Music: Milky Chance talk about their first Asian show at F1 Singapore, ‘Stolen Dance’ and discovering magic in the unknown

There is something incredibly poetic about discovering a band for the first time through a song that has already been around for more than a decade. For German indie-pop duo Milky Chance, whose 2013 breakout single “Stolen Dance” has surpassed two billion Spotify streams, music has always had a way of transcending generations and borders. Now, childhood friends Clemens Rehbein and Phillipp Dausch are embarking … Continue reading Music: Milky Chance talk about their first Asian show at F1 Singapore, ‘Stolen Dance’ and discovering magic in the unknown

Interview: Artistic Director Derrick Chew on the next chapter of the Crack The Case series and Sight Lines Entertainment

For Derrick Chew, the fifth edition of Crack The Case is both an ending and a beginning. The upcoming Crack The Case: Wonderland marks the final instalment of the immersive mystery series in its current form, but Chew is quick to point out that the mystery itself is not going away. After five editions, Sight Lines Entertainment is ready to take what it has learnt … Continue reading Interview: Artistic Director Derrick Chew on the next chapter of the Crack The Case series and Sight Lines Entertainment

BATU: Ayu Permata Sari and Hasyimah Harith on reimagining the kitchen, sharing stories and space

A kitchen can be many things. It is a place where food is prepared and domestic work is done, but it can also be where women gather, where stories are exchanged, where knowledge is passed between generations, and where rituals are repeated almost without thought. For Indonesian choreographer Ayu Permata Sari and Singaporean artist Hasyimah Harith, it is also a space through which questions of … Continue reading BATU: Ayu Permata Sari and Hasyimah Harith on reimagining the kitchen, sharing stories and space

Still Lives – Singapore: Daniel Kok and Luke George on using shibari to explore trust, tension and stories

A performance called Still Lives might sound, at first, like an exercise in holding still. But for artists Daniel Kok and Luke George, stillness is only the beginning. Built around rope, bodies, objects and the act of carefully binding people into sculptural compositions, Still Lives is less a fixed work than an evolving encounter with each place it enters. Since its beginnings during the pandemic, … Continue reading Still Lives – Singapore: Daniel Kok and Luke George on using shibari to explore trust, tension and stories

Art: Li Huayi – Unity of Man and Nature at Kwai Fung Hin

For Li Huayi, landscape is not a record of a place but an expression of an inner world. As his first solo exhibition in Southeast Asia arrives in Singapore, the artist reflects on tradition, freedom, memory and the enduring possibilities of ink. There are no travellers wandering through Li Huayi’s landscapes. No fishermen, scholars or tiny figures climbing the mountain paths that populate so much … Continue reading Art: Li Huayi – Unity of Man and Nature at Kwai Fung Hin

★★★★☆ Theatre Review: The Secret Drawer by Instant Café Theatre Company

New documentary theatre work excavates Malaysia’s buried history one memory at a time. There is a cleverness to The Secret Drawer that becomes apparent almost immediately: the production makes its black-box space feel like somewhere secret. Designed by producer Tan Cher Kian and directed by Jo Kukathas, the stage resembles an underground lair or private archive, with objects and figures surrounding Ling Tang and Lim … Continue reading ★★★★☆ Theatre Review: The Secret Drawer by Instant Café Theatre Company

Interview: ‘Eurydice’ director Ghafir Akbar speaks on Greek, grief and the future of Malaysian theatre

When Jeffrey Cheah Performing Arts Centre (JCPAC) approached Ghafir Akbar about presenting a production, he already knew which play he wanted to pull from the back of his mind: Sarah Ruhl’s Eurydice, “I love Greek plays and I love this play,” he says. “But one of my concerns was also that sometimes when you think about classic plays, the language can be quite demanding, and … Continue reading Interview: ‘Eurydice’ director Ghafir Akbar speaks on Greek, grief and the future of Malaysian theatre

Interview: Tracie Pang, director Timothy Koh and the cast of ‘Come From Away’ reflect on building community and 16 years of Pangdemonium

Pangdemonium’s 2026 finale season began with Force Majeure in March, followed by A Mirror in June. The company’s founders, Tracie and Adrian Pang, had previously announced in February that they would step away from Pangdemonium at the end of 2026, describing the decision as a deeply personal one and saying they wanted to bring the company’s story to an end on their own terms, on … Continue reading Interview: Tracie Pang, director Timothy Koh and the cast of ‘Come From Away’ reflect on building community and 16 years of Pangdemonium

Interview: Nathania Ong gets HONEST about finding her voice and learning to take up space with her upcoming concert

For someone who has spent much of her career stepping into other people’s stories, Nathania Ong is about to do something rather different: telling her own. The Singaporean musical theatre performer returns this September with HONEST, her first solo concert in Singapore, promising an intimate evening of musical theatre, original music and personal storytelling that traces both the trajectory of her career, as well as … Continue reading Interview: Nathania Ong gets HONEST about finding her voice and learning to take up space with her upcoming concert

Wagnerian Ambition: Orchestra of the Music Makers Music Director Chan Tze Law on ‘Siegfried’ and OMM’s future

For Chan Tze Law, the question of whether the Orchestra of the Music Makers (OMM) will complete Wagner’s Ring cycle is, for now, best left unanswered. OMM has already travelled three quarters of the way. After Die Walküre in 2020 and Das Rheingold in 2023, the Singapore-based orchestra will take on Siegfried at the Esplanade Concert Hall on 5 September, bringing one of the most … Continue reading Wagnerian Ambition: Orchestra of the Music Makers Music Director Chan Tze Law on ‘Siegfried’ and OMM’s future