History comes alive in The Theatre Practice’s most ambitious project yet. Waterloo Street has become one of our most frequented areas in Singapore, serving as home to both The Theatre Practice and Centre 42. But in the rush of life we’re constantly caught up in, it’s very rare we get a chance to truly appreciate just how well preserved the buildings they’re housed in are, … Continue reading Review: 四马路 Four Horse Road by The Theatre Practice
Liu Xiaoyi, in his director’s message for Einstein in the Carpark, poses to the late renowned theoretical physicist Albert Einstein a litany of 33 questions, among them such pithy existential ones as: “What do you think is the most important question of all?” “How do I find simplicity in confusion?” “Why do so many people know you, but so few people understand you?” This thought … Continue reading Huayi 2018: Einstein In The Carpark (爱因与斯坦) by Emergency Stairs (Review)
Finding love in a hopeless place, with a side of ghosts, graves and a long list of ex-lovers. In Why We Chat?, director Edward Lam and writer Wong Wing Sze reimagine Pu Songling’s classic Strange Tales From A Chinese Studio (聊斋志异) for the times, taking inspiration from its supernatural themes and crafting an all new story about the contemporary horrors of feeling completely, utterly alone within the modern … Continue reading Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)
Nine Years Theatre and T.H.E. Dance Company take audiences on a nightmarish journey that explores the chaos within our minds. When Nine Years Theatre and T.H.E. Dance Company come together, it’s almost certain that something incredibly out of this world will be born from the collaboration. And when you add a heavy dose of surrealism, you’d probably get something along the lines of Cut Kafka. … Continue reading Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)
Of the many performance spaces within the Esplanade, there’s never been one quite as unique as the carpark, being used for the very first time by experimental theatre company Emergency Stairs as they return to Huayi with their new production Einstein In The Carpark. Directed and conceptualized by Emergency Staris artistic director Liu Xiaoyi, Einstein In The Carpark takes inspiration from physicist Albert Einstein’s theory of relativity, … Continue reading Huayi 2018: Einstein In The Carpark by Emergency Stairs (Preview)
This Huayi Festival, the Esplanade welcomes Hong Kong’s Edward Lam Dance Theatre to Singapore as they present a truly unique theatrical show that reflects on modern relationships, inspired, oddly enough, by the classic Chinese collection Liaozhai Zhiyi. Directed by award-winning director Edward Lam himself and written by the acclaimed playwright-actress Wong Wing Sze, Why We Chat? follows an aspiring writer (popular Taiwanese-Hong Kong singer/actor David Wang) as he shafts … Continue reading Huayi 2018: Why We Chat? by Edward Lam Dance Theatre (Preview)
In a company first, leading arts companies Nine Years Theatre joins forces with T.H.E. Dance Company to produce an all new physical theatre/movement piece inspired by the works of author Franz Kafka. Kafka is best known for his surreal works that’ve influenced readers across the world, and certainly one of the most unique writers of the 20th century, with works such as The Metamorphosis, The … Continue reading Huayi 2018: Cut Kafka! by Nine Years Theatre and T.H.E. Dance Company (Preview)
It is perhaps fitting that the Esplanade’s 2018 Huayi Festival kicked off on Friday (Feb 23) with a local production starring one of Singapore’s largest breakout stars in China of 2017 – Joanna Dong, who placed third in the reality singing contest Sing! China. I came at last to the seas – directed by Kuo Jian Hong, written by Chinese playwright Wu Xi and featuring an … Continue reading Huayi 2018: I came at last to the seas by The Theatre Practice (Review)
Kicking off the Esplanade’s 2018 Huayi Festival and marking The Theatre Practice’s very first production of the year is I came at last to the seas, an ambitious all new cross country project, and the first time Huayi has commissioned a local arts group to produce a new work at the Esplanade Theatre for Huayi! I came at last to the seas follows six individuals as they journey … Continue reading Huayi 2018: I came at last to the seas by The Theatre Practice (Preview)
The Theatre Practice has always been known for some of the most innovative practices in the local arts scene, from their intimate Kitchen Series of works to their Nursery Rhymes Project, to even an interactive app with the Waterloo Street Crawl. This April, they’ll be taking it to the next level with the premiere of Four Horse Road. With the title of being Singapore’s oldest street, Four Horse Road has inspired The Theatre Practice’s Artistic … Continue reading Preview: 四马路 Four Horse Road by The Theatre Practice
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