Review: Urinetown by Pangdemonium

Piss-perfect performance to round off Pangdemonium’s 2019 season. If Les Miserables was the musical that brought the romance to revolution, then Mark Hollmann and Greg Kotis’ Urinetown is almost certainly the one that takes the piss out of it. Wrapping up Pangdemonium’s 2019 season, Urinetown is the rare satirical musical that dares to poke fun at the musical genre and convention, yet, is in itself a more than competent production … Continue reading Review: Urinetown by Pangdemonium

Touring the UK 2019: Proteus Theatre’s Macbeth (Preview)

LONDON – Embarking on a UK tour following its successful run in London and Basingstoke, award-winning Proteus’ adaptation of Macbeth takes Shakespeare’s macabre tragedy to the tumult of the trading room floor. Directed by Mary Swan, the artistic director, this Macbeth is a gripping corporate thriller set in London during the stock market crash of 1987. A Great Storm, a Black Monday, a market crash … Continue reading Touring the UK 2019: Proteus Theatre’s Macbeth (Preview)

Laughter Is: Melbourne International Comedy Roadshow 2019 (Review)

The latest edition of the annual comedy roadshow brings more laughs to the Singapore crowd.  If there’s one comedy event we can count on to come back every year, it’s almost certainly the Melbourne International Comedy Festival Roadshow, who’ve made Singapore a mainstay of their tour schedule for years now. Back again at the KC Arts Centre with a brand new set of five up … Continue reading Laughter Is: Melbourne International Comedy Roadshow 2019 (Review)

Review: Dick Lee’s The Mad Chinaman 30th Anniversary Concert

30 years on from the launch of his signature album, and Dick Lee can still turn out an unforgettable concert. There’s good reason why Dick Lee is known as ‘The Mad Chinaman”, sharing that title with one of his most iconic albums, released in 1989. There’s a manic, unrestrained energy that emanates from the man in every move and every word, tempered by a timeless … Continue reading Review: Dick Lee’s The Mad Chinaman 30th Anniversary Concert

Review: Being, and Organs by Paul Gong (Taiwan), presented by RAW Moves

Striking a balance between humanity and technology in RAW Moves latest work. From a prosthetic limbs to a bio-printed heart, technology seems to be developing at increasingly unprecedented rates. And as we find new ways and means to replace our organic body parts with artificial ones, how much longer will it be before we can truly, fully call ourselves ‘human’? Such a conundrum forms the … Continue reading Review: Being, and Organs by Paul Gong (Taiwan), presented by RAW Moves

Esplanade’s Mosaic Music Series: The Manhattan Transfer (Review)

50 years on and still one of the absolute best vocal groups around. The Manhattan Transfer are undoubtedly one of America’s greatest treasures. Comprising Janis Siegel, Alan Paul and Cheryl Bentyne, along with newest member Trist Curless, the multiple Grammy Award-winning pop/jazz vocal quartet returned to the Esplanade Theatre after eight years on Tuesday, performing tracks from their latest album, along with all their greatest … Continue reading Esplanade’s Mosaic Music Series: The Manhattan Transfer (Review)

Review: Caught by Singapore Repertory Theatre

It is not the truth, but the semblance of the truth that truly matters in SRT’s first immersive production. Presented by the Singapore Repertory Theatre (SRT), Caught plays as part of the Miaja Gallery’s Dissonance exhibition, inviting recently released Chinese fugitive and dissident artist Lin Bo to speak at the gallery itself. Caught is directed and conceptualised by Ed Sylvanus Iskandar, with text by Christopher Chen, performed by Lin … Continue reading Review: Caught by Singapore Repertory Theatre

Review: Sound of Dragon Ensemble (Ding Yi Chinese Chamber Music Festival 2019)

Western composition meets Eastern arrangement. Hailing all the way from Canada, the Sound of Dragon Ensemble comprises some of Vancouver’s very best musicians with a spectacular repertoire of works at their fingertips. As the opening act of Ding Yi Music Company’s 4th edition of the annual Chinese Chamber Music Festival, the ensemble was led by Taiwanese conductor Chen Chih-Sheng, and stand out from the crowd … Continue reading Review: Sound of Dragon Ensemble (Ding Yi Chinese Chamber Music Festival 2019)

In London’s (Off) West End 2019: Spy City by Colab Theatre (Review)

Espionage and apocalyptic plots keep us constantly on our toes in this immersive experience. LONDON –  If you ever fancied yourself a dashing MI6 agent, then Colab Theatre’s Spy City is the immersive theatre experience likely to let you live out those dreams. Imagining themselves as undercover agents, players spend the exhilarating Spy City chasing down and running away from enemy agents right in the heart of London as they … Continue reading In London’s (Off) West End 2019: Spy City by Colab Theatre (Review)

In London’s (Off) West End 2019: A Very Expensive Poison at The Old Vic (Review)

An investigation into the truth behind Alexander Litvinenko’s assassination as an epic vaudevillian drama. LONDON – Oftentimes, the truth is like a many-layered cake: the more you chip away at it, the more you discover. And sometimes, what you discover is a dark conspiracy far beyond anything you could ever imagine. Adapted from Luke Harding’s non-fiction book of the same name, Lucy Prebble’s A Very Expensive Poison zooms in … Continue reading In London’s (Off) West End 2019: A Very Expensive Poison at The Old Vic (Review)