The Studios 2019: Rubber Girl On The Loose by Cake Theatrical Productions (Review)

Antigone gets schooled. School is a tragedy. Specifically in Cake’s case, it’s a Greek tragedy. Opening the Esplanade’s 2019 season of The Studios, Cake presents Rubber Girl on the Loose, a brand new adaptation and reinterpretation of Sophocles’s Antigone, except this time, set within the tyranny of a formal education system. The titular ‘rubber girl’ is of course, Antigone, wearing rubber bands all over her body and refusing … Continue reading The Studios 2019: Rubber Girl On The Loose by Cake Theatrical Productions (Review)

Review: In Our Manner of Speaking – The Clara Schumann Project by The Opera People

Celebrating the women of song in a casual setting. Located just off Joo Chiat Place, the campus-like The Yards stands quiet on a Saturday evening, the weather cool in the wake of a storm as we traipse over from a nearby bus-stop. Weaving our way in amidst the buildings to arrive at the third floor of Block 406, we find ourselves in the quaint NJ … Continue reading Review: In Our Manner of Speaking – The Clara Schumann Project by The Opera People

In Kuala Lumpur 2019: Gold Rain & Hailstones by The Instant Cafe Theatre Company (Review)

A timely reminder of the genius and timelessness of Jit Murad in this reflection on the Malaysian identity. KUALA LUMPUR – It’s been 13 years since Jit Murad’s Gold Rain & Hailstones was last produced in his own home country of Malaysia. So it’s about high time then that a revival is in order by the Instant Cafe Theatre Company this March. Gold Rain & Hailstones follows the outspoken and … Continue reading In Kuala Lumpur 2019: Gold Rain & Hailstones by The Instant Cafe Theatre Company (Review)

NUS Arts Festival 2019: Variations and Variables (Review)

The power and variation of classical music on show. Pianist Abigail Sin and violinist Loh Jun Hong come together for this musical showcase to open the 2019 NUS Festival of the Arts, performing chamber music pieces together to reveal the many variations and variables inherent in music. Oddly enough, this is similar to concepts in Mathematics, where there are endless varieties and variations in formulae … Continue reading NUS Arts Festival 2019: Variations and Variables (Review)

In London’s (Off) West End 2018: Agatha Christie’s Witness For The Prosecution at County Hall (Review)

An unusual immersive experience that highlights the theatricality of the court. LONDON – Mistress of mystery Agatha Christie may have had her play Witness for the Prosecution staged countless times before, but perhaps never in an actual courtroom. Staged at the Council Chamber of London’s County Hall on the Southbank, a former headquarters for local government in London, this new production immerses audiences fully in the action … Continue reading In London’s (Off) West End 2018: Agatha Christie’s Witness For The Prosecution at County Hall (Review)

Review: Crazy Poor Sita by Sharul Channa

Sharul Channa lets her acid humour take a backseat to this timely character drama about the underclass of Singapore. Better known for her sharp tongue and razor wit, stand up comedian Sharul Channa has lately, been delving into a somewhat different brand of performance lately, exploring her actor side with character work that’s seen her transform into women of all backgrounds. In the International Women’s … Continue reading Review: Crazy Poor Sita by Sharul Channa

Review: The Peculiar Tra La by Intercultural Theatre Institute

Tapping into childhood myth and memory to showcase a new graduating cohort. With each new year comes a new batch of ITI graduates to be, with 2019 bringing with it a bumper crop of 10 students (Earnest Hope Tinambacan, Jalal Albaroudi, Jin Chen, Regina Toon, Ted Nudgent Fernandez Tac-an, Theresa Wee-Yenko, Tysha Khan, Vignesh Singh, Wendy Toh and Nour el Houda Essafi) as they embark … Continue reading Review: The Peculiar Tra La by Intercultural Theatre Institute

Review: Kotor by -wright Assembly

The concept of he for she gets a visceral, movement-based portrayal by -wright Assembly. In a decidedly deviant conceptualisation from the usual plethora of female-led work this International Women’s Day, -wright Assembly breaks the mould to present a new interdisciplinary, movement-based performance choreographed by Ismail Jemaah, primarily featuring male performers, as it explores the concept of male responsibility in the ongoing fight for gender equality. … Continue reading Review: Kotor by -wright Assembly

In Kuala Lumpur 2019: Ola Bola the Musical (2019 Version) by Enfiniti Productions (Review)

The sold out Malaysian musical continues to swell with nationalistic pride as it returned for a rematch for an even stronger performance this year.  KUALA LUMPUR – After enjoying a sold out run in 2018, Ola Bola the Musical, the ‘best Malaysian musical’ (according to Malaysian PM Tun Dr Mahathir Mohamad himself) returned to the Isatana Budaya in Kuala Lumpur this February to wow even more … Continue reading In Kuala Lumpur 2019: Ola Bola the Musical (2019 Version) by Enfiniti Productions (Review)

In Kuala Lumpur 2019: An Interview with the Creative Team of Gold Rain & Hailstones (The Instant Cafe Theatre Company)

KUALA LUMPUR – Jit Murad is one of Malaysia’s most prominent playwrights, having penned some of the country’s sharpest and most scintillating plays effectively highlighting and presenting the Malaysian identity onstage. Last staged in Malaysia in 2006, it seemed only right that as part of their comeback and 30th anniversary, the Instant Cafe Theatre Company’s 30th anniversary would then stage Jit’s very first professional play: Gold Rain … Continue reading In Kuala Lumpur 2019: An Interview with the Creative Team of Gold Rain & Hailstones (The Instant Cafe Theatre Company)