Silence is power in this immersive tour that summons the ghosts of the past to the National Gallery. It’s 10pm at the National Gallery, long after opening hours have ceased, and all is quiet. It’s a little nervewracking; one becomes keenly aware of each step you take, echoing through the walls of the former Supreme Court with its high ceilings and expansive corridors. And that’s … Continue reading SIFA 2018: 0600 by Ground Z-0 (Review)
The modern day music prodigy showcases a legion of voices and talent in spades in his Singapore debut. Making a claim to fame via YouTube videos often receives a raised eyebrow in response. Much like the current generation of ‘influenzas’, there are times it seems like anyone and everyone can become a celebrity simply by gaining enough eyeballs for a post. But for 23-year … Continue reading SIFA 2018: Jacob Collier (Review)
Toy Factory is having a busy year, with back to back productions in the form of Sometime Moon and Masters of Comedy in May. In between though, they’ve managed to produce an all new contemporary work for SIFA 2018, in the form of the ambitious A Dream Under The Southern Bough. Directed by Toy Factory artistic director Goh Boon Teck, the play is a modern, contemporary adaptation of … Continue reading SIFA 2018: A Dream Under The Southern Bough – The Beginning by Toy Factory (Preview)
Feathers fly hard and fast in this affecting swansong of agency over one’s own body, and the long road to recovery. When one has been through a sexual assault, she is not merely a victim, but a survivor. But even when the deed has been done, deep scars are left behind, often leaving survivors lost, confused and unable to come to terms with the immense, … Continue reading The Studios 2018: Leda and the Rage (Review)
SIFA 2018 opens on a chilling note with this dystopian modern classic. Considered by many to be George Orwell’s magnum opus, 1984 has become the go to model for a dystopian world, a culmination of everything we should avoid becoming at all costs. Yet this is a warning the world seems to have forgotten to heed, as the chilling reality of a society plagued by surveillance … Continue reading SIFA 2018: Robert Icke and Duncan Macmillan’s 1984 (Review)
Ever since its opening a year ago, the Singapore Chinese Cultural Centre (SCCC) has seen a steady stream of programmes and an ever rising number of visitors as its visibility increases month on month. With the arrival of its first anniversary, the SCCC ushers in the second edition of the SCCC Cultural Extravaganza, as they celebrate and showcase the diversity and vibrancy of local … Continue reading Preview: Singapore Chinese Cultural Centre Cultural Extravaganza 2018
Singaporean artist Zelda Tatiana Ng has set up an all new collective, and she’s breaking new ground this April with the premiere of their maiden production: 0600 at the Singapore International Festival of the Arts. 0600 is a mixed-media performance/presentation about the death penalty in Singapore. Through multilingual text based off some of Singapore’s most infamous and grisly crimes, 0600 will have audiences tracing the history of various death penalty … Continue reading SIFA 2018: 0600 by Ground Z-0 (Preview)
At just 23 years old, Jacob Collier has already been hailed as a musical prodigy, not to mention, is already a two-time Grammy Award winner. The multi-instrumentalist makes his local stage debut at the 2018 Singapore International Festival of the Arts at the historical Victoria Theatre this April. Although often referred to as a jazz genius, Collier’s music spans multiple genres and refuses to conform … Continue reading SIFA 2018: Jacob Collier (Preview)
George Orwell’s literary masterpice 1984 remains one of the most iconic depictions of a dystopian society. Despite being written in 1949, the book’s narrative has been shockingly prophetic, raising the idea of a society increasingly under surveillance and cults of personality. Although there’ve been several staged adaptation produced over the years, there’s none you’ll experience quite like the version by award-winning theatremakers Robert Icke and Duncan Macmillan. The … Continue reading SIFA 2018: Robert Icke and Duncan Macmillan’s 1984 (Preview)
Bellepoque is a company that strongly believes in the importance of knowing one’s roots, in order to continue to flourish. More specifically, like their name, they’re committed fully to the Belle Epoque era between 1871 and 1914, where the arts and music flourished in Europe, particularly in Paris. Using the music from that era, the company seeks to create new work, re-defining the styles and … Continue reading Voilah 2018: An Interview with Bellepoque Director Sabrina Zuber (Roots)
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