SIFA 2019: Peter and the Wolf by Silo Theatre (Review)

Joyous, modern take on Prokofiev’s classic that will enchant any child with the magic of theatre. Every once in a while, amidst the darkness and grit that so much of today’s theatre is characterised by, there is a distinct need to lighten up the mood and find optimism in simple, yet powerful reminders of all that is good in the world. Presented by New Zealand’s … Continue reading SIFA 2019: Peter and the Wolf by Silo Theatre (Review)

SIFA 2019: Dionysus by Suzuki Company of Toga & Purnati Indonesia (Review)

Tadashi Suzuki draws out the wicked and the divine from a classic Greek tragedy . Staging a classic Greek tragedy has never been an easy feat for any theatre company – as enduring as these stories are, the true challenge lies in having a production simultaneously bring something new to the tale, while still preserving the essence of message of the original tale. In the … Continue reading SIFA 2019: Dionysus by Suzuki Company of Toga & Purnati Indonesia (Review)

SIFA 2019: Beware of Pity by Schaubühne Berlin & Complicité (Review)

Crippling guilt is the driving force of tragedy in this co-production between Schaubühne Berlin and Simon McBurney After closing SIFA 2018 with An Enemy of the People, Germany’s Schaubühne Berlin has now returned to open SIFA 2019 in an almost poetic act of programming continuity. In a similar vein to their production last year, Beware of Pity is a scathing, pointed look at the darkness of the human … Continue reading SIFA 2019: Beware of Pity by Schaubühne Berlin & Complicité (Review)

Preview: How I Learned To Drive by Wag the Dog Theatre

Wag the Dog Theatre is back this June for their annual mainstage production. Once again playing at the Drama Centre Black Box, this year, they’re presenting Paula Vogel’s Pulitzer Prize-winning play How I Learned to Drive. Having premiered in March 1997, How I Learned to Drive is set in rural America in the 1960s, and exploring the life of L’il Bit, a teenage girl as she comes … Continue reading Preview: How I Learned To Drive by Wag the Dog Theatre

Singapore International Piano Festival 2019: An Interview with Festival Director Lim Yan

The 26th edition of the Singapore International Piano Festival returns this May and brings together four of the world’s best virtuoso pianists, each performing solo at the Victoria Concert Hall over the four day festival. In the lead-up to the performances, we spoke to Singaporean pianist Lim Yan, the newly appointed Artistic Director of the festival and the first in SSO history to be an … Continue reading Singapore International Piano Festival 2019: An Interview with Festival Director Lim Yan

Museum Musings: Repeat, Repeat, Repeat; Revising The Phenomenon of Printing at The Private Museum

The Private Museum presents a brand new group exhibition this May. Titled Repeat, Repeat, Repeat; revising the phenomenon of printing, the exhibition is curated by Zaki Razak and will run from 17th May to 7th July 2019, as the second second edition of the museum’s Guest Curator series. In the exhibition, Zaki Razak has brought together the print work of seven different artists, namely Miguel Chew, Weixin … Continue reading Museum Musings: Repeat, Repeat, Repeat; Revising The Phenomenon of Printing at The Private Museum

Preview: Papa directed by Sharul Channa

If you grew up with an Asian father, you might remember him as someone gruff, cold, and not at all that good at communicating his feelings. And therein lies the complicated relationship between Asian fathers and their kids, something stand-up comedian Sharul Channa has taken inspiration from in her brand new work Papa as it premieres this Father’s Day. On the inspiration behind the work, Sharul … Continue reading Preview: Papa directed by Sharul Channa

Preview: Singapore Chinese Cultural Centre’s Cultural Extravaganza 2019

  The Singapore Chinese Cultural Centre’s annual Cultural Extravaganza is back for its 3rd edition this May! Celebrating all facets of Chinese culture over 3 weeks, come witness the centre come alive with an immersive line-up of programmes, inviting all to rediscover cultural influences intertwined in our everyday life. This year’s programme is set to be a treat for all the senses, with heart-stopping action to insightful exhibitions, … Continue reading Preview: Singapore Chinese Cultural Centre’s Cultural Extravaganza 2019

In London’s (Off) West End 2019: White Pearl at the Royal Court Theatre (Preview)

LONDON – Making her international playwriting debut this May, the Royal Court Theatre presents New York-based writer Anchuli Felicia King’s White Pearl. Directed byNana Dakin, White Pearl is set in Singapore, where Clearday™ has developed from a small start-up company to a leading international cosmetic brand in less than a year. But when a draft of the company’s latest skin cream advert is leaked, the video goes viral globally for … Continue reading In London’s (Off) West End 2019: White Pearl at the Royal Court Theatre (Preview)

SIFA 2019: An Interview with Festival Director Gaurav Kripalani

We’re less than a week away from the launch of the 2019 Singapore International Festival of Arts (SIFA), marking the second year of Gaurav Kripalani’s stint as Festival Director, and if anything, we’re incredibly excited about the lineup for this year, with even more programmes, internationally renowned artists and premieres happening across Singapore for almost three whole weeks. Sitting down with Gaurav himself, we catch … Continue reading SIFA 2019: An Interview with Festival Director Gaurav Kripalani