Review: Goddesses of Words – Sarojini Naidu by Grace Kalaiselvi

It can happen to anyone and everyone. When Grace Kalaiselvi asked her actresses to read the poems of Sarojini Naidu in preparation for her all new Goddesses of Words series (aimed at highlighting female Indian poets writing in English), each performer somehow connected almost instantly with the theme of trauma, and more specifically, sexual assault. While not all of the poems necessarily put trauma at … Continue reading Review: Goddesses of Words – Sarojini Naidu by Grace Kalaiselvi

Are You Game, Sau(dara)?: An Interview with Creators Fasyali Fadzly and Soultari Amin Farid, and Dramaturg Grace Lee-Khoo

KUALA LUMPUR – Last weekend, we travelled up to Five Arts Centre, Kuala Lumpur, Malaysia, to catch the cross-Causeway double bill presentation Are You Game, Sau(dara)? Comprising two brand new works created in response to Malaysian playwright Leow Puay Tin’s seminal play 3 Children, we sat down with creators Fasyali Fadzly and Soultari Amin Farid, as well as dramaturg Grace Lee-Khoo, before we caught the show to find out a … Continue reading Are You Game, Sau(dara)?: An Interview with Creators Fasyali Fadzly and Soultari Amin Farid, and Dramaturg Grace Lee-Khoo

Preview: Goddesses of Words – Sarojini Naidu by Grace Kalaiselvi

You were the last one at the office. You were coming back home from a party. You were only 10 years old when it happened. He stared at you throughout your commute and followed you after. He was the friend taking you home. He was your uncle. He. You. You. The stories are many but no two are the same. Inspired by true narratives and … Continue reading Preview: Goddesses of Words – Sarojini Naidu by Grace Kalaiselvi

Preview: Are You Game, Sau(dara)? by Centre 42 and Five Arts Centre

This March, Singapore’s Centre 42 and Malaysia’s Five Arts Centre unite to present a cross-Causeway double-bill in the form of Are You Game, Sau(dara)? Created by Singapore theatre company Bhumi Collective and Malaysian director Fasyali Fadzly,  Are You Game, Sau(dara)? will be co-presented Centre 42 (Singapore) and Five Arts Centre (Malaysia), in the first collaboration between the two companies, and performed at Kotak @ Five Arts Centre, Kuala Lumpur before heading … Continue reading Preview: Are You Game, Sau(dara)? by Centre 42 and Five Arts Centre

Review: Charlie by Bhumi Collective

A brief encounter with a true innocent. In the wake of politically-charged, tumultuous events such as the rise of Brexit and POTUS Trump, the world as we know it has changed irrevocably, a much more terrifying place to wake up in each morning. How does one stand to live everyday like this? In Bhumi Collective’s Charlie, actress Victoria Chen has imagined a hypothetical situation in which a … Continue reading Review: Charlie by Bhumi Collective

Preview: Charlie by Bhumi Collective

After not one but two successful runs overseas at the On the Rocks Festival and Edinburgh Student Arts Festival (winning the Best Performing Artist Award) in 2017, Bhumi Collective will finally present the Singapore premiere of Charlie, a unique, experimental performance by Victoria Chen. Charlie is unusual in that it takes the form of a 15-minute one-on-one experience in which the audience member enters a room and interacts with the titular … Continue reading Preview: Charlie by Bhumi Collective

Centre 42’s The Vault: Sau(dara) by Bhumi Collective

In 1985, Malaysian playwright Leow Puay Tin wrote the phenomenal 3 Children. Three years later, the production was jointly put to stage by Krishen Jit and Ong Keng Sen, after an earlier production at Kuala Lumpur’s Five Arts Centre, and represented one of the first major cross-Causeway productions in the English language, with a four member cast that starred Lim Kay Tong, Lok Meng Chue, … Continue reading Centre 42’s The Vault: Sau(dara) by Bhumi Collective

Review: dead was the body till i taught it how to move by Bhumi Collective

Proof that theatre provides a safe space for anyone to tell the most heartwrenching of stories. There’s a saying that all stories are worth telling, if only one knows how to tell them. In dead was the body till i taught it how to move, Bhumi Collective presents the story of an ordinary boy going through extraordinary trauma and grief. While going through university in Warwick, ex-Ministry … Continue reading Review: dead was the body till i taught it how to move by Bhumi Collective

An Interview with the Creatives of dead was the body till i taught it how to move

Bhumi Collective has only been around for a couple of years, but they’ve already been showcasing a variety of genres  dipping their toes into various genres of shows, ranging from fringe theatre to lecture performance. Now, they’ll be presenting an all new, original, interdisciplinary work, co-created by a number of young theatre makers both familiar and new to the local scene in the premiere of dead … Continue reading An Interview with the Creatives of dead was the body till i taught it how to move

Preview: dead was the body till i taught it how to move by Bhumi Collective

Life has a habit of throwing the greatest of curveballs when you least expect it. And in Bhumi Collective’s latest production, they’ll be tackling the story of one man who finds his once clear path now at a crossroads when faced with an unexpected crisis. Written by Edward Eng, directed by the Second Breakfast Company artistic director Adeeb Fazah, and with dramaturgy and movement direction … Continue reading Preview: dead was the body till i taught it how to move by Bhumi Collective