A melancholic trip down memory lane that effectively harnesses the history and geography of the place once known as Kreta Ayer. If you had a chance to look at photos of Chinatown in the 70s and 80s, it would virtually be unrecognizable from the same bustling tourist district of today. There are so many aspects of Chinatown that have changed over the years, and with Chinatown … Continue reading Review: Chinatown Crossings by Drama Box
There’s no feeling that quite replicates hearing the opening verse of ‘The Circle of Life’ from Disney’s The Lion King, evoking a sharp sense of nostalgia that immediately endears any longtime fan to the production, alongside undeniably epic visuals as a giant paper sun rises from the stage, letting everyone know exactly how much of a spectacle the theatre is about to watch, eyes wide and … Continue reading Review: The Lion King presented by Sliding Doors Entertainment and Michael Cassel Group
Over the years, Marina Bay Sands has seen countless productions grace its theatres, ranging from the best touring productions from Broadway and the West End to the strongest performers from around the region. But one production that will always have a special place in audience’s hearts would be the very first one. That production is Disney’s The Lion King, which saw a welcome return to the … Continue reading The Circle of Life: The Lion King Returns To Singapore After 7 Years
Bhumi Collective has only been around for a couple of years, but they’ve already been showcasing a variety of genres dipping their toes into various genres of shows, ranging from fringe theatre to lecture performance. Now, they’ll be presenting an all new, original, interdisciplinary work, co-created by a number of young theatre makers both familiar and new to the local scene in the premiere of dead … Continue reading An Interview with the Creatives of dead was the body till i taught it how to move
Two ways to tell a poignant story of growing up in Cantonese. First written as a book, in My Grandfather’s Road, Neo Kim Seng explores his familial history through the lens and geography of a bygone Singapore, thinking of his childhood growing up on what is literally his grandfather’s road (Neo Pee Teck Lane) and told through personal memories and anecdotes. While we previously watched the full … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)
A double-bill of movement heavy pieces open the 2018 M1 CONTACT Contemporary Dance Festival. T.H.E Dance Company opened the 2018 M1 CONTACT Contemporary Dance Festival with a double bill of work. Featuring ‘EARTH’ by Humanhood and ‘Filled with sadness, the old body attacks’ by Kim Jae Duk, the festival kicked off to a strong start with both these thought-provoking, physically challenging pieces. EARTH by Humanhood In … Continue reading M1 CONTACT Contemporary Dance Festival 2018: EARTH and Filled with sadness, the old body attacks by T.H.E Dance Company (Review)
Put on your nostalgia goggles for this monologue about people and places past, laced with a pinch of death and loss. To call a stretch of land your grandfather’s road sounds like an audacious claim. But for theatremaker Neo Kim Seng, that claim is rooted in truth, with Neo Pee Teck Lane quite literally named after his paternal grandfather. My Grandfather’s Road is adapted from … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)
After a successful first edition, Singapore Art Museum’s late night museum programme SAM Late Nights returns from June to August 2018! The programme kicked off on 8th June 2018 at SAM at 8Q, and ties in with the eighth edition of SAM’s annual Imaginarium exhibition. This year’s exhibition, titled Imaginarium: Into the Space of Time, presents artworks that deal with concepts of space and time, featuring works … Continue reading SAM Late Nights 2018 @ Imaginarium + An Interview with Falling Feathers
The Vietnamese pianist’s performance is a masterclass brought to life onstage. Dang Thai Son first came to fame as the first prize winner at the 10th International Chopin Piano Competition in 1980. Since then, he’s gone on to play in over 40 countries with countless international orchestras, and can be considered a master in his own right. It’s no wonder then that his masterclass sold … Continue reading 25th Singapore International Piano Festival: Dang Thai Son (Review)
Often assumed to be esoteric, avant garde or incomprehensible, reserved only for the educated, upper echelons of society, contemporary dance can be a daunting art form to come face to face with. But the truth is, contemporary dance is simply a representation of the human spirit in a different language, each dancer bringing to stage their own brand of physicality and movement, and with a … Continue reading M1 CONTACT Contemporary Dance Festival 2018: An Interview with Festival Director Kuik Swee Boon and Festival Manager Athelyna Swee
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