Project Plait: An Interview with Founder and Choreographer Naomi Tan

Project Plait’s unique set-up of a dinning experience combined with dance has seen it through 5 successful years, most recently with 2018’s A Samsui Love Affair, which impressed us when it played last year as part of the Singapore Food Festival. Once again, the stellar team is back as part of the festival, this time with a brand new show and concept The Mem’s Servants. Set in 1921, The … Continue reading Project Plait: An Interview with Founder and Choreographer Naomi Tan

Preview: M1 Peer Pleasure Youth Theatre Festival 2019 by ArtsWork Collaborative

Following a one year hiatus, the M1 Peer Pleasure Youth Theatre Festival, Singapore’s only annual theatre festival by young people presented by ArtsWok Collaborative, returns this July to the Esplanade – Theatres on the Bay. Taking on the theme of Poverty, this year’s edition will feature a brand new Artistic Director in the form of veteran theatre practitioner and drama educator Jean Ng. Exploring what poverty looks … Continue reading Preview: M1 Peer Pleasure Youth Theatre Festival 2019 by ArtsWork Collaborative

M1 Contact Contemporary Dance Festival 2019: Mr Sign by T.H.E Dance Company (Review)

  Absurd, dystopian world where thoughts and language are thrown into disarray.  First performed in 2013, the 2019 M1 Contact Festival brings back Kim Jae Duk’s first full-length production for T.H.E Dance Company, the endlessly fascinating Mr Sign for a single public performance. Composed and choreographed by Kim, Mr Sign is set in an absurd, dystopian-like society, as members of T.H.E (Anthea Seah, Brandon Khoo, Lynette Lim, Ng Zu You, … Continue reading M1 Contact Contemporary Dance Festival 2019: Mr Sign by T.H.E Dance Company (Review)

George Town Festival 2019: Kampong Chempedak by The Glowers Drama Group (Review)

Change is the only constant. PENANG, MALAYSIA – While most modern city-dwellers have long gotten used to the constant march of progress as our cityscape moves forth, there remain those that find it difficult to impossible to adapt to the way the world has changed. Performed by Singapore senior theatre group The Glowers, our story then focuses on the villagers of Kampong Chempedak, once a thriving and … Continue reading George Town Festival 2019: Kampong Chempedak by The Glowers Drama Group (Review)

Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

Steering audiences to believe in the redemptive power of art. Written and directed by Nelson Chia, First Fleet marks a bold move for the Nine Years Theatre artistic director, clearly differentiating them from the rest of the companies producing works relating to Singapore’ colonial history this year. Taking inspiration from both historical figures and Thomas Keneally’s novel The Playmaker, First Fleet instead focuses on Australia’s colonial history. And more specifically, the … Continue reading Review: First Fleet (第一舰队) by Nine Years Theatre and Singapore Chinese Cultural Centre

M1 Contact Contemporary Dance Festival 2019: Off Stage (Review)

Strong potential evident in each of these works-in-progress Created as a platform to showcase new works-in-progress from local and regional dance artists, the M1 Contact Dance Festival 2019’s Off Stage presented four draft pieces at T.H.E Dance Company’s studio at Goodman Arts Centre. Inviting both members of the public and local/international dancers and choreographers, Off Stage not only gave audience members a chance to preview … Continue reading M1 Contact Contemporary Dance Festival 2019: Off Stage (Review)

Singapore Food Festival 2019: Advanced Dining by Telok Ayer Arts Club & The Picnic (Review)

Expect the unexpected and come away with a new belief in the art of dining. Spoilers ahead Eating is and always will be a part of our daily lives. But get into a routine long enough, and you may just begin to forget just what it was that made food such a magical experience in the first place. Enter Advanced Dining, a curated experiential art … Continue reading Singapore Food Festival 2019: Advanced Dining by Telok Ayer Arts Club & The Picnic (Review)

George Town Festival 2019: Screaming in Silence by Parastoo Theatre Team (Review)

Staging the painful truth of forced marriage in Afghanistan.  PENANG, MALAYSIA – Performed by Parastoo Theatre Team, a group of Afghan refugees who are based in Malaysia, Screaming in Silence uses the form of Theatre of the Oppressed to raise awareness about child marriage in Afghanistan, following the life of a young girl forced into marriage with a much older man by her father and the community. Performed in … Continue reading George Town Festival 2019: Screaming in Silence by Parastoo Theatre Team (Review)

Nine Years Theatre’s First Fleet (第一舰队): An Interview with Director Nelson Chia

Following FAUST/US earlier this year, Nine Years Theatre returns this week for their second production of the year – an original work about the first British fleet to step foot onto what would eventually become Australia, aptly titled First Fleet. Written and directed by Nelson Chia, we posed a number of questions to the Nine Years Theatre Artistic Director to find out a little more about what we … Continue reading Nine Years Theatre’s First Fleet (第一舰队): An Interview with Director Nelson Chia

N.O.W. 2019: Three Fat Virgins Unassembled (Review)

  Almost 30 years on and Ovidia Yu’s classic remains shockingly relevant. One of my earliest memories of coming into contact with local theatre is picking up a copy of Fat Virgins, Fast Cars and Asian Values in the late 2000s, collecting some of the Theatreworks Writers’ Lab’s most seminal plays from the 1990s. Naturally, as its title suggests, this collection contained Ovidia Yu’s Three Fat Virgins Unassembled, a … Continue reading N.O.W. 2019: Three Fat Virgins Unassembled (Review)