NUS Arts Festival 2019: A Disappearing Number (Review)

Math is hard. Math and theatre initially seem like odd bedfellows. After all, math is grounded in undeniable realities, while theatre tends to take liberties with that, shuttling between the abstract and absolute to produce art. Yet, with 2019 NUS Arts Festival opening show A Disappearing Number, director Edith Podesta attempts to prove the theorem that math and theatre can coexist, with surprising parallels that can be applied … Continue reading NUS Arts Festival 2019: A Disappearing Number (Review)

Preview: NUS Arts Festival 2019 – A Game of Numbers

Far too often, the arts are seen as in direct conflict with the maths and sciences, unable to co-exist in harmony and worlds apart. Yet with the 2019 NUS Arts Festival, for its 14th edition, the team has decided to do the impossible, and show the world that arts and math do in fact, have a lot in common with each other, at “Singapore’s First … Continue reading Preview: NUS Arts Festival 2019 – A Game of Numbers

Review: Master Race by Myle Yan Tay

A simple yet strong premise that sets the foundation for a better play in future One of the most pertinent events to have surrounded the issue of race is perhaps none other than Rachel Dolezal, the Caucasian woman who lived a life pretending to be black, drawing flak for the lie, yet was an outspoken vocalist for civil rights. It’s an issue that shows that … Continue reading Review: Master Race by Myle Yan Tay

The Art Scene’s Movers and Shakers: Theatreworks Curators Academy

    The inaugural Theatreworks Curators Academy comes to a close for now, with plenty of food for thought. SINGAPORE – Even as new SIFA Festival Director Gaurav Kripalani steps up to the plate for a new era of the festival, his immediate predecessor still certainly has plenty on his plate, as Ong Keng Sen heralds an all new programme of his own: the inaugural … Continue reading The Art Scene’s Movers and Shakers: Theatreworks Curators Academy

Preview: Overtime by Myle Yan Tay and Nathaniel Mah

Yale-NUS students Myle Yan Tay and Nathaniel Mah will be presenting an all new musical this November. Titled Overtime, the original musical follows best friends Finch, an employee in the Ministry of Competency and Alex, an aspiring playwright. Both of them dream of success, but while Finch keeps getting his promotions, Alex struggles, and a rift begins to form between the two friends. https://www.facebook.com/plugins/video.php?href=https%3A%2F%2Fwww.facebook.com%2FOvertimeMusical%2Fvideos%2F1959933290931198%2F&show_text=0&width=400 Can the two maintain … Continue reading Preview: Overtime by Myle Yan Tay and Nathaniel Mah

Review: Boom by (aside)

Since its inception in 2008, Jean Tay’s Boom has become a seminal text keenly representing our country’s insatiable thirst for fancy new things and our forgotten heritage, told through the parallel stories of a property agent and his mother, and a civil servant and a literal unidentified corpse. Weaving in Hokkien with English, past with present, and a touch of magical realism, Boom is a poignant, powerful work that … Continue reading Review: Boom by (aside)

Preview: Boom by (aside) – Yale-NUS Repertory Theatre Company

This November, Yale-NUS’ Repertory Theatre Company (aside) presents an all new production of Jean Tay’s Boom. Written by economist-turned-playwright Tay, Boom was first performed in 2008 by the Singapore Repertory Theatre, where tt was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards, Boom has since gone on to become an ‘O’- and ‘N’-Level Literature text in Singapore schools. Set in a surreal yet familiar version of Singapore, Boom takes … Continue reading Preview: Boom by (aside) – Yale-NUS Repertory Theatre Company