Preview: The Good Farmer by Theatreworks

At Theatreworks’ 20th 24-Hour Playwriting Competition, aspiring playwrights were sent to a farm community in the middle of Lorong Chencharu last September to bang out a full script over a day. And from that competition, one winner’s play from the Open Category is about to be adapted into a full production – NUS sociology student Christopher Chee with The Good Farmer.  The Good Farmer starts off with … Continue reading Preview: The Good Farmer by Theatreworks

Review: The Father by Pangdemonium!

Same same but different – Pangdemonium’s The Father is a terrifying take on dementia as seen through one man’s eyes.  Florian Zeller’s The Father is a difficult play to watch. Not necessarily because it’s complicated (although it’ll certain leave you confused and terrified by the end), but because it’s a play that deals with the inevitable – growing old, and the very real possibility of encountering … Continue reading Review: The Father by Pangdemonium!

Review: Homecoming《家在这里》by The Finger Players

    The Finger Players starts off their 2018 with an all new community tour, bringing their newest puppetry work Homecoming to the less privileged! From 3rd – 11th March, the group will be touring the play across various hospices, orphanages, old folks home and other similar centres, all while promoting each centre’s causes and missions to inspired more volunteers and charity to help the less privileged. In Homecoming, we’re … Continue reading Review: Homecoming《家在这里》by The Finger Players

Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)

Finding love in a hopeless place, with a side of ghosts, graves and a long list of ex-lovers. In Why We Chat?, director Edward Lam and writer Wong Wing Sze reimagine Pu Songling’s classic Strange Tales From A Chinese Studio (聊斋志异) for the times, taking inspiration from its supernatural themes and crafting an all new story about the contemporary horrors of feeling completely, utterly alone within the modern … Continue reading Huayi 2018: Why We Chat? (聊斋) by Edward Lam Dance Theatre (Review)

Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)

Nine Years Theatre and T.H.E. Dance Company take audiences on a nightmarish journey that explores the chaos within our minds. When Nine Years Theatre and T.H.E. Dance Company come together, it’s almost certain that something incredibly out of this world will be born from the collaboration. And when you add a heavy dose of surrealism, you’d probably get something along the lines of Cut Kafka. … Continue reading Huayi 2018: Cut Kafka! (咔嚓卡夫卡!) by Nine Years Theatre and T.H.E. Dance Company (Review)

Preview: i Light Marina Bay 2018, Asia’s Biggest Sustainable Lights Festival

Asia’s biggest sustainable light art festival is back this March! Organised by the Urban Redevelopment Authority (URA), the sixth edition of the annual i Light Marina Bay will run from 9th March to 1st April around the bay, with an all new set of light installation works specially commissioned from local artists, and curated from all around the world. With a focus on eco-friendly/recycled materials … Continue reading Preview: i Light Marina Bay 2018, Asia’s Biggest Sustainable Lights Festival

Review: Evita presented by BASE Entertainment Asia and Lunchbox Theatrical Productions (+Ticket Giveaway!)

A moving portrait of one of Argentina’s most beloved political figures. There are always two sides to every story. And by definition, it is the winners who get to decide which one will go down in the annals of history. In Evita, it is beloved Argentinian political figure Eva Peron whose life comes under scrutiny. Known for her rise in power from a humble provincial girl to … Continue reading Review: Evita presented by BASE Entertainment Asia and Lunchbox Theatrical Productions (+Ticket Giveaway!)

Evita Media Call – An Interview with the Cast and Creatives

Considering that this is the first time Evita will ever be staged in Singapore, it’s pretty impressive that it’s the version considered the definitive one by original composer Andrew Lloyd Webber. Based on the rise to power of real life Argentinian political leader Eva Peron (the eponymous ‘Evita’), Evita is widely considered to be one of Andrew Lloyd Webber’s best works, alongside Cats and Phantom of the Opera. Originally opening … Continue reading Evita Media Call – An Interview with the Cast and Creatives

Huayi 2018: Einstein In The Carpark by Emergency Stairs (Preview)

Of the many performance spaces within the Esplanade, there’s never been one quite as unique as the carpark, being used for the very first time by experimental theatre company Emergency Stairs as they return to Huayi with their new production Einstein In The Carpark. Directed and conceptualized by Emergency Staris artistic director Liu Xiaoyi, Einstein In The Carpark takes inspiration from physicist Albert Einstein’s theory of relativity, … Continue reading Huayi 2018: Einstein In The Carpark by Emergency Stairs (Preview)

Huayi 2018: Why We Chat? by Edward Lam Dance Theatre (Preview)

This Huayi Festival, the Esplanade welcomes Hong Kong’s Edward Lam Dance Theatre to Singapore as they present a truly unique theatrical show that reflects on modern relationships, inspired, oddly enough, by the classic Chinese collection Liaozhai Zhiyi. Directed by award-winning director Edward Lam himself and written by the acclaimed playwright-actress Wong Wing Sze, Why We Chat? follows an aspiring writer (popular Taiwanese-Hong Kong singer/actor David Wang) as he shafts … Continue reading Huayi 2018: Why We Chat? by Edward Lam Dance Theatre (Preview)