On Tour: Petrina Kow’s Walking In Beauty Goes To London (produced by Blue Bean Productions)

LONDON/SINGAPORE – After a successful premiere at the M1 Singapore Fringe Festival 2018, Petrina Kow‘s Walking in Beauty is making a trip up to London, featuring new stories and new cast members in a one night only show at Theatre Delicatessen this July! Directed and curated by Petrina Kow and produced by Blue Bean Productions, Walking in Beauty presents a series of real stories told by women from both Singapore … Continue reading On Tour: Petrina Kow’s Walking In Beauty Goes To London (produced by Blue Bean Productions)

Singapore Theatre Festival 2018: An Interview with Festival Co-Artistic Director Alfian Sa’at

W!ld Rice’s 2018 Singapore Theatre Festival has just completed its first weekend, starting off with a strong note with three fantastic new plays and peripheral activities as they once again dive deep into the very heart of the human condition, and specifically, the Singaporean human condition. With two weeks to go and five more new, almost completely sold out plays set to premiere, we asked playwright and 2018 … Continue reading Singapore Theatre Festival 2018: An Interview with Festival Co-Artistic Director Alfian Sa’at

Tuesdays with Morrie: An Interview with Director Daniel Yang and Cast Members Jin Shi Jie and Pu Xueliang

Based off the memoir that shot American author Mitch Albom to fame, Taiwan’s Godot Theatre Company will be presenting their smash hit stage adaptation of Tuesdays with Morrie at the Esplanade next week! As a memoir, Tuesdays with Morrie found resonance with audience members worldwide when it was first published in 1997. Tuesdays with Morrie follows Mitch as he spends every Tuesday with his college professor Professor Morrie Schwartz, … Continue reading Tuesdays with Morrie: An Interview with Director Daniel Yang and Cast Members Jin Shi Jie and Pu Xueliang

Review: Chinatown Crossings by Drama Box

A melancholic trip down memory lane that effectively harnesses the history and geography of the place once known as Kreta Ayer. If you had a chance to look at photos of Chinatown in the 70s and 80s, it would virtually be unrecognizable from the same bustling tourist district of today. There are so many aspects of Chinatown that have changed over the years, and with Chinatown … Continue reading Review: Chinatown Crossings by Drama Box

Review: The Lion King presented by Sliding Doors Entertainment and Michael Cassel Group

There’s no feeling that quite replicates hearing the opening verse of ‘The Circle of Life’ from Disney’s The Lion King, evoking a sharp sense of nostalgia that immediately endears any longtime fan to the production, alongside undeniably epic visuals as a giant paper sun rises from the stage, letting everyone know exactly how much of a spectacle the theatre is about to watch, eyes wide and … Continue reading Review: The Lion King presented by Sliding Doors Entertainment and Michael Cassel Group

The Circle of Life: The Lion King Returns To Singapore After 7 Years

Over the years, Marina Bay Sands has seen countless productions grace its theatres, ranging from the best touring productions from Broadway and the West End to the strongest performers from around the region. But one production that will always have a special place in audience’s hearts would be the very first one. That production is Disney’s The Lion King, which saw a welcome return to the … Continue reading The Circle of Life: The Lion King Returns To Singapore After 7 Years

An Interview with the Creatives of dead was the body till i taught it how to move

Bhumi Collective has only been around for a couple of years, but they’ve already been showcasing a variety of genres  dipping their toes into various genres of shows, ranging from fringe theatre to lecture performance. Now, they’ll be presenting an all new, original, interdisciplinary work, co-created by a number of young theatre makers both familiar and new to the local scene in the premiere of dead … Continue reading An Interview with the Creatives of dead was the body till i taught it how to move

Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)

Two ways to tell a poignant story of growing up in Cantonese.  First written as a book, in My Grandfather’s Road, Neo Kim Seng explores his familial history through the lens and geography of a bygone Singapore, thinking of his childhood growing up on what is literally his grandfather’s road (Neo Pee Teck Lane) and told through personal memories and anecdotes. While we previously watched the full … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (Cantonese versions, performed by Tan Cher Kian and Gary Tang)

M1 CONTACT Contemporary Dance Festival 2018: EARTH and Filled with sadness, the old body attacks by T.H.E Dance Company (Review)

A double-bill of movement heavy pieces open the 2018 M1 CONTACT Contemporary Dance Festival. T.H.E Dance Company opened the 2018 M1 CONTACT Contemporary Dance Festival with a double bill of work. Featuring ‘EARTH’ by Humanhood and ‘Filled with sadness, the old body attacks’ by Kim Jae Duk, the festival kicked off to a strong start with both these thought-provoking, physically challenging pieces.  EARTH by Humanhood In … Continue reading M1 CONTACT Contemporary Dance Festival 2018: EARTH and Filled with sadness, the old body attacks by T.H.E Dance Company (Review)

Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)

Put on your nostalgia goggles for this monologue about people and places past, laced with a pinch of death and loss.  To call a stretch of land your grandfather’s road sounds like an audacious claim. But for theatremaker Neo Kim Seng, that claim is rooted in truth, with Neo Pee Teck Lane quite literally named after his paternal grandfather. My Grandfather’s Road is adapted from … Continue reading Review: My Grandfather’s Road by Neo Kim Seng (English version, performed by Karen Tan)