NUS Arts Festival 2019: A Disappearing Number (Review)

Math is hard. Math and theatre initially seem like odd bedfellows. After all, math is grounded in undeniable realities, while theatre tends to take liberties with that, shuttling between the abstract and absolute to produce art. Yet, with 2019 NUS Arts Festival opening show A Disappearing Number, director Edith Podesta attempts to prove the theorem that math and theatre can coexist, with surprising parallels that can be applied … Continue reading NUS Arts Festival 2019: A Disappearing Number (Review)

In London’s (Off) West End 2018: Agatha Christie’s Witness For The Prosecution at County Hall (Review)

An unusual immersive experience that highlights the theatricality of the court. LONDON – Mistress of mystery Agatha Christie may have had her play Witness for the Prosecution staged countless times before, but perhaps never in an actual courtroom. Staged at the Council Chamber of London’s County Hall on the Southbank, a former headquarters for local government in London, this new production immerses audiences fully in the action … Continue reading In London’s (Off) West End 2018: Agatha Christie’s Witness For The Prosecution at County Hall (Review)

Review: Crazy Poor Sita by Sharul Channa

Sharul Channa lets her acid humour take a backseat to this timely character drama about the underclass of Singapore. Better known for her sharp tongue and razor wit, stand up comedian Sharul Channa has lately, been delving into a somewhat different brand of performance lately, exploring her actor side with character work that’s seen her transform into women of all backgrounds. In the International Women’s … Continue reading Review: Crazy Poor Sita by Sharul Channa

Review: The Peculiar Tra La by Intercultural Theatre Institute

Tapping into childhood myth and memory to showcase a new graduating cohort. With each new year comes a new batch of ITI graduates to be, with 2019 bringing with it a bumper crop of 10 students (Earnest Hope Tinambacan, Jalal Albaroudi, Jin Chen, Regina Toon, Ted Nudgent Fernandez Tac-an, Theresa Wee-Yenko, Tysha Khan, Vignesh Singh, Wendy Toh and Nour el Houda Essafi) as they embark … Continue reading Review: The Peculiar Tra La by Intercultural Theatre Institute

In Kuala Lumpur 2019: Ola Bola the Musical (2019 Version) by Enfiniti Productions (Review)

The sold out Malaysian musical continues to swell with nationalistic pride as it returned for a rematch for an even stronger performance this year.  KUALA LUMPUR – After enjoying a sold out run in 2018, Ola Bola the Musical, the ‘best Malaysian musical’ (according to Malaysian PM Tun Dr Mahathir Mohamad himself) returned to the Isatana Budaya in Kuala Lumpur this February to wow even more … Continue reading In Kuala Lumpur 2019: Ola Bola the Musical (2019 Version) by Enfiniti Productions (Review)

In Kuala Lumpur 2019: An Interview with the Creative Team of Gold Rain & Hailstones (The Instant Cafe Theatre Company)

KUALA LUMPUR – Jit Murad is one of Malaysia’s most prominent playwrights, having penned some of the country’s sharpest and most scintillating plays effectively highlighting and presenting the Malaysian identity onstage. Last staged in Malaysia in 2006, it seemed only right that as part of their comeback and 30th anniversary, the Instant Cafe Theatre Company’s 30th anniversary would then stage Jit’s very first professional play: Gold Rain … Continue reading In Kuala Lumpur 2019: An Interview with the Creative Team of Gold Rain & Hailstones (The Instant Cafe Theatre Company)

Review: Are You Game, Sau(dara)? by Five Arts Centre (KL) and Bhumi Collective (SG)

Experimental responses to Leow Puay Tin’s 3 Children still very much cerebral works in progress. KUALA LUMPUR – Cross Causeway arts projects are always to be celebrated, showcasing the keen relationship Singapore continues to share with our closest neighbours. The most recent of these would be Malaysia’s Five Arts Centre and Singapore’s Centre 42 joint collaboration on Are You Game, Sau(dara)?, a double bill of new work from … Continue reading Review: Are You Game, Sau(dara)? by Five Arts Centre (KL) and Bhumi Collective (SG)

Film Review: A Land Imagined (幻土) dir. Yeo Siew Hua

The wilderness of Tuas provides an alien backdrop for this Asian neo-noir about migrant dreams of a better life. Written and directed by Yeo Siew Hua, A Land Imagined emerged a critical favourite at the 71st Locarno Film Festival, an Asian neo-noir following Lok (Peter Yu), a grizzled hardboiled detective as he embarks on an unusual job: tracking down Wang (Liu Xiaoyi) a Chinese migrant worker who … Continue reading Film Review: A Land Imagined (幻土) dir. Yeo Siew Hua

Are You Game, Sau(dara)?: An Interview with Creators Fasyali Fadzly and Soultari Amin Farid, and Dramaturg Grace Lee-Khoo

KUALA LUMPUR – Last weekend, we travelled up to Five Arts Centre, Kuala Lumpur, Malaysia, to catch the cross-Causeway double bill presentation Are You Game, Sau(dara)? Comprising two brand new works created in response to Malaysian playwright Leow Puay Tin’s seminal play 3 Children, we sat down with creators Fasyali Fadzly and Soultari Amin Farid, as well as dramaturg Grace Lee-Khoo, before we caught the show to find out a … Continue reading Are You Game, Sau(dara)?: An Interview with Creators Fasyali Fadzly and Soultari Amin Farid, and Dramaturg Grace Lee-Khoo

Review: Matilda the Musical by Base Entertainment Asia

A celebration of the magic of childhood in musical form.  British author Roald Dahl remains one of the world’s most beloved authors, with countless children around the world having read his novels, each one etched into their childhood. It stands to reason then that one of the most successful adaptations of one of his works concerns a little girl who loves to read, with the … Continue reading Review: Matilda the Musical by Base Entertainment Asia