An Interview with the Cast of The Little Company’s The Nightingale

SRT’s The Little Company is proud to present The Nightingale as it returns this March! Playing to rave reviews back in 2014, this restaging of Hans Christian Andersen’s classic tale of a bird and her best friend will feature a brand new cast, along with the same hit script by Mike Kenny and catchy songs by Ruth Ling that made the previous version go over so well. … Continue reading An Interview with the Cast of The Little Company’s The Nightingale

Review: Kumar 50 by Dream Academy

Singapore’s Queen of Comedy shows he’s still no drag at age 50 with a celebration shrouded in joy and laughter.  There is no argument that Kumar is a national icon. Dream Academy artistic director and longtime collaborator and friend Selena Tan has made an absolutely on point decision to stage Kumar 50, giving Singapore’s very own Queen of Comedy a golden jubilee to end all others. Sweeping … Continue reading Review: Kumar 50 by Dream Academy

Preview: The Nightingale by SRT’s The Little Company

In the second bird themed children’s theatre show in a row, SRT’s The Little Company returns this March with a restaging of The Nightingale!  Last staged in 2014 to popular acclaim, this adaptation of one of Hans Christian Andersen’s most well-loved fairy tales comes back to the KC Arts Centre for a limited time. Written by Olivier Award winning playwright Mike Kenny and directed by Kate Golledge, … Continue reading Preview: The Nightingale by SRT’s The Little Company

Huayi 2018: Einstein In The Carpark (爱因与斯坦) by Emergency Stairs (Review)

Liu Xiaoyi, in his director’s message for Einstein in the Carpark, poses to the late renowned theoretical physicist Albert Einstein a litany of 33 questions, among them such pithy existential ones as: “What do you think is the most important question of all?” “How do I find simplicity in confusion?” “Why do so many people know you, but so few people understand you?” This thought … Continue reading Huayi 2018: Einstein In The Carpark (爱因与斯坦) by Emergency Stairs (Review)

Preview: The Good Farmer by Theatreworks

At Theatreworks’ 20th 24-Hour Playwriting Competition, aspiring playwrights were sent to a farm community in the middle of Lorong Chencharu last September to bang out a full script over a day. And from that competition, one winner’s play from the Open Category is about to be adapted into a full production – NUS sociology student Christopher Chee with The Good Farmer.  The Good Farmer starts off with … Continue reading Preview: The Good Farmer by Theatreworks

Review: The Father by Pangdemonium!

Same same but different – Pangdemonium’s The Father is a terrifying take on dementia as seen through one man’s eyes.  Florian Zeller’s The Father is a difficult play to watch. Not necessarily because it’s complicated (although it’ll certain leave you confused and terrified by the end), but because it’s a play that deals with the inevitable – growing old, and the very real possibility of encountering … Continue reading Review: The Father by Pangdemonium!

Review: Homecoming《家在这里》by The Finger Players

    The Finger Players starts off their 2018 with an all new community tour, bringing their newest puppetry work Homecoming to the less privileged! From 3rd – 11th March, the group will be touring the play across various hospices, orphanages, old folks home and other similar centres, all while promoting each centre’s causes and missions to inspired more volunteers and charity to help the less privileged. In Homecoming, we’re … Continue reading Review: Homecoming《家在这里》by The Finger Players

Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)

Finding love in a hopeless place, with a side of ghosts, graves and a long list of ex-lovers. In Why We Chat?, director Edward Lam and writer Wong Wing Sze reimagine Pu Songling’s classic Strange Tales From A Chinese Studio (聊斋志异) for the times, taking inspiration from its supernatural themes and crafting an all new story about the contemporary horrors of feeling completely, utterly alone within the modern … Continue reading Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)

Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)

Nine Years Theatre and T.H.E. Dance Company take audiences on a nightmarish journey that explores the chaos within our minds. When Nine Years Theatre and T.H.E. Dance Company come together, it’s almost certain that something incredibly out of this world will be born from the collaboration. And when you add a heavy dose of surrealism, you’d probably get something along the lines of Cut Kafka. … Continue reading Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)

Review: Evita presented by BASE Entertainment Asia and Lunchbox Theatrical Productions (+Ticket Giveaway!)

A moving portrait of one of Argentina’s most beloved political figures. There are always two sides to every story. And by definition, it is the winners who get to decide which one will go down in the annals of history. In Evita, it is beloved Argentinian political figure Eva Peron whose life comes under scrutiny. Known for her rise in power from a humble provincial girl to … Continue reading Review: Evita presented by BASE Entertainment Asia and Lunchbox Theatrical Productions (+Ticket Giveaway!)