★★★★★ Theatre Review: Le Père (The Father) 父亲 by Shanghai Dramatic Arts Centre

by D.Y. Mandarin adaptation of acclaimed Florian Zeller play finds heartbreaking new resonance; spotlighting the Asian sensibilities of a family at war with Alzheimer’s disease.  In theatre, there are few plays that break the trust between audience and performer in its storytelling; And with an unassuming title such as ‘The Father’, the audience is lured into a false sense of familiarity. But, when the naturalistic, … Continue reading ★★★★★ Theatre Review: Le Père (The Father) 父亲 by Shanghai Dramatic Arts Centre

★★★★★ Theatre Review: Force Majeure by Pangdemonium

A storm of memory, art and family marks the beginning of Pangdemonium’s final season. Pangdemonium opens its 2026 season with Force Majeure, a quietly devastating meditation on art, family and the fragile structures that hold both together. Written by Stephanie Street and directed by Tracie Pang, the play reimagines Chekhov’s Three Sisters within a contemporary Southeast Asian context, where artists find themselves negotiating not just … Continue reading ★★★★★ Theatre Review: Force Majeure by Pangdemonium

An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

In its final season, Pangdemonium returns to a writer who has haunted stages for more than a century: Anton Chekhov. But this is not a museum piece, nor a reverent period revival. Force Majeure, written by Stephanie Street and adapted from Three Sisters, relocates the ache of Chekhov’s provincial dreamers into a contemporary landscape of global drift and fragile belonging. The soldiers and samovars are … Continue reading An Interview with director Tracie Pang, and cast members Sharda Harrison and Benjamin Kheng on Pangdemonium’s ‘Force Majeure’

Art: Rirkrit Tiravanija’s SAY YES TO EVERYTHING at STPI

What if an art exhibition didn’t ask you to stand still and look, but instead invited you to eat, talk, play, and linger? This March, Rirkrit Tiravanija brings exactly that proposition to Singapore with SAY YES TO EVERYTHING, his largest exhibition here to date, presented at STPI from 7 March to 9 May 2026. Known for redefining what art can be, Tiravanija has spent decades … Continue reading Art: Rirkrit Tiravanija’s SAY YES TO EVERYTHING at STPI

★★★★☆ Dance Review: Diary VII ・ The Story Of…… by Mui Cheuk-yin

Mui Cheuk-yin transforms a chance encounter with a stray cat into a profound reflection on migration, memory and the circular nature of time. Diary entries often feel like streams of consciousness, a flow of thought. So for a dance piece to take inspiration from one, that results in a performance where there is no dramatic overture, no attempt to overwhelm. Instead, the theatre fills with … Continue reading ★★★★☆ Dance Review: Diary VII ・ The Story Of…… by Mui Cheuk-yin

★★★★☆ Theatre Review: The Sun by 4 CHAIRS THEATRE

A searing Taiwanese sci-fi triumph that evokes harrowing existential crises as we wonder how much humanity we leave behind as we evolve. There is something disquietingly apt about encountering The Sun in a cultural moment already steeped in suspicion, fracture and the long psychological aftershocks of global crises today. Directed by Tora Hsu and adapted by Chen Yi-En from Tomohiro Maekawa’s 2010 Japanese script, this … Continue reading ★★★★☆ Theatre Review: The Sun by 4 CHAIRS THEATRE

Preview: Saree, These Are Just Jokes! by Sharul Channa

Stand-up comedy isn’t for the faint of heart, or the slow of wit. And if there’s anyone who has proven she has both the guts and the timing to thrive, it’s Sharul Channa. Just ask Harper’s Bazaar, which praised her fearless presence on stage, or Prestige Singapore, which called her success in the male-dominated comedy world proof that women are, in fact, very funny. She’s … Continue reading Preview: Saree, These Are Just Jokes! by Sharul Channa

Preview: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

In a fast-changing Singapore obsessed with credentials, career pathways and the promise of stability, Lao Jiu: The Musical feels both nostalgic and strikingly contemporary. Set against the backdrop of 1980s Singapore, this beloved local musical returns in April 2026 with renewed urgency, asking a question many of us still grapple with today: what do you do when your dreams do not align with expectations? Presented … Continue reading Preview: Lao Jiu – The Musical 《老九》音乐剧 (2026) by The Theatre Practice

★★★★☆ Theatre Review: Deling and Cixi by He Jiping

A tender look at power and femininity in the dying days of the Qing dynasty. As the opening production of this year’s Huayi – Chinese Festival of Arts, Deling and Cixi arrives with imperial grandeur and no small ambition, taking us back to the days of imperial China. Written by celebrated playwright He Jiping and directed by Roy Szeto, this sweeping three-hour production brings the … Continue reading ★★★★☆ Theatre Review: Deling and Cixi by He Jiping

Music: Singapore Symphony appoints Andrew Beer as concertmaster

The Singapore Symphony Orchestra (SSO) has appointed violinist Andrew Beer as its GK Goh Concertmaster, starting from the 2026/27 season. A musician with an international career spanning major orchestras and musical genres, Beer will help shape the orchestra’s sound as it enters a new chapter with incoming Music Director Hannu Lintu. Canadian violinist Andrew Beer joins the SSO from the Auckland Philharmonia, where he has … Continue reading Music: Singapore Symphony appoints Andrew Beer as concertmaster