Tag: disability

Preview, Singapore, Theatre

Esplanade’s The Studios 2026: An Interview with Claire Teo and Oon Shu An on seeing, being, and performing ‘MONSTRESS’

What does it mean to truly see another person? Not simply to look at them, but to recognise their struggles, question our assumptions and notice the quiet ways people can slip through the cracks. These are the questions surrounding MONSTRESS, a new work by visually impaired theatre-maker Claire Teo and ART:DIS that examines disability, caregiving and the everyday systems that shape who is heard, believed … Continue reading Esplanade’s The Studios 2026: An Interview with Claire Teo and Oon Shu An on seeing, being, and performing ‘MONSTRESS’

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art, Arts, Review, Singapore, Theatre

★★★☆☆ Theatre Review: Multiple Bad Things by Back to Back Theatre

Nightmarish fever dream of a devised theatre work problematises and interrogates the complications of disability and accessibility today. From its title alone, Multiple Bad Things possesses a distinctly ominous quality. What are these bad things? A series of terrible events waiting to happen, or the accumulation of smaller cruelties that eventually become something much more sinister? The production’s visual material might initially suggest something whimsical … Continue reading ★★★☆☆ Theatre Review: Multiple Bad Things by Back to Back Theatre

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Arts, Review, Singapore, Theatre

Theatre Review: Year Zero by ART:DIS (SIFA 2026)

Meta-theatrical act of frustration at how difficult diversity and inclusivity is to achieve in reality, and an argument of its impossibility. Over the years, disability arts in Singapore has grown immensely, moving beyond perceptions of charity or pity, and towards recognition of disabled artists as professionals in their own right: practitioners with formal training, artistic rigour and distinct creative voices. At the forefront of this … Continue reading Theatre Review: Year Zero by ART:DIS (SIFA 2026)

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Arts, Review, The Necessary Stage, Theatre

★★★★☆ Theatre Review: Invisible by ART:DIS & The Necessary Stage

Unexpectedly tender production offers an accessible, educational glimpse at hidden disabilities. As much as Singapore has made visible efforts to dispel myths around disability and create space for greater awareness, the hard truth is that many persons with disabilities (PwDs) still feel out of place in a world designed primarily for the non-disabled. Being labelled ‘disabled’ often comes with the fear of being perceived as … Continue reading ★★★★☆ Theatre Review: Invisible by ART:DIS & The Necessary Stage

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Arts, Interview, Preview, The Necessary Stage, Theatre

Singapore Fringe Festival 2026: An Interview with Haresh Sharma, Grace Kalaiselvi, and Jaspreet Kaur Sekhon on representing disability onstage in ‘Invisible’

Set against the seemingly ordinary backdrop of a hotel workplace, Invisible begins with a simple premise: Malini, a young disabled woman, starts her new job as a cleaner determined to do well. When a guest’s prized possession goes missing, the incident sets off a chain of events that reveals the hidden struggles, quiet tensions, and unseen disabilities carried by those involved. Written by award-winning playwright … Continue reading Singapore Fringe Festival 2026: An Interview with Haresh Sharma, Grace Kalaiselvi, and Jaspreet Kaur Sekhon on representing disability onstage in ‘Invisible’

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Arts, Dance with Me, Preview, Theatres

U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

When audiences step into U>N>I>T>E>D, the latest work from Melbourne-based company Chunky Move, they can expect to enter an entirely different world and an unfamiliar dimension. Think of a machine-mystical landscape where human bodies become mythic creatures, animatronic forms pulse with uncanny life, and the air vibrates with the furious ritual of Balinese noise-duo Gabber Modus Operandi. It’s dance, but something entirely different from how … Continue reading U>N>I>T>E>D: An Interview with Chunky Move Artistic Director Antony Hamilton on mythology, machinery and materiality in movement

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Arts, Dance with Me, Interview, Preview, Theatres

SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

When artist Choy Ka Fai reflects on his collaborators, his language meanders like a dance itself; improvisatory, sudden shifts, and heartfelt pauses. “In the arts scene, no matter how close or friendly you are, it’s rare to remain friends and collaborators,” he says. “Which is why SoftMachine is such a rarity. We premiered it in 2015 with four solos, and toured two of them all … Continue reading SoftMachine – The Return: An Interview with Choy Ka Fai on a decade of collaboration, innovation, and the future of Asian contemporary dance

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Arts, Dance with Me, Preview, Theatres

Preview: da:ns focus – CAN – Connect Asia Now (2025) by Esplanade

The third edition of the Esplanade – Theatres on the Bay’s da:ns focus – Connect Asia Now (CAN) takes place over a weekend this September, presenting three works that push the boundaries of dance, and uniting the unique perspectives of artists from the Asia Pacific. Imagining the future through dance, watch as Antony Hamilton, Choy Ka Fai and Pichet Klunchun reimagine the limitations and potentials of physical … Continue reading Preview: da:ns focus – CAN – Connect Asia Now (2025) by Esplanade

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Arts, Dance with Me, Review, Theatres

★★★★★ Review: Lived Fiction by Stopgap Dance Company

More than just a showcase of accessibility, Stopgap Dance Company elevates inclusivity to an artform of the future. For years, accessibility in the performing arts has too often carried an unfortunate association with charity—where the presence of disabled artists on stage is seen as a benevolent gesture rather than a celebration of creative excellence, where artists and companies are assumed to be platforming disabled artists … Continue reading ★★★★★ Review: Lived Fiction by Stopgap Dance Company

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Arts, Dance with Me, Preview, Theatres

Preview: da:ns focus – EveryBody (2025) by Esplanade

The third edition of da:ns focus – EveryBody by Esplanade – Theatres on the Bay returns next week, from 9th to 13th April, and as with previous editions, aims to break boundaries and show that dance is for everyone and every body, with no need for a ‘perfect’ body to participate in the beautiful art form of dance. Launched in 2023, EveryBody presents high-quality performances and experiences centred … Continue reading Preview: da:ns focus – EveryBody (2025) by Esplanade

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