★★★★★ Theatre Review: Legally Blonde – The Musical by Singapore Repertory Theatre

Led by a sensational Nathania Ong, SRT’s all-Singaporean cast delivers on big vocals, demanding choreography, sharp comedy and an emotional payoff that leaves the audience believing that anything is possible. Performance watched on 31 July, 8pmDuration: 150 minutes (including 20 minute intermission) For all its hot-pink glamour, heels and sorority energy, Legally Blonde – The Musical has always been a show about being underestimated. Elle … Continue reading ★★★★★ Theatre Review: Legally Blonde – The Musical by Singapore Repertory Theatre

Esplanade’s The Studios 2026: An Interview with Samir Veen on participation and co-operation in Ontroerend Goed’s ‘Handle with Care’

When Belgian theatre company Ontroerend Goed first conceived Handle with Care, they knew almost nothing about the performance itself. There were no actors, no technicians, no script, and not even a clear idea of what would eventually be inside the box that sits at the centre of the stage. What they did know was that they wanted to make something they had never made before. … Continue reading Esplanade’s The Studios 2026: An Interview with Samir Veen on participation and co-operation in Ontroerend Goed’s ‘Handle with Care’

London Theatre: Death Note – The Musical star Telly Leung on becoming Ryuk – “I’m not here to be a copycat”

LONDON, UNITED KINGDOM – For more than two decades, Death Note has refused to stay confined to a single medium. Since writer Tsugumi Ohba and illustrator Takeshi Obata first introduced the supernatural thriller in the pages of Weekly Shōnen Jump in 2003, the series has become one of Japan’s most successful cultural exports. More than 30 million manga copies have been sold worldwide, while the … Continue reading London Theatre: Death Note – The Musical star Telly Leung on becoming Ryuk – “I’m not here to be a copycat”

Preview: Singapore Night Festival 2026 returns with myths, legends and immersive night-time adventures across Bras Basah.Bugis

Singapore Night Festival 2026 returns from 21 August to 5 September with immersive projection mapping, folklore-inspired installations, performances and heritage experiences across Bras Basah.Bugis. Here’s what not to miss. The stories we grow up with rarely stay on the page. They evolve through the people who tell them, the places they inhabit and the generations that continue to find meaning in them. This August, Singapore … Continue reading Preview: Singapore Night Festival 2026 returns with myths, legends and immersive night-time adventures across Bras Basah.Bugis

London Theatre: Worldwide manga phenomenon Death Note’s musical adaptation is set to take Barbican by storm this summer

LONDON, UNITED KINGDOM – More than 20 years after it first appeared as a Japanese manga, Death Note continues to reinvent itself. What began as a dark supernatural thriller by writer Tsugumi Ohba and illustrator Takeshi Obata has grown into one of the world’s biggest pop culture phenomena. Since its debut in 2003, Death Note has sold more than 30 million copies worldwide, inspired a … Continue reading London Theatre: Worldwide manga phenomenon Death Note’s musical adaptation is set to take Barbican by storm this summer

Preview: Nadagamic 2026 Brings the World of Tamil Theatre to Singapore

This August, Singapore’s cultural calendar welcomes a landmark event that promises to be as much about connection and creativity as it is about performance. From 20 to 30 August 2026, Nadagamic 2026 — Singapore’s first International Tamil Theatre Festival — will transform theatres, arts spaces and community venues across the island into vibrant hubs of storytelling, dialogue and artistic exchange. Organised by AGAM Theatre Lab, … Continue reading Preview: Nadagamic 2026 Brings the World of Tamil Theatre to Singapore

Preview: Congratulations, Get Rich! by Singapore Repertory Theatre, La Boite Theatre and Sydney Theatre Company

A karaoke bar. A birthday meltdown. A ghostly mother who won’t stay dead. Singapore Repertory Theatre (SRT) is proud to present the Singapore premiere of Congratulations, Get Rich!, a bold and hilarious new play written by and starring Singaporean-Australian artist Merlynn Tong. In a first of its kind co-production between Sydney Theatre Company, La Boite Theatre in Brisbane and SRT, this genre-bending comedy opens at … Continue reading Preview: Congratulations, Get Rich! by Singapore Repertory Theatre, La Boite Theatre and Sydney Theatre Company

Preview: Brainstorm by Gateway Arts

From 16 to 26 October, Gateway Theatre’s Black Box will host the Singapore premiere of Brainstorm, a bold new production by Gateway Arts, presented by Singapore Pools (Private) Limited. Blending theatre and neuroscience to reveal the inner workings of the adolescent brain. Inspired by the findings of neuroscientist Professor Sarah-Jayne Blakemore “The mysterious workings of the adolescent brain”, and adapted by Cheyenne Alexandria Philips, the … Continue reading Preview: Brainstorm by Gateway Arts

The Studios 2025: An Interview with The Theatre Practice on ‘Pickle Party’ and sustainable theatre

How much of a pickle are we in when it comes to sustainability and climate change? It all feels like a bit of a crisis, but in the meantime, the solution just might be…pickling? This September, the Esplanade’s The Studios 2025 rounds off with Pickle Party by The Theatre Practice (Practice), which places the audience at a pickling workshop within a performance. Originally staged as … Continue reading The Studios 2025: An Interview with The Theatre Practice on ‘Pickle Party’ and sustainable theatre

★★★☆☆ Review: Third Man Syndrome by Gateway Arts

This original play by Gateway Arts takes on the urgent theme of toxic masculinity and men’s silence around their emotions, but faces uneven execution. In a country where men find it difficult to talk about their feelings, Gateway Arts’ new play Third Man Syndrome tackles the urgent and deeply relevant subject of how toxic masculinity silences men and prevents them from confronting their emotions. Written … Continue reading ★★★☆☆ Review: Third Man Syndrome by Gateway Arts