★★★★☆ Theatre Review: The Christians by Wild Rice

Hell is other Christians. The Christians arrives as one of the most unexpected entries in Wild Rice’s 2026 programming, and perhaps one of its most surprisingly provocative. A company long associated with sharp political critique, queer advocacy, and a willingness to satirise conservative structures, this is a show that feels almost disarming in its restraint. Where one might expect irreverence, Lucas Hnath’s critically-acclaimed play instead … Continue reading ★★★★☆ Theatre Review: The Christians by Wild Rice

★★★★★ Theatre Review: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

This definitive Singaporean Chinese musical reckons with the impossible decision between dreams and duty, and more crucially, what it costs to choose your own life in Singapore. First written and staged in 1990 by the late theatre doyen Kuo Pao Kun with The Theatre Practice (Practice), Lao Jiu was a script that was always meant to evolve. Originally a stage play, its eventual transformation into … Continue reading ★★★★★ Theatre Review: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

★★★★★ Theatre Review: God of Carnage 《杀戮之神》by Nine Years Theatre

Polite company quickly gives way to violent, yet cathartic truth in Nine Years Theatre’s God of Carnage. It begins, as so many civilised disasters do, with good intentions. A carefully drafted statement, coffee and cake, and adults determined to behave. In Yasmina Reza’s God of Carnage, politeness is not resolution but provocation, and in Nine Years Theatre’s staging in Mandarin, that provocation unfolds with a … Continue reading ★★★★★ Theatre Review: God of Carnage 《杀戮之神》by Nine Years Theatre

Preview: Myles – Soulmate In A Box by Singapore Repertory Theatre

In a world where people confess their deepest thoughts to their phones and swipe through romance like a catalogue, the idea of designing your perfect partner doesn’t feel all that far-fetched. But what happens when “perfect” starts to feel… unsettling? That’s the question governing Myles – Soulmate in a Box, a bold new musical by Singaporean musician and composer Inch Chua, now reimagined as a … Continue reading Preview: Myles – Soulmate In A Box by Singapore Repertory Theatre

Civility Falls Apart: An Interview with director Nelson Chia and the cast of Nine Years Theatre’s God of Carnage 《杀戮之神》

At the start of Yasmina Reza’s God of Carnage, everything looks reasonable. Veronica has prepared food. Michael has arranged the living room. Annette arrives determined to be gracious. Alan, distracted by his phone, still shows up. Four adults sit down to discuss their sons’ playground conflict calmly, civilly, like responsible people should. That the evening collapses into chaos feels less like a shock than a … Continue reading Civility Falls Apart: An Interview with director Nelson Chia and the cast of Nine Years Theatre’s God of Carnage 《杀戮之神》

★★★★★ Theatre Review: Force Majeure by Pangdemonium

A storm of memory, art and family marks the beginning of Pangdemonium’s final season. Pangdemonium opens its 2026 season with Force Majeure, a quietly devastating meditation on art, family and the fragile structures that hold both together. Written by Stephanie Street and directed by Tracie Pang, the play reimagines Chekhov’s Three Sisters within a contemporary Southeast Asian context, where artists find themselves negotiating not just … Continue reading ★★★★★ Theatre Review: Force Majeure by Pangdemonium

An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

In its final season, Pangdemonium returns to a writer who has haunted stages for more than a century: Anton Chekhov. But this is not a museum piece, nor a reverent period revival. Force Majeure, written by Stephanie Street and adapted from Three Sisters, relocates the ache of Chekhov’s provincial dreamers into a contemporary landscape of global drift and fragile belonging. The soldiers and samovars are … Continue reading An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

Preview: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

In a fast-changing Singapore obsessed with credentials, career pathways and the promise of stability, Lao Jiu: The Musical feels both nostalgic and strikingly contemporary. Set against the backdrop of 1980s Singapore, this beloved local musical returns in April 2026 with renewed urgency, asking a question many of us still grapple with today: what do you do when your dreams do not align with expectations? Presented … Continue reading Preview: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

Nathania Ong returns home to star as Elle Woods in Singapore Repertory Theatre’s ‘Legally Blonde’

When Elle Woods steps into Harvard Law, she’s armed not just with pink heels and impeccable hair, but with an unshakeable belief in herself, and a community of women who have her back. This July, that spirit of confidence and camaraderie returns to Singapore in a glossy, contemporary new production of Legally Blonde – The Musical, led by one of our country’s most accomplished theatre … Continue reading Nathania Ong returns home to star as Elle Woods in Singapore Repertory Theatre’s ‘Legally Blonde’

Preview:《杀戮之神》God of Carnage by Nine Years Theatre

This March, one of the sharpest, funniest dissections of modern adulthood comes to Singapore as Nine Years Theatre (NYT) stages God of Carnage, Yasmina Reza’s internationally celebrated dark comedy. Running from 20 to 29 March 2026 at The Ngee Ann Kongsi Theatre @ Funan, the production promises an evening that begins politely, and ends gloriously unhinged. If NYT’s sold-out run of Twelve Angry Men proved … Continue reading Preview:《杀戮之神》God of Carnage by Nine Years Theatre