★☆☆☆☆ (Performance attended 11/1/20, 2pm) Attempt to satirise motivational speakers unclear in its motives and falls flat.  In Singapore’s results-oriented society, success is everything. So it comes as no surprise that parents will try any ways and means necessary to give their children a leg up in the place that will most likely make or break their future: school. From countless tuition lessons to enrichment … Continue reading Review: The Shadow Curriculum by Jelaine Ng (M1 Singapore Fringe Festival 2020)

★★★☆☆ (Performance attended 9/1/20) Alfian Sa’at meets Kuo Pao Kun meets the Millennials in this well-directed but conceptually disjointed reflection on belonging and identity.   There’s something incredibly audacious about splicing two unlike plays together in an attempt to better bring out their shared concerns. Where Kuo Pao Kun’s Kopitiam was a naturalistic, three-character work in Mandarin concerning itself with an elderly coffee shop owner struggling to understand … Continue reading Review: Contemplating Kopitiam and Kampong Wa’Hassan by Oliver Chong and NAFA (M1 Singapore Fringe Festival 2020)

★★★★☆ (Performance attended 8/1/20) Docu-drama in the form of a live podcast reminds us how difficult it is to mend deep-set rifts, and the politicised effects these have on the most ordinary of activities.  Part of the joy of Fringe is how it offers a platform to showcase non-traditional theatre forms of all kinds. Of these, it is bluemouth inc.’s Café Sarajevo that plays around with … Continue reading Review: Café Sarajevo by bluemouth inc. (M1 Singapore Fringe Festival 2020)