, encounters, and the passing of time through the body. With Diary VII・The Story Of……, which makes its Singapore premiere this February as part of … Continue reading Huayi 2026: An Interview with Hong Kong dance icon Mui Cheuk-yin ‘Diary VII ・ The Story Of……’

Huayi 2026: An Interview with King Shih-chieh, star of Shanghai Dramatic Arts Centre’s ‘Le Père (The Father)’, and director David Jiang

Quick-witted and sharp-tongued, André is used to commanding every room he enters. But as small ruptures begin to surfac;a missing watch, rearranged furniture, unfamiliar faces at the dinner table, the boundary between memory and reality starts to dissolve. Le Père (The Father) draws audiences into the disintegrating inner life of an ageing man confronting Alzheimer’s, unfolding with unsettling intimacy and emotional precision. Presented as part … Continue reading Huayi 2026: An Interview with King Shih-chieh, star of Shanghai Dramatic Arts Centre’s ‘Le Père (The Father)’, and director David Jiang

Huayi 2026: An Interview with ‘The Sun’ director Tora Hsu and writer Chen Yi-En

Set in a post-apocalyptic future marked by division and survival, The Sun is a contemporary reimagining of Japanese playwright Tomohiro Maekawa’s celebrated science fiction fable. Directed by award-winning Taiwanese theatre-maker Tora Hsu, with script adaptation by Chen Yi-en, this new staging reframes the work through a distinctly Taiwanese lens, responding to the fractures, anxieties and ideological tensions of the present moment. Premiering internationally at Huayi … Continue reading Huayi 2026: An Interview with ‘The Sun’ director Tora Hsu and writer Chen Yi-En

Huayi 2026: An Interview with director Roy Szeto and playwright He Jiping as they bring epic period drama ‘Deling and Cixi’ to the stage

Set against the twilight of the Qing dynasty, Deling and Cixi brings together two formidable women at a moment when an empire and a worldview stands on the brink of collapse. Written by celebrated playwright He Jiping and directed by Roy Szeto, the play looks beyond familiar historical narratives to uncover an intimate, humane encounter between Empress Dowager Cixi and the Western-educated aristocrat Deling. Through … Continue reading Huayi 2026: An Interview with director Roy Szeto and playwright He Jiping as they bring epic period drama ‘Deling and Cixi’ to the stage

Music: An Interview with American R&B/soul-pop star Tone Stith

Grammy-winning R&B artist Tone Stith is standing at a pivotal moment in his career. With the release of his new single “Fly”: a soaring, funk-laced declaration of self-belief, and his forthcoming album The Edge, the New Jersey–born multi-instrumentalist is entering a new era defined by freedom, intention, and creative trust. For listeners across Asia who may just be discovering his name, Stith’s story runs deeper … Continue reading Music: An Interview with American R&B/soul-pop star Tone Stith

Film: An Interview with Jason Lee, Screenwriter and Director of ‘A Good Fortune’《百万红包》

As Singapore prepares for the annual Lunar New Year homecoming, A Good Fortune《百万红包》 arrives with the familiar comforts of festive comedy, and even brings something surprisingly heartfelt beneath the laughter. The film follows Kai Xin (Xixi Lim), a struggling influencer who flees to Malaysia after falling victim to a scam, only to reunite with Zi Hao (Wang Weiliang), the boy who once stood up for … Continue reading Film: An Interview with Jason Lee, Screenwriter and Director of ‘A Good Fortune’《百万红包》