★★★★★ Theatre Review: Charged (2026) by Teater Ekamatra

Haunting revival interrogates the fragile foundations of Singapore’s racial harmony with unsettling force. Duration: 105min Singapore likes to tell itself a comforting story: that we are a multiracial nation where harmony is one of our greatest achievements. And while that may be true to a large extent, beneath the familiar choreography of Racial Harmony Day celebrations, bilingual policies and shared national rituals lies the assumption … Continue reading ★★★★★ Theatre Review: Charged (2026) by Teater Ekamatra

An interview with artistic director Shaza Ishak and actress Serene Chen on the complexity and social fault lines laid bare in Teater Ekamatra’s revival ‘Charged’

When Charged premiered in 2010, it did something few Singapore plays had dared to do back then. Set over a single night in an army camp during Chinese New Year, Chong Tze Chien’s drama placed one of Singapore’s most enduring fault lines of race within one of its most sacred institutions. The Singapore Armed Forces has long been imagined as a crucible of nation-building, a … Continue reading An interview with artistic director Shaza Ishak and actress Serene Chen on the complexity and social fault lines laid bare in Teater Ekamatra’s revival ‘Charged’

Preview: Charged by Teater Ekamatra

Some plays don’t lose their relevance, but become even more necessary with time. This July, Teater Ekamatra revives CHARGED, the acclaimed play by Chong Tze Chien that first sparked conversation when it premiered in 2010. Running from 23 July to 2 August 2026 at The Ngee Ann Kongsi Theatre, Wild Rice @ Funan, the production returns 16 years after its award-winning run, inviting a new … Continue reading Preview: Charged by Teater Ekamatra

★★★★★ Theatre Review: Randai Macbeth by ASWARA

Shakespeare meets the Nusantara in a bold, visceral Macbeth reborn through randai. It’s no small feat to make a 400-year-old play feel fresh, but Randai Macbeth achieves exactly that, and then some. Presented by Malaysia’s ASWARA and directed by Dr Norzizi Zulkifli, this bold adaptation reimagines Macbeth through the cultural lens of the Nusantara, transforming Shakespeare’s tale of ambition and moral decay into something visceral, … Continue reading ★★★★★ Theatre Review: Randai Macbeth by ASWARA

★★★★★ Theatre Review: PUNO – Sewing Memories by Papermoon Puppet Theatre

A universally affecting, timeless tale of love and loss by masters of the puppetry form. PUNO: Sewing Memories is, in many ways, a ghost story. Or perhaps more precisely, it is the story of a ghost, though not in the way we might expect. From the very outset of the show, which played as part of the Esplanade’s 2026 Pesta Raya – Malay Festival of … Continue reading ★★★★★ Theatre Review: PUNO – Sewing Memories by Papermoon Puppet Theatre

★★★☆☆ Theatre Review: La Luna by Teater Ekamatra

A lively but unfocused stage adaptation of La Luna struggles to balance satire and substance, losing the impact and weight of its source material. Adapting a film for the stage is never about simple reproduction. Theatre demands transformation, with a rethinking of form, rhythm, and storytelling. But that transformation must still serve the story. The most successful adaptations do not replicate but reinterpret with purpose. … Continue reading ★★★☆☆ Theatre Review: La Luna by Teater Ekamatra

Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’

Twelve years ago, the story that would become PUNO: Sewing Memories began with a promise. Back in 2013, Papermoon Puppet Theatre was planning a collaboration with a close friend from the Philippines: puppetry artist Don Salubayba. “It was kind of like, wow, it’s amazing that we have so much in common, let’s do something together,” recalls director and playwright Maria Tri Sulistyani, also a co-founder … Continue reading Pesta Raya 2026: An Interview with Maria Tri Sulistyani, founder of Papermoon Puppet Theatre, and playwright/director of ‘PUNO – Sewing Memories’

Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia

When Dr Norzizi speaks about randai, she does not describe it as an artefact or a genre. She describes the art form as something breathing, precarious, but alive. “Without ASWARA,” she says plainly of the National Academy of Arts, Cultural and Heritage of Malaysia, “randai is a dying traditional art form. It exists, but it is also not there. If you come to Kuala Lumpur … Continue reading Pesta Raya 2026: An Interview with Dr. Norzizi Zulkifli on adapting Macbeth for Randai and traditional arts in Malaysia

Pesta Raya 2026: An Interview with ‘La Luna’ director Mohd Fared Jainal, playwright Ridhwan Saidi, and star Munah Bagharib

In an age where the world often feels divided and overexposed to outrage, the most compelling theatre sometimes comes from stories that remind us what it means to live, work, and confront challenges together. This year’s La Luna, making its stage debut during Pesta Raya at Esplanade – Theatres on the Bay, does exactly that: it’s a feel-good comedy that also asks audiences to look … Continue reading Pesta Raya 2026: An Interview with ‘La Luna’ director Mohd Fared Jainal, playwright Ridhwan Saidi, and star Munah Bagharib

Preview: Pesta Raya – Malay Festival of Arts 2026 by Esplanade – Theatres on the Bay

As Pesta Raya – Malay Festival of Arts marks its 25th edition in 2026, the beloved festival returns not just as a celebration, but as a living archive of the Nusantara’s cultural imagination. Taking place from 16 to 19 April at Esplanade – Theatres on the Bay, this milestone edition reflects how far the festival has come, from a platform for artistic expression to a … Continue reading Preview: Pesta Raya – Malay Festival of Arts 2026 by Esplanade – Theatres on the Bay