A 10-lesson course by one of Asia’s top 10 female comedians pays off for these new comedy hopefuls. Is it possible to even teach an art form as intuitive as stand-up comedy? Sharul Channa certainly thinks so, as she presents the graduating cohort of her very first 10-lesson course for beginners in N.O.W.’s Stand-Up: Fresh + Raw. Transforming the space at 72-13 to a cosier, more … Continue reading N.O.W. 2019: Stand-up – Fresh + Raw (Review)
The tragedy of Partition leaves a haunting impression in this page to stage adaptation. When Akshita Nanda debuted her first novel last year, little did we expect to see it receive a stage adaptation just a year later. Directed by Edith Podesta, the staged reading may not be a full production, but still manages to mostly capture the essence of the original novel, trimming out material … Continue reading N.O.W. 2019: Nimita’s Place – Staged Reading (Review)
It’s been a long time coming, but at last, leading local theatre company W!ld Rice finally has a place to call home, truly. Located in the very heart of the city at the brand new Funan Mall, the 20,000 square foot W!ld Rice @ Funan was unveiled in the lead-up to their official opening. Envisioned by Founding Artistic Director Ivan Heng and Executive Director Tony … Continue reading #FreeYourMind: W!ld Rice Unveils Iconic New Home for Singapore Theatre
Almost 30 years on and Ovidia Yu’s classic remains shockingly relevant. One of my earliest memories of coming into contact with local theatre is picking up a copy of Fat Virgins, Fast Cars and Asian Values in the late 2000s, collecting some of the Theatreworks Writers’ Lab’s most seminal plays from the 1990s. Naturally, as its title suggests, this collection contained Ovidia Yu’s Three Fat Virgins Unassembled, a … Continue reading N.O.W. 2019: Three Fat Virgins Unassembled (Review)
The first edition of TheatreWorks’ N.O.W. programme kicked off on 10th July at 72-13, the home of Theatreworks. Headed by Noorlinah Mohamed, N.O.W. 2019 is set to be the first part of a three year interdisciplinary project focused entirely on spotlighting women creators, thinkers and change-makers, not just in the arts, but across all Singapore industries. Nowhere was this dedication to showcasing women of all backgrounds … Continue reading TheatreWorks’ N.O.W. 2019 Opens
Theatre academia distilled into a metatheatrical production by way of Macbeth. Edith Podesta is one of our local theatre scene’s most exciting directors. Never one to simply present a straightforward work, a production by Podesta is almost always surprising, subverting audience expectations as she pushes theatrical boundaries both visually and conceptually. And so it is that as director of W!ld Rice’s latest batch of Young … Continue reading Review: Anything Can Happen/Something Must Happen by Young & W!ld
The origin story of Pulau Ubin as a Mandarin musical. From criticism of our colonial past to entire installations about Sang Nila Utama and beyond, the Bicentennial year has ensured that a bumper crop of new plays would emerge looking back on Singapore’s history. Amongst these is the Fool Theatre’s latest production, a brand new, original Mandarin musical, which, in contrast to some of the more … Continue reading Review: Rock Guardians of the Sea (守护海洋的神岛) by The Fool Theatre
Following their debut in 2018 with original work Because It’s Fun, The Fool Theatre returns this July with their sophomore work, an all new, original mandarin musical – Rock Guardians of the Sea. In this play, witness a Singapore legend come to life in this madcap adaptation, directed by The Fool Theatre founder Xavier Kang, and with a book by Terence Chan and music by Jonelle Lim. … Continue reading Preview: Rock Guardians of the Sea (守护海洋的神岛) by The Fool Theatre
Originally conceived as a platform for company artists to explore their own choreography, Frontier Danceland Dancers’ Locker has now become a mainstay of their annual performance calendar. Showcasing emerging choreographers as they develop their ideas, take risks and create dance works that are fresh and innovative, this year’s edition features choreographers Keigo Nozaki (Japan) and Ma Yueru (Singapore) as they present brand new works. But beyond simply presenting … Continue reading Preview: Dancers’ Locker 2019 by Frontier Danceland
The Singapore International Film Festival (SGIFF) is here to make waves with launch of its inaugural edition of Travelling Waves and an all-new format of New Waves. Pioneering these refreshed programmes ahead of its 30th edition in November, the Festival continues to grow appreciation among film-lovers, strengthen the independent film ecosystem in the region, while championing its talents and stories. Travelling Waves is a multi-city … Continue reading Singapore International Film Festival makes waves in Southeast Asia ahead of its 30th edition
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